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Atalanta

Имя Класс обучения Дата

matthew charles meere, Atalanta (1938), Галерея Нового Южного Уэльса. Воспроизведено в ознакомительных целях; все права защищены правообладателем.

Факты

Автор
matthew charles meere artsdot.com/ru/artists/matthew-charles-meere/
Даты жизни автора
1890 – 1961
Живопись
1938
Материал
Oil
Размер оригинала
91 x 152 cm
Динамика
Classical Realism
Период
Modern
Место проведения
Галерея Нового Южного Уэльса artsdot.com/ru/museums/%D0%B3%D0%B0%D0%BB%D0%B5%D1%80%D0%B5%D1%8F-%D0%BD%D0%BE%D0%B2%D0%BE%D0%B3%D0%BE-%D1%8E%D0%B6%D0%BD%D0%BE%D0%B3%D0%BE-%D1%83%D1%8D%D0%BB%D1%8C%D1%81%D0%B0-%D1%81%D0%B8%D0%B4%D0%BD%D0%B5%D0%B9_ru/
Artistic style
Classical realism
Notable elements or techniques
Layered technique, muted tones, musculature
Subject or theme
Athletic competition and Greek mythology

В контексте

Atalanta — matthew charles meere

Размер

Оригинальный размер составляет 91 × 152 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Дата написания

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Затененная область: годы жизни matthew charles meere (1890–1961) ▲ эта работа, 1938

Похожие произведения

Выберите одну из работ выше: назовите две общие черты с этим произведением и одно отличие.

Другие работы, которые дополнят эту: artsdot.com/ru/art/similar/matthew-charles-meere-atalanta-D3ZME3-en/

Цветовая палитра

Определено по изображению

    Основной цвет

    Rosy Brown #b7b090

    Сохраненная палитра

    • #B7B090
    • #4C483B
    • #71684B
    • #96906D
    Основной цвет
    Rosy Brown
    Интенсивность
    Balanced Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Gentle Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Strong Color Unity Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Bright Общая светлость или темность картины: от глубокой тени до яркого блика.
    Насыщенность
    Subtle Color Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    Об этом произведении

    Atalanta — matthew charles meere

    A Symphony of Motion and Myth

    In the sweeping expanse of Matthew Charles Meere’s 1938 masterpiece, Atalanta, the viewer is instantly transported to an era where the boundaries between the mortal and the divine were perpetually blurred. This dynamic oil painting captures a moment of breathless athletic competition, drawing deep inspiration from the legends of classical Greek mythology. The composition centers on a high-stakes race, portraying two male figures locked in a struggle for supremacy; one runner surges forward with determined vigor, while another appears to be faltering, caught in the gravity of defeat. Beside this central drama stands a third figure, perhaps a charioteer or a divine witness, holding a torch that serves as a beacon of both light and destiny. The scene is set against an architectural backdrop reminiscent of ancient Greece, where a silent assembly of spectators watches from the periphery, their presence adding a layer of communal tension to the unfolding spectacle.

    Meere’s technical mastery is evident in the way he utilizes a warm, muted palette to evoke a sense of timelessness. The canvas is dominated by earthy tones and soft, sun-drenched hues that lend the scene an antique, almost nostalgic glow. Through a sophisticated application of layered oil paint, the artist achieves a remarkable depth, defining the powerful musculature of the athletes and the fluid, rhythmic movement of their drapery. Every brushstroke contributes to a sense of organic energy, where the textures appear smooth and slightly luminous, catching the soft, diffused light that bathes the landscape. This careful manipulation of light and shadow creates a three-dimensional realism that breathes life into the figures, making the physical exertion of the race feel palpable to the observer.

    Symbolism and the Pursuit of Excellence

    Beyond its surface beauty, Atalanta serves as a profound meditation on the human condition. The painting is rich with symbolism, representing the eternal struggle for victory, the agony of failure, and the relentless pursuit of excellence. The central conflict between the runners acts as a metaphor for the trials faced in life, where triumph often requires navigating the precipice of collapse. The presence of the torch-bearer introduces an element of divine intervention or perhaps the guiding light of intellect and spirit that oversees human endeavor. For the discerning collector or interior designer, this piece offers more than mere decoration; it provides a narrative anchor for a space, inviting contemplation on themes of resilience and the glory of the struggle.

