Em resumo
A obra mais conhecida de Mingering Mike é GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Os próximos da lista são THE FREEDOM STOMPERS (1969) e 3 FOOTSTEPS away from the altar, mingering mike the big D (1969). Temos 151 obras de Mingering Mike em nosso catálogo; este guia seleciona as 100 mais conhecidas, com o ano, o museu e a história de cada peça.
As 10 pinturas de Mingering Mike que você deve conhecer primeiro
De 11 a 100: mais pinturas de Mingering Mike
Pinturas de Mingering Mike, período por período
Late Period
1969 – 1972 · 5 obras nesta listaContemporary
1968 – 1972 · 5 obras nesta listaO que Mingering Mike mais pintou
Os quatro temas que surgem com mais frequência nestas obras, cada um com o seu exemplo mais conhecido.
Social commentary 8 obras
Music memorabilia 4 obras
Vintage vinyl 4 obras
Ano a ano: as obras mais conhecidas de Mingering Mike
Aqui está uma década de Mingering Mike, mais ou menos: 8 anos de 1968 a 1975, apresentados ano a ano através das suas obras mais conhecidas.
Obras por ano
Escolha um ano para ver as suas obras.
A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS
Mais de 1970
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON
Mais de 1972
Mingering Mike: respostas rápidas sobre as pinturas
Qual é a pintura mais conhecida de Mingering Mike?Ver a resposta
No topo da lista está GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON (1972). Logo atrás: THE FREEDOM STOMPERS (1969) e 3 FOOTSTEPS away from the altar, mingering mike the big D (1969).
Qual era a idade de Mingering Mike quando criou GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON?Ver a resposta
22 anos. Mingering Mike nasceu em 1950, e GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON é de 1972.
Quais são as 10 principais pinturas de Mingering Mike?Ver a resposta
GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON, THE FREEDOM STOMPERS, 3 FOOTSTEPS away from the altar, mingering mike the big D, THE MINGERING MIKE SHOW LIVE FROM THE HOWARD THEATER, 3 FOOT STEPS DUET CLOSE, EAT MYSELF SILLY (M. MIKE), Gold Pot Records LIVE, FROM PARIS, MINGERING MIKE REVUE (C), PIANOMAN, MINGERING MIKE, MING · WAR ARRANGES AND DIRECT ARRANGES AND DIRECTS, A AGA MING WAR PRODUCTION MINGERING MIKE THE BIG D THE COLTS BAND SUPER GOLD GREATEST HITS e DON'T TRY AND TAKE IT ALL IN (MINGERING MIKE) MIKE THE MONITORS LOVE COMES AND GOES (JUST LIKE A RAINBOW) M. MIKE Y, RIGHT OF WAY MINGERING MIKE. Encontrará o ano e o museu de cada uma na lista acima.
Quantas obras de Mingering Mike existem no seu catálogo?Ver a resposta
Temos 151 obras de Mingering Mike em nosso catálogo, datadas de 1968 a 1975.
Quando é que Mingering Mike criou as suas obras mais famosas?Ver a resposta
Em 1972, mais do que em qualquer outro momento: 45 das 100 obras nesta página datam dessa época, sendo GEMS I FOUND PEACE IN SAIGON SALLY I'VE FORT BATTLES IN SAIGON NOW I'VE GOT TO FIGHT IN WASHINGTON delas.
Quais são as primeiras e as últimas obras famosas de Mingering Mike?Ver a resposta
A obra mais antiga aqui é MOTHER GOOSE IT'S A BOYS LIFE (MINGERING MIKE) TWO WAY TRAFFIC (1968); a mais recente é MERCY LET THE MUSIC TAKE YOUR MIND (1975).
Quais temas Mingering Mike pintou com mais frequência?Ver a resposta
Social commentary (8), Music memorabilia (4) e Vintage vinyl (4), de um total de 100 obras nesta página.
Por qual estilo ou movimento Mingering Mike é conhecido(a)?Ver a resposta
Pop art e Contemporary realism, como pode ver nas obras desta página.
A história de Mingering Mike
The Genesis of a Dream: Mingering Mike’s Constructed Reality
Mingering Mike, born in Washington, D.C., in 1950, wasn't simply an artist; he was the architect of his own elaborate and entirely self-contained universe. From roughly 1968 to 1977, this young man meticulously crafted a career as a soul singer and songwriter, producing over fifty “albums” – each a painstakingly assembled cardboard record complete with intricate gatefolds, handwritten liner notes, and simulated vinyl grooves. This wasn’t mere performance art; it was the embodiment of a teenage fantasy, a deeply personal project born from the vibrant, often turbulent, landscape of his youth.
The genesis of this singular endeavor lies in a potent blend of influences – the burgeoning soul music scene of the era, fueled by artists like Aretha Franklin and Otis Redding; the social unrest simmering within American cities during the Civil Rights Movement; and perhaps most crucially, the imaginative world of a young man seeking an outlet for his emotions and aspirations. Mingering Mike’s work wasn't about replicating reality; it was about constructing an idealized version of it, one where he held the microphone, commanded sold-out stadiums, and expressed profound truths through carefully crafted lyrics and soulful melodies.
The Art of the Constructed Album
What distinguishes Mingering Mike’s work is not just its scale – over fifty albums! – but the sheer dedication to detail in each piece. He didn't simply draw album covers; he built entire worlds within them, meticulously crafting cardboard records that resembled authentic vinyl releases. The liner notes were handwritten, often filled with biographical details about his “band,” tour dates, and personal reflections on the songs. This level of commitment transformed a simple artistic project into a fully realized, immersive experience.
The albums themselves are remarkable feats of miniature engineering. They’re layered constructions, incorporating elements like simulated album jackets, meticulously drawn grooves on the “vinyl,” and even tiny photographs depicting concert scenes. The process involved an obsessive attention to detail, reflecting a deep understanding of the music industry and a desire to replicate it with painstaking accuracy. This wasn't about creating art; it was about recreating a career – a career entirely within his own imagination.
Rediscovery and Recognition
For decades, Mingering Mike’s work remained largely unknown outside a small circle of collectors. It wasn’t until 2003 that the world began to take notice when record collectors Dori Hadar and Frank Beylotte stumbled upon his collection at a flea market in Washington, D.C. This serendipitous discovery sparked an intense interest in Mingering Mike's unique project, leading to exhibitions, publications, and widespread recognition within the art world.
The Smithsonian American Art Museum acquired his entire collection in 2015, solidifying his place as a significant figure in contemporary art. The museum’s exhibition, “Mingering Mike’s Supersonic Greatest Hits,” offered visitors a rare glimpse into this extraordinary artist's constructed reality – a testament to the power of imagination and the enduring appeal of a dream realized.
Themes and Legacy
While seemingly fantastical, Mingering Mike’s work resonates with profound themes. It explores ideas of identity, ambition, performance, and the construction of self. His albums often touch upon social issues – civil rights, political upheaval, and personal struggles – reflecting the realities of his youth while simultaneously offering a utopian vision of success and fulfillment.
Mingering Mike’s legacy lies not just in his unique artistic practice but also in challenging our understanding of art itself. He demonstrated that an artwork doesn't need to be “real” to be meaningful, and that the act of creation can be as important as the final product. His work continues to fascinate and inspire artists and collectors alike, reminding us of the boundless possibilities of the human imagination.





