Portrait of Max Klinger

Max Klinger's Most Famous Paintings: All 100, Ranked

Updated Outubro 2026 · ranked by our popularity score (searches, visits and orders for each work) · 281 works by Max Klinger in our catalogue

In short

The Max Klinger painting most people know is The death peeing. Right after it come The Isle of the Dead and Presa. Out of 281 works by Max Klinger in our catalogue, these 100 are the best known. Each one comes with its year, its museum and a short note on what makes it stand out.

1857 – 1920, Leipzig Symbolism Most works: Bavarian State Painting Collections

Max Klinger's top 10: the pieces everyone knows

1
The death peeing by Max Klinger

The death peeing

Painting

The air hangs heavy near the riverbank where a skeletal figure stands, stripped of the terrifying dignity often assigned to the Grim Reaper. This figure, a personification of death, occupies the shoreline with a startlingly mundane presence. He stands with legs apart, facing the water, engaged in the most basic of biological functions. The act of urination into the stream demystifies the specter, pulling the concept of mortality away from…

2
The Isle of the Dead by Max Klinger

The Isle of the Dead

Painting

The Isle of the Dead emerges from the vision of Max Klinger, a German artist who leaves a profound mark on the landscape of late 19th-century thought. Born in Leipzig in 1857, Klinger moves through a world of shifting aesthetics, eventually passing away in 1920. In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness.

3
Presa by Max Klinger

Presa

Lithograph

The artwork presents a monochrome scene rendered in grayscale, utilizing a range of black, white, and gray tones. At the bottom center of the frame, a reclining nude female figure is positioned as the primary focal point. Above her, a large group of men in formal attire occupies the upper portion of the composition. These figures are partially obscured by shadow, creating a sense of depth through overlapping forms. The…

4
Y sin embargo! by Max Klinger

Y sin embargo!

Graphite

Max Klinger, born in Leipzig in 1857, produced Y sin embargo! as part of a career that bridged the transition from Realism to Symbolism. The artist, who died in 1920, was a significant figure in German art, known for his ability to move beyond mere visual representation to explore the psychological and the subconscious. This specific work reflects his interest in the intersection of the human form and the natural…

