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Winter

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igor emmanuilovich grabar, Winter (1903). Reproducere în scop de referință; toate drepturile aparțin titularului drepturilor de autor.

Detalii esențiale

Artist
igor emmanuilovich grabar artsdot.com/ro/artists/igor-emmanuilovich-grabar_ro/
Date artistului
1871 – 1960
Pictură
1903
Dimensiune originală
74 x 54 cm
Mișcare
Post-Impressionism Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees.

In context

Winter — igor emmanuilovich grabar

How big is it?

The original measures 74 × 54 cm (height × width), drawn here beside an adult of average height.

Anul realizării

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Shaded: întreaga viață a lui igor emmanuilovich grabar (1871–1960) ▲ această operă, 1903

Artă similară

Alege o lucrare de mai sus: numește două elemente pe care le are în comun cu aceasta și unul care o diferențiază.

Alte lucrări care pot fi puse alături de aceasta: artsdot.com/ro/art/similar/igor-emmanuilovich-grabar-winter-8XY89L-en/

Paletă de culori

Extras din imagine

    Culoare principală

    Phthalo Green #2a2e24

    Paletă salvată

    • #2A2E24
    • #71899C
    • #A8ADA7
    • #646956
    Nume culoare principală
    Phthalo Green
    Saturare
    Balanced Nivelul de saturație și varietatea culorilor, de la o singură nuanță temperată la numeroase nuanțe vibrante.
    Contrast
    Balanced Gradul de diferențiere a culorilor în ceea ce privește luminozitatea și saturația pe întreaga suprafață a imaginii.
    Armonie
    Discordant Palette Modul în care culorile interacționează între ele, de la contrast puternic la o unitate completă.
    Luminozitate
    Bright Nivelul de luminozitate sau întunecare al întregii imagini, de la umbrele profunde la luminile strălucitoare.
    Saturație
    Subtle Color Cât de pure și intense sunt culorile, de la un gri aproape neutru până la nuanțe complet vibrante.

    Artist și muzeu

    Artist

    igor emmanuilovich grabar

    Born in Budapesta, Ungaria

    Early Life and Education

    Igor Emmanuilovich Grabar (1871–1960) was a Russian Post-Impressionist painter, publisher, restorer, and historian of art. His family, of Rusyn descent, had a strong inclination towards the Russian culture. Emmanuil Hrabar, his father, was an ethnic Rusyn lawyer and politician who maintained ties with the russian embassy. Grabar’s early education took place in Yegoryevsk, where he attended high school. His interest in drawing was sparked by the stream of magazine publications following the 1881 murder of Alexander II of Russia. He later enrolled in Mikhail Katkov's boarding school in Moscow, making contacts with students from the Moscow School of Painting, Sculpture, and Architecture.

    Artistic Career and Notable Works

    Grabar trained under Ilya Repin in Saint Petersburg and Anton Àžbe in Munich. He reached his peak in painting between 1903–1907, notable for a peculiar divisionist technique bordering on pointillism and his rendition of snow. Some of his notable works include: Landscape with a haystack, showcasing his skill in capturing the beauty of nature. The Embroideress, a prime example of the realist style popular in Russia during the 19th century. Going to work, a painting that reflects the daily life of the russian people. These paintings exemplify Grabar’s masterful use of color and texture, conveying emotion and atmosphere with remarkable precision.

    Museum and Art Restoration

    In 1913, Grabar was appointed executive director of the Tretyakov Gallery in Moscow. He diversified the collection into modern art and published its first comprehensive catalogue in 1917. As a professor of art restoration at the Moscow State University (1921), he played a crucial role in the soviet art establishment. Notable museums featuring Grabar’s work: Novokuznetsk Art Museum, Russia, housing an impressive collection of russian and european artworks. Tretyakov Gallery, Moscow, a world-renowned museum with an extensive collection of russian fine art. Museo Kharkov Museum of Art (Ukraine), featuring a vast collection of opere d'arte from the 14th century.

    Legacy and Later Life

    Grabar remained at the top of the soviet art establishment until his death on May 16, 1960. He managed art-restoration workshops during 1918–1930 and from 1944 to 1960. His influence extended beyond artistic endeavors; he actively participated in political discussions and championed the preservation of architectural heritage. Grabar’s dedication to safeguarding russian cultural treasures cemented his place as a pivotal figure in soviet history. He advised Joseph Stalin on the matter, shaping policy decisions regarding art conservation during WWII.

    ## References:

    igor grabar - wikipedia

    Unde puteți afla mai multe

    Accesează online

    Cod QR care trimite la pagina de descărcare pentru Winter

    artsdot.com/ro/art/download/igor-emmanuilovich-grabar-winter-8XY89L-en/

    Citare lucrare

    MLA
    grabar, igor emmanuilovich. Winter. 1903, https://artsdot.com/ro/art/igor-emmanuilovich-grabar-winter-8XY89L-en/
    APA
    grabar, igor emmanuilovich (1903). Winter [Painting]. https://artsdot.com/ro/art/igor-emmanuilovich-grabar-winter-8XY89L-en/
    Chicago
    igor emmanuilovich grabar. Winter. 1903. https://artsdot.com/ro/art/igor-emmanuilovich-grabar-winter-8XY89L-en/
    Harvard
    grabar, igor emmanuilovich (1903) Winter. Available at: https://artsdot.com/ro/art/igor-emmanuilovich-grabar-winter-8XY89L-en/

    Look closely

    Winter — igor emmanuilovich grabar

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: buildings, winter, forests. Do you agree? What would you add, or take away?
    4. Look back at Group Portrait with Cornflowers (1914), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Post-Impressionism: Artists who kept the bright colour of Impressionism but pushed shape and feeling further than the eye really sees. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.