Portretul lui Vittore Crivelli

Descoperă cele 21 cele mai faimoase picturi ale lui Vittore Crivelli

Actualizat Octombrie 2026 · clasat în funcție de scorul nostru de popularitate (căutări, vizite și comenzi pentru fiecare operă) · 21 lucrări ale lui Vittore Crivelli în catalogul nostru

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Dacă cunoașteți o pictură a lui Vittore Crivelli, este probabil Saint Jerome (panel from an altarpiece) (1481), care este expusă la Victoria and Albert Museum, Londra. Madonna and Child with Two Angels (1481) și Madonna and Child Enthroned with Two Angels and a Donor (1481) completează cele trei piese pe care oamenii le recunosc imediat. Catalogul nostru conține 21 lucrări ale lui Vittore Crivelli. Mai jos sunt cele 21 opere cele mai cunoscute, fiecare cu anul creării, locul unde poate fi găsită și trăsăturile care o fac specială.

1440 – 1501, Venice Renaissance Cele mai multe lucrări: Musée du Petit Palais

Începe de aici: cele mai importante 10 picturi ale lui Vittore Crivelli

1
Saint Jerome (panel from an altarpiece) (1481) de Vittore Crivelli

Saint Jerome (panel from an altarpiece)

1481 · Oil On Panel · Victoria and Albert Museum, Londra

This painting, created in 1481, depicts Saint Jerome as the central figure. He is portrayed with a long beard that extends down to his waist and is dressed in a red hat and robe. The saint is captured in a moment of study, holding an open book in front of him as he appears to be reading.

Reproducere pictată manual în ulei de la $175 25 × 40 cm Aceeași dimensiune ca originalul $214 38 × 61 cm Comandă în dimensiunea originală →
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2
Madonna and Child with Two Angels (1481) de Vittore Crivelli

Madonna and Child with Two Angels

1481 · Tempera On Panel · Metropolitan Museum of Art, New York

The air within the frame feels heavy with a quiet, sacred stillness. A Madonna sits in a shallow, intimate space, her presence commanding the viewer through a meticulous attention to detail that borders on the hyper-realistic. She holds the Christ child, whose soft skin glows against the heavy, ornate brocade of her cloak. Flanking them, two angels lean in, their faces caught in a moment of eternal adoration. The scene…

Reproducere pictată manual în ulei de la $225 27 × 37 cm Aceeași dimensiune ca originalul $263 41 × 56 cm Comandă în dimensiunea originală →
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3
Madonna and Child Enthroned with Two Angels and a Donor (1481) de Vittore Crivelli

Madonna and Child Enthroned with Two Angels and a Donor

1481 · Tempera On Panel · Metropolitan Museum of Art, New York

The scene unfolds with a profound sense of stillness, as if the air itself has thickened with the presence of the sacred. At the center of this celestial arrangement, the Madonna sits upon an elevated throne, her figure commanding the space with a quiet, monumental grace. She holds the Christ Child, whose small form is cradled against her, creating a focal point of soft curves amidst a world of sharp,…

Reproducere pictată manual în ulei de la $275 22 × 46 cm Aceeași dimensiune ca originalul $485 62 × 132 cm Comandă în dimensiunea originală →
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4
Madonna and Child with a clove. (1450) de Vittore Crivelli

Madonna and Child with a clove.

1450 · Tempera On Panel · Castelul Regal Wawel, Cracovia

This work, titled Madonna and Child with a clove., was painted by Vittore Crivelli. It represents a quiet moment of devotion, capturing the Virgin Mary and the Christ Child in a composition that reflects the artist's specific approach to religious portraiture. The piece is dated about 1450, a period when the artist was establishing his presence within the Venetian tradition.