Keep exploring Max Klinger: 11 to 100

11At the Beach (1890) by Max KlingerAt the Beach1890 · Bavarian State Painting Collections 12Portrait of a Roman Woman on a Flat Roof in Rome (1891) by Max KlingerPortrait of a Roman Woman on a Flat Roof in Rome1891 · Städel Museum 13Christ in Olympus (1897) by Max KlingerChrist in Olympus1897 14Female Nude (1910) by Max KlingerFemale Nude1910 15Bathing Women (1912) by Max KlingerBathing Women1912 16A legation by Max KlingerA legation 17Plague by Max KlingerPlague 18Workers at a House Construction (1889) by Max KlingerWorkers at a House Construction1889 19Seaside Idyl by Max KlingerSeaside IdylBavarian State Painting Collections 20Female Study Head by Max KlingerFemale Study Head 21Portrait of a Gentleman by Max KlingerPortrait of a Gentleman 22Cupid by Max KlingerCupid 23Salvation by Max KlingerSalvation 24The source by Max KlingerThe source 25An Max Klinger by Max KlingerAn Max Klinger 26untitled (336) by Max Klingeruntitled (336) 27untitled (1870) by Max Klingeruntitled (1870) 28untitled (5707) by Max Klingeruntitled (5707) 29untitled (7927) by Max Klingeruntitled (7927) 30untitled (4077) by Max Klingeruntitled (4077) 31untitled (5205) by Max Klingeruntitled (5205) 32untitled (4640) by Max Klingeruntitled (4640) 33untitled (1790) by Max Klingeruntitled (1790) 34untitled (7957) by Max Klingeruntitled (7957) 35untitled (1515) by Max Klingeruntitled (1515) 36untitled (1160) by Max Klingeruntitled (1160) 37untitled (5386) by Max Klingeruntitled (5386) 38untitled (5714) by Max Klingeruntitled (5714) 39untitled (9844) by Max Klingeruntitled (9844) 40untitled (3585) by Max Klingeruntitled (3585) 41untitled (5586) by Max Klingeruntitled (5586) 42untitled (3254) by Max Klingeruntitled (3254) 43untitled (4823) by Max Klingeruntitled (4823) 44untitled (5191) by Max Klingeruntitled (5191) 45untitled (1133) by Max Klingeruntitled (1133) 46Venus in the sea by Max KlingerVenus in the sea 47Cupido by Max KlingerCupido 48untitled (3590) by Max Klingeruntitled (3590) 49untitled (7159) by Max Klingeruntitled (7159) 50Angustias by Max KlingerAngustias 51Old love. initial stamps by Max KlingerOld love. initial stamps 52untitled (5140) by Max Klingeruntitled (5140) 53Scene by Max KlingerScene 54Venus and Mercury by Max KlingerVenus and Mercury 55psyche bathing by Max Klingerpsyche bathing 56Phriam And Thisbe I by Max KlingerPhriam And Thisbe I 57untitled (2692) by Max Klingeruntitled (2692) 58Abduction by Max KlingerAbduction 59Venus and Psyche by Max KlingerVenus and Psyche 60Zephyr carrying his sisters by Max KlingerZephyr carrying his sisters 61The wedding party of Psyche by Max KlingerThe wedding party of Psyche 62Sister jumping from a rock by Max KlingerSister jumping from a rock 63Psyche and Ceres by Max KlingerPsyche and Ceres 64Love, death and extramundos by Max KlingerLove, death and extramundos 65untitled (9745) by Max Klingeruntitled (9745) 66Mother I by Max KlingerMother I 67Pan comforting Psyche by Max KlingerPan comforting Psyche 68untitled (4174) by Max Klingeruntitled (4174) 69Psyche crossing the Acheron by Max KlingerPsyche crossing the Acheron 70Desire by Max KlingerDesire 71Psyche on a rock by Max KlingerPsyche on a rock 72Jupiter and Venus by Max KlingerJupiter and Venus 73Psyche and Arundo by Max KlingerPsyche and Arundo 74Farmer planting misery by Max KlingerFarmer planting misery 75The childhood of Amor by Max KlingerThe childhood of Amor 76Satire by Max KlingerSatire 77Intermezzo 1 by Max KlingerIntermezzo 1 78Phriam And Thisbe II by Max KlingerPhriam And Thisbe II 79Charon by Max KlingerCharon 80untitled (1999) by Max Klingeruntitled (1999) 81Time and glory by Max KlingerTime and glory 82Psyche on the road to Tartarus by Max KlingerPsyche on the road to Tartarus 83Venus presents Psyche the Love by Max KlingerVenus presents Psyche the Love 84Titan by Max KlingerTitan 85Psyche venerated by the people by Max KlingerPsyche venerated by the people 86Psyche and Venus by Max KlingerPsyche and Venus 87Parade by Max KlingerParade 88Death knight by Max KlingerDeath knight 89The priestesses of Venus by Max KlingerThe priestesses of Venus 90untitled (8812) by Max Klingeruntitled (8812) 91Rockfall by Max KlingerRockfall 92Naked woman under a tree by Max KlingerNaked woman under a tree 93Cold Hand by Max KlingerCold Hand 94Captive by Max KlingerCaptive 95violation by Max Klingerviolation 96The great goddess by Max KlingerThe great goddess 97untitled (547) by Max Klingeruntitled (547) 98Psyche and Juno by Max KlingerPsyche and Juno 99Night 1 by Max KlingerNight 1 100untitled (2269) by Max Klingeruntitled (2269)

Max Klinger's paintings, period by period

What Max Klinger painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Max Klinger's paintings

The 4 museums that hold the most of the paintings on this page.

Museum City Works by Max Klinger Paintings from this list
Bavarian State Painting Collections, MuniqueBavarian State Painting Collections Munique 2 At the Beach, Seaside Idyl
Alte Nationalgalerie, BerlimAlte Nationalgalerie Berlim 3 Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz
National Gallery Prague, PragaNational Gallery Prague Praga 1 Evening
Städel Museum, FrankfurtStädel Museum Frankfurt 1 Portrait of a Roman Woman on a Flat Roof in Rome

One famous Max Klinger piece for every decade

Works per decade

Pick a decade to see its standout piece.

Max Klinger paintings: what people want to know

What painting is Max Klinger best known for?See the answer

Top of the list is The death peeing. Right behind it: The Isle of the Dead and Presa.

Which 10 Max Klinger paintings are the most famous?See the answer

The death peeing, The Isle of the Dead, Presa, Y sin embargo!, Rescue, Mermaid holding a shell up, the philosopher, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz, Evening and Play in the meadow. You'll find the year and the museum of each in the list above.

How many Max Klinger works are there?See the answer

We have 281 works by Max Klinger in our catalogue, dated 1879 to 1912.

Which museums have Max Klinger's best-known paintings?See the answer

You'll find most of them in Bavarian State Painting Collections (Munique), Alte Nationalgalerie (Berlim) and National Gallery Prague (Praga). The museum list above has the full breakdown.

When were Max Klinger's most famous pieces painted?See the answer

In 1880s, more than any other time: 3 of the 100 pieces on this page date from then, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz among them.

What are the oldest and newest famous paintings by Max Klinger?See the answer

The earliest piece here is Evening (1879); the most recent is Bathing Women (1912).

What did Max Klinger paint most?See the answer

Gods (7), Symbolic imagery (6) and Landscape (4), out of the 100 pieces on this page.

