Portrait of Guercino

Your Guide to the 100 Most Famous Guercino Paintings

Updated Outubro 2026 · ranked by our popularity score (searches, visits and orders for each work) · 367 works by Guercino in our catalogue

In short

Guercino's best-known piece is Pietà (1638). You'll find it at the Musée Condé in Chantilly. Next on the list are St Peter and the angel (1650) and David with the Head of Goliath (1657). We have 367 works by Guercino in our catalogue; this guide picks out the 100 best known, with the year, the museum and the story of each piece.

1591 – 1666, Cento Baroque Most works: Bavarian State Painting Collections

The 10 Guercino paintings to know first

1
Pietà (1638) by Guercino

Pietà

1638 · Oil On Canvas · Musée Condé, Chantilly

This painting, titled Pietà (or La Pietà), is a significant work by the Italian artist Giovanni Francesco Barbieri, known to history by his nickname Guercino. Created between 1635 and 1640, the work reflects the artist's profound command over the dramatic language of the Baroque period. It is an oil on canvas that captures a moment of intense human sorrow through a highly controlled use of light and shadow.

2
St Peter and the angel (1650) by Guercino

St Peter and the angel

1650 · Acrylic On Canvas · Art Gallery of South Australia, Adelaide

Guercino’s “St Peter and the Angel” is not merely a depiction of biblical figures; it's an intensely felt moment of solace, rendered with a raw emotionalism that distinguishes the artist from his more polished contemporaries. Painted in 1650, this work, measuring a modest 30 x 21 cm, embodies the turbulent spirit of Baroque Italy – a world grappling with religious fervor and social upheaval, yet simultaneously yearning for moments of…

3
David with the Head of Goliath (1657) by Guercino

David with the Head of Goliath

1657 · Oil On Canvas · Museum Boijmans Van Beuningen, Roterdã

A single, heavy silence hangs in the air. David lunges forward, his muscular torso caught in a sudden, sharp light that carves his anatomy from the surrounding shadows. He does not wear the triumphant grin of a conqueror; instead, his face holds a quiet, introspective gravity. His golden cloak, lined with white fur, sweeps across the composition in a diagonal arc, pulling the eye toward the severed head of Goliath.…

4
The Samian Sibyl with a Putto (1651) by Guercino

The Samian Sibyl with a Putto

1651 · Oil On Canvas · National Gallery, Londres

The room is heavy with silence and the weight of unseen truths. A woman, the Samian Sibyl, sits anchored beside a weathered wooden desk, her body forming a stable, pyramidal shape that commands the center of this shadowed space. She is lost in deep introspection, perhaps mourning or contemplating a future only she can perceive. Her face and chest catch a sudden, directional light emerging from the upper left, pulling…

5
Saint-Jean-Baptiste (1661) by Guercino

Saint-Jean-Baptiste

1661 · Oil On Canvas · Musée Fabre, Montpellier

The oil on canvas titled SAINT JEAN-BAPTISTE A LA SOURCE depicts the figure of Saint-Jean-Baptiste. This work was executed by the Italian artist Giovanni Francesco Barbieri, known as Guercino. The painting emerged from his brush about 1661, during the later years of his creative life. It captures a moment of quietude through the depiction of the saint at a spring.

7
Painting and Drawing (1656) by Guercino

Painting and Drawing

1656 · Oil On Canvas · Staatliche KunstSammlungen Dresden, Dresden

The oil on canvas titled Painting and Drawing was executed by the artist Guercino in 1656. This allegorical work captures a quiet moment of creative exchange between two figures. A woman sits at the center, her hands engaged in the act of creation, while an older man observes the progress of a sketch. The scene functions as a visual metaphor for the relationship between different modes of artistic expression.

8
Portrait of a Woman (1628) by Guercino

Portrait of a Woman

1628 · Oil · Bavarian State Painting Collections, Munique

Guercino’s Portrait of a Woman, created about 1628, presents a close-up bust portrait of a young woman. The subject is positioned with her body slightly turned to her right, while her gaze is directed downward and toward the viewer's left. This orientation creates a sense of quiet introspection. The monochromatic color palette of this specific image emphasizes tonal range and the interplay of light rather than hue.

9
Christ and the Moneylender (1628) by Guercino

Christ and the Moneylender

1628 · Oil · Bavarian State Painting Collections, Munique

The composition presents a close-up profile view of two male figures positioned against a dark, indistinct background. On the left, a figure with long dark hair and a beard looks downward, his expression settled into a contemplative or sorrowful state. He is dressed in a reddish-brown garment. To the right, a second figure is shown in profile, wearing a white turban accented with blue stripes. This man possesses a weathered…

10
St Anthony of Padua with the Infant Christ by Guercino

St Anthony of Padua with the Infant Christ

Oil On Canvas

In this intimate composition, we find St. Anthony of Padua cradling the Infant Christ. The scene is stripped of grandiosity, focusing instead on the profound connection between the Franciscan friar and the child. There is a palpable tenderness in the way the figures interact, a moment of stillness that invites the viewer into a private space of devotion. The light falls softly upon the figures, pulling them from the shadows…