Reproducere pictată manual în ulei de la $200 26 × 38 cm Aceeași dimensiune ca originalul $222 35 × 49 cm Comandă în dimensiunea originală →
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5
Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi (1481) de Vittore Crivelli

Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi

1481 · Tempera On Panel · Philadelphia Museum of Art, Philadelphia

This polyptych, dated 1481, presents a formal arrangement of religious figures within a carved, gilded wooden frame. At the center, the Virgin Mary sits upon a throne, holding the Christ Child. She is flanked by vertical panels that house four distinct saints: Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi. Small angels occupy the space at the feet of the central figures. The composition follows a strict,…

Reproducere pictată manual în ulei de la $375 43 × 23 cm
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6
St. Louis of Toulouse (1497) de Vittore Crivelli

St. Louis of Toulouse

1497 · Tempera On Panel · Vanderbilt Museum of Art, Nashville

The figure of St. Louis of Toulouse emerges from the shadows of history in this 1497 portrait by Vittore Crivelli. He appears before us not as a distant memory, but as a living presence, draped in the heavy, ceremonial weight of ecclesiastical vestments. The saintly figure holds his symbols of office with a quiet, steady grace that commands the viewer's immediate attention. Every fold of his liturgical attire speaks to…

Reproducere pictată manual în ulei de la $275 18 × 54 cm Aceeași dimensiune ca originalul $389 41 × 117 cm Comandă în dimensiunea originală →
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7
St. Bonaventure, pendant to St. Louis (1490) de Vittore Crivelli

St. Bonaventure, pendant to St. Louis

1490 · Tempera On Panel · Rijksmuseum, Amsterdam

Vittore Crivelli presents a vertical, full-length portrait of St. Bonaventure, a figure of profound religious authority. The saint is positioned centrally, occupying the majority of the panel's height. He holds a crozier and an open book, symbols of his wisdom and ecclesiastical rank. The composition is characterized by a sharp, precise line that defines the heavy folds of his vestments and the delicate features of his face. Soft, diffused light…

Reproducere pictată manual în ulei de la $175 18 × 56 cm Aceeași dimensiune ca originalul $294 40 × 126 cm Comandă în dimensiunea originală →
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8
St. Francis (1490) de Vittore Crivelli

St. Francis

1490 · Tempera On Panel · El Paso Museum of Art, El Paso

In this portrait of St. Francis by Vittore Crivelli, the subject is presented within a vertical, single-figure composition. He is framed by an arched architectural structure that creates a sense of shallow, intimate space. The saint is dressed in a heavy, tan or light brown Franciscan habit, which is secured at the waist by a knotted cord. In his right hand, he holds a thin wooden crucifix, while his left…

Reproducere pictată manual în ulei de la $175 22 × 46 cm
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10
Saint Jerome de Vittore Crivelli

Saint Jerome

Tempera On Panel · Harvard Art Museums, Cambridge

A solemn, bust-length figure dominates this vertical panel, rendered with the meticulous precision characteristic of the Venetian school. The saint is depicted in a moment of quiet melancholy, his gaze cast downward in contemplation. He wears the deep red mantle and hat of a cardinal, a stark contrast to the luminous, white strands of his flowing beard. His hands hold the tools of his vocation: an open book and a…

Reproducere pictată manual în ulei de la $175 24 × 42 cm Aceeași dimensiune ca originalul $232 38 × 76 cm Comandă în dimensiunea originală →
Comandă pictură manuală Citește povestea ei

Mai multe favorite de la Vittore Crivelli, de la 11 la 21

Cele mai picturate opere ale lui Vittore Crivelli

Cele patru teme care apar cel mai des în aceste lucrări, fiecare cu cel mai cunoscut exemplu al său.

Unde poți vedea picturile lui Vittore Crivelli

Cele 8 muzee care dețin cele mai multe dintre picturile de pe această pagină.