What did Max Klinger usually paint with?See the answer

Painting, used in 2 of the 100 pieces on this page.

Which art movement is Max Klinger linked to?See the answer

Symbolism, as you can see in the pieces on this page.

What can you see by Max Klinger at the Bavarian State Painting Collections?See the answer

You can see 2 of the pieces on this page at the Bavarian State Painting Collections, Munique, including At the Beach and Seaside Idyl.

Can I order a Max Klinger reproduction for my home?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Meet Max Klinger

The Shadowed World of Max Klinger: A Pioneer of Symbolism

Max Klinger, born in Leipzig in 1857, emerged as a pivotal figure bridging the gap between Realism and the burgeoning world of Symbolism. His artistic journey wasn’t one of immediate recognition but rather a gradual unfolding of a unique vision—a descent into the psychological depths that would profoundly influence modern art. Klinger's early training at the Academy of Fine Arts in Karlsruhe, under Karl Gussow, provided him with a solid foundation in traditional techniques, yet it was his fascination with the etchings of artists like Menzel and Goya that truly ignited his imagination. These masters demonstrated the power of printmaking to convey not merely visual representation but also narrative complexity and emotional intensity—qualities Klinger would masterfully employ throughout his career. He wasn’t content simply to depict the world as it appeared; he sought to unveil its hidden currents, its anxieties, and its dreams.

From Realism's Embrace to Symbolic Depths

Klinger’s artistic evolution was marked by a deliberate shift away from straightforward realism towards a more subjective and symbolic language. Initially, his work reflected the prevailing aesthetic of the time—detailed depictions of everyday life. However, this phase proved merely a stepping stone. The turning point came with his series of etchings, Paraphrase on the Finding of a Glove (1881). This ambitious project, comprising ten plates, wasn’t a literal illustration of an event but rather a fragmented, dreamlike exploration of desire, loss, and the complexities of human relationships. The glove itself became a potent symbol—a relic imbued with memory and longing. This series established Klinger as a leading voice in the Symbolist movement, demonstrating his ability to transform ordinary objects into vehicles for profound psychological insight. He wasn’t interested in simply showing what things looked like; he wanted to convey what they *felt* like, what they represented on a deeper, more subconscious level.

Sculpture, Printmaking and the Exploration of Myth

Klinger's artistic output was remarkably diverse, encompassing painting, sculpture, and printmaking—though it’s arguably in the realm of graphic arts that he achieved his most enduring legacy. His prints are characterized by their meticulous technique, dramatic use of light and shadow, and haunting imagery. He wasn’t afraid to tackle challenging themes—mortality, sexuality, and the darker aspects of the human psyche. Beyond Paraphrase on the Finding of a Glove, works like his depictions of Faustian bargains and mythological scenes reveal a fascination with archetypal narratives and universal human struggles. His sculptural work, though less prolific than his prints, was equally ambitious. A prime example is his monumental installation in homage to Beethoven at the Vienna Secession in 1902—a powerful testament to the composer’s genius and a bold statement of artistic innovation. Klinger's sculptures were often deliberately unsettling, challenging conventional notions of beauty and form.

Influences and Artistic Development

Klinger’s artistic development was shaped by a confluence of influences. His early training at Karlsruhe instilled in him a respect for traditional techniques, but it was his exposure to the works of Menzel and Goya that awakened his interest in printmaking as a means of conveying complex emotions and narratives. He deeply admired Arnold Böcklin's Symbolist paintings, particularly their exploration of dreamlike imagery and psychological states. Furthermore, Klinger’s travels to Paris introduced him to the vibrant artistic scene and exposed him to Japanese woodblock prints, which profoundly influenced his approach to composition and design. The writings of philosophers like Arthur Schopenhauer and Friedrich Nietzsche also exerted a significant impact on his work, prompting him to explore themes of pessimism, alienation, and the search for meaning in a seemingly meaningless world.

Legacy and Influence: A Bridge to Modernity

Max Klinger’s influence extended far beyond his own lifetime. He paved the way for Expressionism, Surrealism, and other avant-garde movements that sought to explore the inner world of human experience. His emphasis on symbolism, psychological depth, and subjective interpretation resonated with artists grappling with the anxieties and uncertainties of the modern age. The artist’s exploration of dreamlike states and subconscious desires anticipated the work of later Surrealists like Salvador Dalí and René Magritte. Even in more recent times, Klinger's ideas continue to inspire contemporary artists. In 1991, the Moscow art collective Inspection Medical Hermeneutics created “Klinger’s Boxes,” an installation directly inspired by his work—a testament to the enduring power of his vision. He remains a crucial figure in understanding the transition from 19th-century academic traditions to the radical experimentation of the 20th century. His art invites us to confront our own shadows, to delve into the mysteries of the human psyche, and to recognize the profound beauty that can be found even in the darkest corners of existence.

All 281 works by Max Klinger →