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Study for "Goat"

Имя Класс обучения Дата

Артур Гаррисон Доу, Study for "Goat" (1934). Общественное достояние

Факты

Автор
Артур Гаррисон Доу artsdot.com/ru/artists/%D0%B0%D1%80%D1%82%D1%83%D1%80-%D0%B3%D0%B0%D1%80%D1%80%D0%B8%D1%81%D0%BE%D0%BD-%D0%B4%D0%BE%D1%83_ru/
Даты жизни автора
1880 – 1946
Живопись
1934
Размер оригинала
10 x 15 cm

В контексте

Study for "Goat" — Артур Гаррисон Доу

Размер

Оригинальный размер составляет 10 × 15 см (высота × ширина); здесь он представлен рядом с фигурой взрослого человека среднего роста.

Дата написания

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Затененная область: годы жизни Артур Гаррисон Доу (1880–1946) ▲ эта работа, 1934

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Другие работы, которые дополнят эту: artsdot.com/ru/art/similar/arthur-garfield-dove-study-for-goat-D32EP6-en/

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    Основной цвет

    Gray #98876d

    Сохраненная палитра

    • #98876D
    • #D7D8D4
    • #2C3D32
    • #716134
    Палитра
    Neutrals Преобладающая цветовая гамма изображения.
    Основной цвет
    Gray
    Интенсивность
    Balanced Насколько насыщенными и разнообразными могут быть цвета — от одного приглушенного оттенка до множества ярких.
    Контрастность
    Statement Степень различия цветов по светлоте и насыщенности в разных частях картины.
    Гармония
    Softly Mixed Palette Насколько хорошо сочетаются цвета — от контрастных до полностью гармоничных.
    Яркость
    Bright Общая светлость или темность картины: от глубокой тени до яркого блика.
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    Subtle Color Насколько чисты и насыщенны эти цвета — от почти серых до максимально ярких.

    Об этом произведении

    Study for "Goat" — Артур Гаррисон Доу

    This watercolor is a study for Dove"s oil painting of the same title (MMA 49.70.37). Dove typically worked out his compositional arrangements and color schemes in this medium, on a small scale, then transferred the image to a larger canvas by means of a projector-like "magic lantern" or a copying tool called a pantograph. A comparison with the Goat painting demonstrates the artist"s adherence to his original conception of the work, with only minimal alterations to its shapes and tones.

    Художник и музей

    Автор

    Артур Гаррисон Доу

    Место рождения Канада, Соединенные Штаты Америки

    A Pioneer of American Abstraction: The Life and Art of Arthur Garfield Dove

    Arthur Garfield Dove, born in 1880 in Canandaigua, New York, stands as a pivotal figure in the narrative of American modern art—not merely an artist who embraced abstraction, but arguably its first true champion on American soil. His very name—Arthur Garfield, bestowed upon him by parents captivated by the political fervor of the 1880 presidential election—hints at a life lived amidst shifting currents and bold new directions. Dove’s early years were steeped in privilege, yet his artistic inclinations set him apart from expectations. A childhood filled with piano lessons, baseball, and painting foreshadowed a multifaceted creative spirit that would ultimately reject conventional boundaries. After studying at Hobart and Cornell Universities, he initially pursued commercial illustration in New York City, a pragmatic choice that nonetheless provided valuable experience while fueling an underlying desire for more profound artistic expression.

    From Illustration to Innovation: The European Awakening

    The turning point in Dove’s artistic journey arrived with his move to Paris in 1907. Immersed in the vibrant atmosphere of the European art capital, he encountered the burgeoning modernist movements that would irrevocably shape his aesthetic vision. He befriended Alfred Henry Maurer, another American expatriate artist experimenting with radical new styles, and was profoundly influenced by the Fauvist works of Henri Matisse. The bold colors and expressive brushwork of Matisse liberated Dove from academic constraints, encouraging him to explore the emotional power of pure form and color. Exhibiting at the Salon d’Automne in 1908 and 1909, he began to develop a style that moved away from direct representation towards an increasingly subjective interpretation of nature. This period wasn't simply about adopting new techniques; it was about discovering a personal artistic voice—a quest for authenticity that would define his career. He sought not to depict the world but to convey its underlying essence, its emotional resonance. The influence of Matisse’s use of color as an expressive element proved particularly transformative, allowing Dove to prioritize feeling over meticulous observation.

