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Robert Polack for Batschari Cigarettes

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Robert Polack, Robert Polack for Batschari Cigarettes (1925), The Fan Museum. Reproducere în scop de referință; toate drepturile sunt rezervate titularului drepturilor de autor. Observați această pânză sub o lumină în mișcare: desenul, culoarea reală de sub vernis, pigmentul pur

Fapte relevante

Artist
Robert Polack artsdot.com/ro/artists/robert-polack/
Date despre artist
1880 – 1958
Pictată
1925
Organizat la
The Fan Museum artsdot.com/ro/museums/the-fan-museum-greenwich/

În context

Robert Polack for Batschari Cigarettes — Robert Polack

Când a fost pictată această operă?

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Rândul de sus: anii. Rândul de jos: vârsta artistului la începutul și la sfârșitul fiecărei perioade — 0 la naștere, 78 la moarte.

Pictată când artistul avea 45 de ani. Artistul a trăit până la vârsta de 78. 0 dintre cele 1 lucrări datate ale acestui artist din catalogul nostru au fost create anterior.

Shaded: întreaga viață a lui Robert Polack (1880–1958) ▲ această operă, 1925 fiecare pictură datată, deceniu cu deceniu

Culori

Măsurată din imagine

    Culoare principală

    Khaki #ddca8d

    Paletă catalogată

    • #DDCA8D
    • #9C694D
    • #393636
    • #BBA075

    Aceste culori din întreaga paletă a artistului Caută alte picturi după culoare

    Paletă
    Earthy Paleta cromatică dominantă a imaginii.
    Nume culoare principală
    Khaki
    Intensitate
    Vivid Rândul de saturație și varietatea culorilor, de la o singură nuanță temperată la numeroase nuanțe vibrante.
    Contrast
    Statement Gradul de diferențiere a culorilor în ceea ce privește luminozitatea și saturația pe întreaga suprafață a imaginii.
    Armonie
    Unified Palette Modul în care culorile interacționează între ele, de la contrast puternic la o unitate completă.
    Luminozitate
    Brilliant Nivelul de luminozitate sau întunecare al întregii imagini, de la umbrele profunde la luminile strălucitoare.
    Saturație
    Balanced Soft Cât de pure și intense sunt culorile, de la un gri aproape neutru până la nuanțe complet vibrante.

    Cele 1 de opere cele mai vizualizate ale lui Robert Polack

    1. 1 Robert Polack for Batschari Cigarettes, 1925 această pictură 100,0%100 vizualizări

    Împreună, aceste lucrări reprezintă 100,0% din întreaga atenție primită de picturile acestui artist în ultimele doceze luni. Catalogul cuprinde 1 lucrări ale acestui artist, dintre care 1 au fost vizualizate cel puțin o dată. Această pictură ocupă locul 1, captând 100,0% din acea atenție (100 vizualizări). Aceleași cifre, lună de lună

    Barele măsoară atenția, nu calitatea. Alege lucrarea de la începutul listei și pe aceasta: numește un singur lucru care ar putea face o pictură celebră, dincolo de cât de bine este executată.

    Despre această operă

    Robert Polack for Batschari Cigarettes — Robert Polack

    Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises upwards to form the words ‘Cigarettes Batschari’.Signed Robert Polack.The verso is stamped in monochrome with illustrations of cigarettes and promotional inscriptions.

    Artist și muzeu

    Artist

    Robert Polack

    Născut în Paris, France

    The lines of Paris

    Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.

    In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.

    Ink and stencil

    Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.

    Some of his known works include:

    Handcolored illustrations on tissue for a 1928 edition of Voltaire's Candide.

    Pochoir prints for Batschari Cigarettes, featuring figures in gentle embraces.

    Watercolor works that utilized the layering of color to create depth on paper.

    A quiet presence in print

    The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.

    Muzeu

    The Fan Museum

    Expus la Greenwich, United Kingdom

    A Glimpse into a Forgotten Art Form

    Nestled within the historic Georgian townhouses of Greenwich, a world away from the bustling streets of London, lies The Fan Museum – an unexpectedly captivating institution dedicated to the exquisite art and surprising history of hand fans. More than just cooling devices, these delicate objects have served as symbols of status, tools for communication, and miniature works of art across cultures and centuries. Founded in 1991 by a passionate collector, this unique museum offers visitors an intimate journey through the evolution of the fan, revealing its multifaceted role in society and showcasing the remarkable craftsmanship involved in its creation.

    The Museum’s story is intrinsically linked to Greenwich itself. Situated within two Grade II* listed buildings constructed in 1721, the setting immediately evokes a sense of timeless elegance and historical significance. These buildings, originally designed for naval officers, have been lovingly preserved, creating a serene and atmospheric space that perfectly complements the delicate beauty of the collection. Adding to this charm is an orangery adorned with intricate murals depicting scenes from fan history – a testament to the museum’s dedication to both preservation and artistic presentation. Beyond the main buildings, a Japanese-style garden provides a tranquil escape, featuring a meticulously crafted fan-shaped parterre, a soothing pond, and a gentle stream—a deliberate nod to the cultural roots of this fascinating art form.