    The historical context of the work further enhances its allure. Created during a period when neo-classical interpretations were finding new life in modern sensibilities, Meere’s work bridges the gap between the grandeur of the past and the refined aesthetics of the early 20th century. As an artist who moved from the vibrant art scenes of London and France to the burgeoning landscape of Australia, Meere brought a cosmopolitan sophistication to his subject matter. This particular piece, characterized by its balanced and symmetrical composition, possesses a monumental quality that makes it an ideal centerpiece for grand interiors. Whether placed in a formal gallery setting or a curated residential collection, Atalanta continues to captivate the soul with its blend of classical realism and idealized beauty.

    Художник и музей

    Автор

    matthew charles meere

    Место рождения London, United Kingdom

    **early life and education**

    matthew charles meere, a prominent english-born artist, was born in 1890 in the united kingdom. his formative years were marked by an innate passion for art, leading him to pursue higher education in both england and france. this cosmopolitan approach to his artistic development would later influence his unique style.

    **war service and relocation**

    meere's life took a significant turn when he served in world war i. upon completion of his service, he made the decision to settle in australia in 1932, a move that would have a profound impact on his career.

    **artistic achievements**

    meere's sydney art practice flourished, with him working as a commercial artist and teaching life classes to notable students like freda robertshaw.

    he achieved considerable artistic and commercial success, notably winning the sulman prize in 1938 with his piece atalanta's eclipse, a neo-classical interpretation of the greek myth.

    one of his most celebrated works, australian beach pattern (1938–40), has been subject to various interpretations, including as a celebration of australian beach culture or a nuanced reflection of australia's unpreparedness for world war ii.

    **legacy and notable mentions**

    - *inclusion in the 2000 summer olympics program: his work was among the quintessential australian images chosen for the opening ceremony. - exhibition at london's national gallery in 2013*: a major exhibition of australian art featured his works.

    **personal life and later years**

    meere's life post-war saw him establish a successful career in australia. his legacy extends beyond his own work, with his grandson also becoming a painter of note, based in sydney and inspired by global travels.

    view matthew charles meere's artworks on AllPaintingsStore

    explore the greatest artists of all time on AllPaintingsStore

    learn more about australian art on wikipedia

    *note:* this biography is based on information available up to 2022 and may not reflect updates or new discoveries post-2022.

    Музей

    Галерея Нового Южного Уэльса

    На выставке в Сидней, Австралия

    A Window into Colonial Australia: The Art of New South Wales

    Nestled within the vibrant heart of Sydney, the Art Gallery of New South Wales is more than just a collection of paintings and sculptures; it’s a profound journey through centuries of cultural exchange. Founded on the ancestral lands of the Gadigal people – a recognition that remains deeply woven into the gallery's very ethos – this institution invites visitors to contemplate not only the beauty within its walls but also the complex, often challenging narrative of Australia’s formation. From the meticulous detail of early engravings depicting the arrival of Governor Arthur Phillip to the bold expressions of contemporary street art, the Gallery offers a remarkably diverse collection reflecting the varied experiences that shaped colonial art and continue to resonate today.

    The gallery's origins trace back to 1872 with the establishment of the New South Wales Academy of Art. Initially conceived as a platform for organizing annual exhibitions, it quickly evolved into a vital hub for emerging artists, fostering a burgeoning creative community within the colony. The building itself – originally constructed as the Royal North Shore Hospital in 1856 – is an integral part of this story. Designed by the esteemed architect John Habens, its imposing Victorian façade speaks volumes about a time when hospitals were symbols of civic pride and progress. The deliberate repurposing into an art gallery in 1973 was not merely a change of function; it was a conscious act of preservation, honoring the building’s rich historical fabric while simultaneously providing a fitting and inspiring space for artistic expression. The careful restoration has meticulously maintained the original grandeur, layering architectural history with the dynamic energy of contemporary exhibitions – a testament to the gallery's commitment to both heritage and innovation.