Muzee Oraș Lucrări lui Vittore Crivelli Picturi din această listă
Musée du Petit Palais, AvignonMusée du Petit Palais Avignon 5 SAINT PIERRE, SAINT JULIEN, Saint Michel
Victoria and Albert Museum, LondraVictoria and Albert Museum Londra 2 Saint Jerome (panel from an altarpiece), Saint Catherine (panel from an altarpiece)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 2 Madonna and Child with Two Angels, Madonna and Child Enthroned with Two Angels and a Donor
Rijksmuseum, AmsterdamRijksmuseum Amsterdam 2 St. Bonaventure, pendant to St. Louis, St Louis of France, Vittore Crivelli, 1481 - 1502
Castelul Regal Wawel, CracoviaCastelul Regal Wawel Cracovia 1 Madonna and Child with a clove.
Philadelphia Museum of Art, PhiladelphiaPhiladelphia Museum of Art Philadelphia 1 Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi
Vanderbilt Museum of Art Nashville 1 St. Louis of Toulouse
El Paso Museum of Art, El PasoEl Paso Museum of Art El Paso 1 St. Francis

Vittore Crivelli deceniu cu deceniu: o piesă remarcabilă pentru fiecare

Lucrări pe deceniu

Alege o deceniu pentru a vedea piesa sa de rezistență.

Întrebările tale despre picturile lui Vittore Crivelli

Care este cea mai celebră pictură a lui Vittore Crivelli?Vezi răspunsul

În topul listei se află Saint Jerome (panel from an altarpiece) (1481), Victoria and Albert Museum, Londra. Imediat după aceasta: Madonna and Child with Two Angels (1481) și Madonna and Child Enthroned with Two Angels and a Donor (1481).

Câți ani avea Vittore Crivelli când a fost creată Saint Jerome (panel from an altarpiece)?Vezi răspunsul

41 ani. Vittore Crivelli s-a născut în 1440, iar Saint Jerome (panel from an altarpiece) datează din 1481.

Care sunt cele mai cunoscute 10 picturi ale lui Vittore Crivelli?Vezi răspunsul

Saint Jerome (panel from an altarpiece), Madonna and Child with Two Angels, Madonna and Child Enthroned with Two Angels and a Donor, Madonna and Child with a clove., Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi, St. Louis of Toulouse, St. Bonaventure, pendant to St. Louis, St. Francis, Saint Catherine (panel from an altarpiece) și Saint Jerome. Veți găsi anul și muzeul fiecăruia în lista de mai sus.

Câte picturi a creat Vittore Crivelli?Vezi răspunsul

În catalogul nostru avem 21 lucrări ale lui Vittore Crivelli, datate între 1450 și 1497.

Unde puteți vedea celebrele picturi ale lui Vittore Crivelli?Vezi răspunsul

Le vei găsi pe majoritatea în Musée du Petit Palais (Avignon), Victoria and Albert Museum (Londra) și Metropolitan Museum of Art (New York). Lista muzeelor de mai sus oferă detalierea completă.

Când a pictat Vittore Crivelli cele mai cunoscute opere?Vezi răspunsul

În 1480s, mai mult decât în orice altă perioadă: 8 dintre cele 21 piese de pe această pagină datează de atunci, Saint Jerome (panel from an altarpiece) dintre acestea.

Care sunt primele și ultimele picturi ale lui Vittore Crivelli care au fost realizate?Vezi răspunsul

Cea mai veche piesă de aici este Madonna and Child with a clove. (1450); cea mai recentă este St. Louis of Toulouse (1497).

Ce teme apar cel mai des în picturile lui Vittore Crivelli?Vezi răspunsul

Man (6), Book (5) și Saint (4), din un total de 21 piese de pe această pagină.

Cu ce materiale a pictat cel mai des Vittore Crivelli?Vezi răspunsul

Tempera On Panel, utilizat în 8 dintre cele 21 piese de pe această pagină.

Din ce mișcare artistică a făcut parte Vittore Crivelli?Vezi răspunsul

Renaissance, așa cum puteți observa în piesele de pe această pagină.