    A Collection Spanning Millennia

    The Fan Museum’s collection is truly extraordinary, boasting over 6,000 fans and related materials – a testament to its founder's dedication and the enduring appeal of these objects. Spanning an impressive timeline from the 11th century to the present day, visitors can trace the evolution of fan design, construction techniques, and social significance. While the museum’s core strength lies in European fans, particularly those from the 18th and 19th centuries, the collection extends far beyond, encompassing examples from Asia, Africa, and Europe. The sheer variety is breathtaking – from simple, utilitarian folding fans to elaborately decorated brise-fans (open fans) adorned with precious metals, jewels, and intricate paintings.

    Notable highlights include a remarkably preserved 18th-century French fan featuring a miniature portrait of Marie Antoinette, a testament to the royal patronage that fueled much of the art’s development; an exceptionally rare brise-fan from the early 19th century incorporating a built-in ear trumpet – a clever and innovative adaptation reflecting the era's technological advancements; and a fascinating collection of repair kits, demonstrating the meticulous care taken in maintaining these delicate objects. The museum also houses a comprehensive reference library, providing researchers and enthusiasts with invaluable resources for further exploration.

    Beyond the Display: Hands-on Engagement

    The Fan Museum isn’t simply a repository of historical artifacts; it's an active center for learning and appreciation. The museum actively promotes engagement through a variety of programs, including regular fan-making classes where visitors can learn the fundamental techniques of crafting these beautiful objects firsthand. These workshops offer a tangible connection to the past, allowing participants to experience the skill and artistry involved in creating a fan from start to finish. Furthermore, the museum hosts lectures, demonstrations, and exhibitions that delve deeper into the history, symbolism, and cultural significance of fans.

    A Unique Legacy: The World’s First Dedicated Museum

    What truly sets The Fan Museum apart is its unique status as the world's first museum dedicated solely to hand fans. Established without public funding, relying instead on the generosity of visitors and private donations, it stands as a remarkable example of passion-driven preservation. This independent institution continues to champion the art of the fan, ensuring that this often overlooked form of artistry is celebrated and understood for generations to come. A visit to The Fan Museum is not just a museum experience; it’s an immersion into a hidden world of craftsmanship, history, and cultural significance – a truly unforgettable journey.

    Unde puteți citi mai multe

    Găsește online

    Cod QR care trimite la pagina de descărcare pentru Robert Polack for Batschari Cigarettes

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    Citează această lucrare

    MLA
    Polack, Robert. Robert Polack for Batschari Cigarettes. 1925, The Fan Museum. https://artsdot.com/ro/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    APA
    Polack, Robert (1925). Robert Polack for Batschari Cigarettes [Painting]. The Fan Museum. https://artsdot.com/ro/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    Chicago
    Robert Polack. Robert Polack for Batschari Cigarettes. 1925. The Fan Museum. https://artsdot.com/ro/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/
    Harvard
    Polack, Robert (1925) Robert Polack for Batschari Cigarettes. The Fan Museum. Available at: https://artsdot.com/ro/art/robert-polack-robert-polack-for-batschari-cigarettes-D8FDPH-en/

    Priviți cu atenție

    Robert Polack for Batschari Cigarettes — Robert Polack

    Privire atentă

    Răspunde cu propriile tale cuvinte. Nu există răspunsuri greșite aici — doar răspunsuri pe care le poți explica.

    1. Ce vă atrage atenția prima dată și de ce?
    2. Ce culori sau forme creează atmosfera — și care este acea atmosferă?
    3. Robert Polack avea aproximativ 45 ani când a fost creată această lucrare. Ce elemente din ea seamănă cu opera unui artist aflat în acea etapă?
    4. Ce anume ar fi vrut artistul să vă transmită?
    5. Dacă ați putea să îi puneți artistului o singură întrebare despre această operă, care ar fi aceea?

    Răspunsul tău

    Scrie un scurt paragraf despre această operă de artă. Folosește informațiile din secțiunile anterioare ale acestui ghid și răspunsurile oferite mai sus.

    Întrebări și răspunsuri

    Ce nivel de saturație a culorilor are "Robert Polack for Batschari Cigarettes" de Robert Polack?

    Culorile din "Robert Polack for Batschari Cigarettes" de Robert Polack au o saturație de Balanced Soft. Saturația descrie cât de vii sau de tenue sunt culorile.

    Care este culoarea dominantă în "Robert Polack for Batschari Cigarettes" de Robert Polack?

    Culoarea care iese cel mai mult în evidență în "Robert Polack for Batschari Cigarettes" este Khaki (#ddca8d). Culoarea dominantă este utilă atunci când asortați o operă de artă cu un interior.

    Unde pot găsi opere de artă similare cu "Robert Polack for Batschari Cigarettes" de Robert Polack?

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