    A Legacy of Patronage and Artistic Voice

    The Gallery’s collection is particularly enriched by the influence of Charles Jones, a prominent patron and collector who played a pivotal role in nurturing the talents of Sydney artists during the 19th century. Recognizing the potential within the colony's burgeoning artistic community, Jones actively championed their growth through generous support and astute acquisitions. His dedication resulted in a significant collection that showcases not only the evolution of artistic styles and techniques – from the formal elegance of early portraiture to the emerging Romanticism capturing the rugged beauty of the Australian landscape – but also reflects the changing social and cultural landscape of the time. Keep an eye out for works by Francis Wheatley, whose meticulous engravings immortalized figures like Arthur Phillip Esq., offering a poignant glimpse into the initial stages of settlement and British authority. The gallery also houses a remarkable collection of Charles Jones’s acquisitions, representing his discerning taste and unwavering commitment to supporting local talent, solidifying his legacy as a true champion of Australian art.

    Notable Exhibitions & Artistic Voices

    The Art Gallery of New South Wales consistently hosts a dynamic program of exhibitions that illuminate diverse themes and artistic movements. Recent highlights have included compelling retrospectives dedicated to pioneering Australian artists like Charles Condor, whose dramatic seascapes capture the raw power of the Pacific Ocean – evoking both the beauty and the inherent danger of Australia’s coastline. Equally captivating are explorations of contemporary street art, a vibrant reflection of urban culture and social commentary that challenges traditional notions of artistic expression. The Archibald Prize, Australia’s most prestigious portraiture award, is regularly featured at the gallery, offering a fascinating insight into the nation's artistic talent and its evolving perspectives on identity and representation. Don’t miss opportunities to explore thematic exhibitions focusing on Indigenous Australian art – showcasing the intricate storytelling techniques and profound cultural symbolism embedded within their traditions, providing an essential component of understanding Australia’s rich artistic heritage.

    The Lewers Bequest: A Pivotal Collection

    Perhaps the Gallery's most distinctive feature is the Lewers Bequest – a remarkable collection of 19th-century Australian paintings amassed by Sir John Edward Lewers, a prominent businessman and art collector. This bequest represents a pivotal moment in the development of Australian art history, providing an unparalleled opportunity to study the evolution of artistic styles and techniques within the colony. The collection includes works by artists such as Frederick McCubbin, Tom Roberts, and Russell Drysdale – each offering a unique perspective on Australian life and landscape. The Lewers Bequest is housed in a dedicated wing of the gallery, allowing visitors to immerse themselves fully in this extraordinary assemblage and appreciate its significance within the broader context of Australian art history. The careful curation allows for a deep dive into the artistic trends and influences that shaped the era.

    A Living Collection: Research & Community Engagement

    The Art Gallery of New South Wales is more than just a display space; it’s a vibrant hub for research and community engagement. Its dedicated curatorial team actively investigates the provenance and significance of its artworks, contributing to a deeper understanding of Australian art history through scholarly publications and ongoing research projects. The gallery also offers a diverse range of educational programs, workshops, and tours designed to engage visitors of all ages and backgrounds – from school groups eager to explore artistic concepts to seasoned art enthusiasts seeking new insights. Furthermore, the Gallery’s commitment extends beyond its physical walls through collaborations with local schools, universities, and cultural organizations, promoting artistic literacy and supporting emerging talent within the community. The gallery's website provides extensive resources for researchers, students, and art lovers alike, solidifying its role as a vital center for Australian art scholarship and a cornerstone of Sydney’s cultural landscape.

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    Цитирование произведения

    MLA
    meere, matthew charles. Atalanta. 1938, Галерея Нового Южного Уэльса. https://artsdot.com/ru/art/matthew-charles-meere-atalanta-D3ZME3-en/
    APA
    meere, matthew charles (1938). Atalanta [Painting]. Галерея Нового Южного Уэльса. https://artsdot.com/ru/art/matthew-charles-meere-atalanta-D3ZME3-en/
    Chicago
    matthew charles meere. Atalanta. 1938. Галерея Нового Южного Уэльса. https://artsdot.com/ru/art/matthew-charles-meere-atalanta-D3ZME3-en/
    Harvard
    meere, matthew charles (1938) Atalanta. Галерея Нового Южного Уэльса. Available at: https://artsdot.com/ru/art/matthew-charles-meere-atalanta-D3ZME3-en/

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