Ce opere ale lui Vittore Crivelli puteți vedea la Musée du Petit Palais?Vezi răspunsul

Pe această pagină poți vedea 5 dintre piesele din cadrul Musée du Petit Palais, Avignon, inclusiv SAINT PIERRE, SAINT JULIEN și Saint Michel.

Pot obține o reproducere a unei picturi a lui Vittore Crivelli?Vezi răspunsul

Da. Fiecare pictură de pe această pagină este disponibilă ca reproducere pictată manual în ulei sau ca print, în dimensiunea care vă conveni. Accesați pagina picturii pentru a comanda.

Cunoașteți-l pe Vittore Crivelli

Vittore Crivelli: A Venetian Echo of Gothic Mysticism

Vittore Crivelli (b. ca. 1440, Venezia, d. 1501/2, Venezia) stands as a fascinating figure within the Venetian Renaissance—a painter who simultaneously embraced the grandeur of his era and retained traces of the expressive fervor characteristic of Gothic art. Born in Venice around 1440, he emerged from a family steeped in artistic tradition, notably linked to Carlo Crivelli, his brother, whose distinctive style profoundly shaped Vittorio’s oeuvre. While Carlo's work leaned towards dramatic narratives infused with symbolic depth—often depicting saints and biblical figures bathed in ethereal light—Vittore pursued a more restrained aesthetic, prioritizing meticulous detail and psychological realism. This duality reflects the broader artistic currents of Venice during the fifteenth century, where Gothic influences persisted alongside burgeoning humanist ideals.
  • Early Life & Training: Little is known about Vittorio’s formative years beyond his birthplace and familial connections. He likely received training within the Crivelli workshop, absorbing Carlo's stylistic sensibilities while developing his own artistic voice. This apprenticeship undoubtedly instilled a deep appreciation for expressive color palettes and compositional complexity—elements that would become hallmarks of his later paintings.
  • Notable Works: Vittorio’s artistic output is relatively modest compared to contemporaries like Titian or Tintoretto, yet several pieces demonstrate remarkable skill and sensitivity. Among his most celebrated works are “St Louis of France,” a monumental altarpiece commissioned for Saint Louis Cathedral in Bordeaux (1481-1502), showcasing Crivelli’s mastery of perspective and drapery—a technique heavily indebted to Flemish painting. Similarly, "Saint Michel," housed at the Musée du Petit Palais in Avignon, exemplifies his meticulous attention to detail and psychological portrayal of religious figures.
  • Style & Technique: Vittorio's style distinguishes itself through a careful balance between Gothic and Renaissance conventions. He employed luminous glazing techniques—inherited from Flemish masters—to achieve atmospheric depth and imbue his canvases with an otherworldly glow. However, unlike Carlo Crivelli’s theatrical compositions, Vittorio favored more contemplative scenes, focusing on conveying inner emotion rather than grand spectacle. His meticulous rendering of textures—particularly drapery folds—reveals a dedication to realism that anticipates the stylistic developments of Mannerism.
  • Influence & Legacy: Vittorio Crivelli's artistic legacy resides primarily in his contribution to Venetian painting’s evolving aesthetic landscape. He served as an important conduit between Gothic and Renaissance traditions, demonstrating how artists could synthesize disparate influences into a cohesive visual language. Although overshadowed by more flamboyant figures of his time, Vittorio’s paintings continue to captivate viewers with their serene beauty and profound psychological insight—testaments to the enduring power of Venetian art history.
  • Later Years & Death: Information regarding Vittorio Crivelli's later life is scarce. He died in Venice around 1501 or 1502, leaving behind a modest but significant body of work that reflects his artistic vision and secures his place as a noteworthy artist of the Venetian Renaissance.

Museum Collections Featuring Vittorio Crivelli’s Artworks

Vittore Crivelli's paintings grace several prominent museums across Italy and internationally, offering invaluable insights into Venetian art during the fifteenth century. Notable holdings include: These institutions safeguard masterpieces that exemplify Crivelli’s distinctive style and contribute to a broader understanding of Venetian artistic innovation.