    Extraction and Essence: Defining an American Abstract Style

    Upon returning to America, Dove embarked on a period of intense experimentation, developing what he termed “extraction.” This wasn't about simply simplifying forms; it was a deliberate process of distilling the fundamental elements of a scene—the shapes, colors, and rhythms—to reveal its underlying structure. He worked across a diverse range of media, often combining them in unconventional ways: oil, tempera, watercolor, pastels, even incorporating materials like wood and fabric into his compositions. His paintings weren’t merely abstract; they were deeply rooted in the natural world, reflecting his lifelong fascination with landscapes, plants, and marine life. Works like *Me and the Moon* (1937) exemplify this approach—a lyrical composition that evokes a sense of vastness and tranquility through abstracted forms and luminous colors. He wasn’t interested in photographic realism; he aimed to capture the feeling of being immersed in nature, the sensation of light and air, the subtle shifts in mood and atmosphere. Dove's technique often involved layering paints, creating textured surfaces that added depth and complexity to his compositions. This process allowed him to move beyond mere representation and tap into a more primal, intuitive mode of expression.

    Collaboration and Legacy: A Champion of Modernism

    Dove’s artistic development was significantly shaped by his relationship with Alfred Stieglitz, the influential photographer and gallery owner who championed modern art in America. Stieglitz provided Dove with crucial exposure, hosting his first solo exhibition at the 291 gallery in 1912—a landmark event that marked a turning point in American art history. Through Stieglitz’s support, Dove gained recognition and connected with other progressive artists and collectors. The patronage of Duncan Phillips, founder of the Phillips Collection, was also instrumental to Dove's career, providing financial stability and critical encouragement during challenging times. Despite facing resistance from a public largely unfamiliar with abstract art, Dove remained steadfast in his artistic vision. His influence extended beyond his own paintings; he inspired a generation of American artists, including Georgia O’Keeffe, who acknowledged his profound impact on her work. Dove's willingness to embrace new ideas and challenge conventional notions of beauty paved the way for future generations of abstract expressionists.

    A Lasting Impact: The Enduring Relevance of Arthur Dove

    Arthur Garfield Dove died in 1946, leaving behind a body of work that continues to resonate with audiences today. His pioneering spirit and unwavering commitment to artistic innovation cemented his place as a central figure in the development of American modernism. He wasn’t simply an imitator of European trends; he forged a uniquely American abstract style—one that was deeply connected to the natural world, infused with emotional intensity, and characterized by a remarkable sense of freedom and experimentation. His paintings can be found in major museums around the world, serving as a testament to his enduring legacy. Dove’s work reminds us that true artistic expression requires courage, vision, and an unwavering belief in the power of abstraction to reveal deeper truths about ourselves and the world around us. *He dared to look beyond appearances, to extract the essence of things, and to create something entirely new—a visual language that continues to inspire and challenge us today.*

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    Цитирование произведения

    MLA
    Доу, Артур Гаррисон. Study for "Goat". 1934, https://artsdot.com/ru/art/arthur-garfield-dove-study-for-goat-D32EP6-en/
    APA
    Доу, Артур Гаррисон (1934). Study for "Goat" [Painting]. https://artsdot.com/ru/art/arthur-garfield-dove-study-for-goat-D32EP6-en/
    Chicago
    Артур Гаррисон Доу. Study for "Goat". 1934. https://artsdot.com/ru/art/arthur-garfield-dove-study-for-goat-D32EP6-en/
    Harvard
    Доу, Артур Гаррисон (1934) Study for "Goat". Available at: https://artsdot.com/ru/art/arthur-garfield-dove-study-for-goat-D32EP6-en/

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    Study for "Goat" — Артур Гаррисон Доу

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    3. Вспомните работу Lake Afternoon (1935), представленную ранее в этом руководстве. Назовите две общие черты с этим произведением и одно отличие.
    4. Артур Гаррисон Доу было около 54 лет, когда это произведение было создано. Что в нем напоминает о творчестве художника именно этого периода?
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