Numbers 11 to 100: more Guercino paintings

11Lot and His Daughters (1651) by GuercinoLot and His Daughters1651 · Toledo Museum of Art 12God the Father (1630) by GuercinoGod the Father1630 · Museu Nacional de Varsóvia 13Saint Francis with an angel playing violin (1620) by GuercinoSaint Francis with an angel playing violin1620 · Museu Nacional de Varsóvia 14Study of Saint Matthew turned to his right, reading a book by GuercinoStudy of Saint Matthew turned to his right, reading a book 15The Glory of All the Saints. Fragment (1613) by GuercinoThe Glory of All the Saints. Fragment1613 16The Glory of All the Saints. Fragment (1613) by GuercinoThe Glory of All the Saints. Fragment1613 17Jael and Sisera (1616) by GuercinoJael and Sisera1616 18Madonna and Child with Saint John The Baptist (1616) by GuercinoMadonna and Child with Saint John The Baptist1616 · Museum of Fine Arts 19Abraham and Hagar (1616) by GuercinoAbraham and Hagar1616 · Statens Museum For Kunst 20St. Francis in Ecstasy with St. Benedict and an Angel (1620) by GuercinoSt. Francis in Ecstasy with St. Benedict and an Angel1620 21The Persian Sybil (1628) by GuercinoThe Persian Sybil1628 · Bavarian State Painting Collections 22St Sebastian (1628) by GuercinoSt Sebastian1628 · Bavarian State Painting Collections 23Martyrdom of Saints John and Paul (1632) by GuercinoMartyrdom of Saints John and Paul1632 · Musée des Augustins 24Saint Joseph with the Christ Child (1637) by GuercinoSaint Joseph with the Christ Child1637 · National Gallery of Ireland 25Circé (1637) by GuercinoCircé1637 26Mary Magdalene (1645) by GuercinoMary Magdalene1645 27The Sick Child (1660) by GuercinoThe Sick Child1660 28St. Paul the Hermit Fed by the Raven (1660) by GuercinoSt. Paul the Hermit Fed by the Raven1660 · Instituto de Arte de Dayton 29Absalom and Tamar (1655) by GuercinoAbsalom and Tamar1655 30The Virgin and Child appearing to Saint Jerome (1650) by GuercinoThe Virgin and Child appearing to Saint Jerome1650 31Santa Palazia (1658) by GuercinoSanta Palazia1658 · Museo Civico 32Virtuous Love (1666) by GuercinoVirtuous Love1666 33Assumption of the Virgin (1650) by GuercinoAssumption of the Virgin1650 · Detroit Institute of Arts 34Saint Paul (1700) by GuercinoSaint Paul1700 · Slovak National Gallery 35Cleopatra (1621) by GuercinoCleopatra1621 · Galeria Nacional da Arménia 36La Madonna del Carmine con San Giuseppe e Santa Teresa e Gloria d' Angeli by GuercinoLa Madonna del Carmine con San Giuseppe e Santa Teresa e Gloria d' Angeli 37The Vocation of Saint Aloysius (Luigi) Gonzaga by GuercinoThe Vocation of Saint Aloysius (Luigi) GonzagaMetropolitan Museum of Art 38Saint Margaret of Cortona by GuercinoSaint Margaret of Cortona 39Apparition of Christ to Saint Therese by GuercinoApparition of Christ to Saint Therese 40The Holy Family (1620) by GuercinoThe Holy Family1620 41Fame, Honor and Virtue by GuercinoFame, Honor and Virtue 42Stilleben mit Melonen + Papagei (1616) by GuercinoStilleben mit Melonen + Papagei1616 43Amnon and Tamar by GuercinoAmnon and TamarNational Gallery of Art 44The Flagellation of Christ (1642) by GuercinoThe Flagellation of Christ1642 · Szépművészeti Múzeum 45Madonna and Child by GuercinoMadonna and ChildFinnish National Gallery 46Saint Paul by GuercinoSaint Paul 47Child seen from behind, standing between its mother's knees by GuercinoChild seen from behind, standing between its mother's knees 48BAPTISM OF CHRIST by GuercinoBAPTISM OF CHRIST 49St. Hieronymus by GuercinoSt. Hieronymus 50San Filippo Neri by GuercinoSan Filippo Neri 51Esther before Ahasuerus (1750) by GuercinoEsther before Ahasuerus1750 · University of Michigan Museum of Art 52The Pensive Muse by GuercinoThe Pensive MuseNational Gallery of Ireland 53Saint Agatha by GuercinoSaint AgathaNational Gallery of Ireland 54The Triumph of David by GuercinoThe Triumph of DavidNational Gallery of Ireland 55Study for St. William of Aquitaine by GuercinoStudy for St. William of AquitaineRhode Island School of Design Museum of Art 56Bust of a Soldier in Armor by GuercinoBust of a Soldier in ArmorRhode Island School of Design Museum of Art 57The Holy Family on the Flight meets the infant St John by GuercinoThe Holy Family on the Flight meets the infant St JohnFitzwilliam Museum 58Primavera by GuercinoPrimaveraMuseu de Belas Artes de Boston 59David with the head of Goliath by GuercinoDavid with the head of Goliath 60Saint Alexius in a brown wrap, holding a staff by GuercinoSaint Alexius in a brown wrap, holding a staff 61Man Kneeling by GuercinoMan Kneeling 62Landscape with a Fisherman by GuercinoLandscape with a Fisherman 63Landscape with Figures and a Wel by GuercinoLandscape with Figures and a Wel 64Landscape with Figures and Trees by GuercinoLandscape with Figures and Trees 65Landscape with Figures and a Tent by GuercinoLandscape with Figures and a Tent 66Landscape with Figures and a Bridge by GuercinoLandscape with Figures and a Bridge 67Landscape with Figures and a Bridge 1 by GuercinoLandscape with Figures and a Bridge 1 68Saint Francis in Adoration by GuercinoSaint Francis in Adoration 69St. John the Baptist in the Wilderness by GuercinoSt. John the Baptist in the Wilderness 70Portrait of a Man by GuercinoPortrait of a Man 71An Old Man by GuercinoAn Old Man 72A Woman Drinking from a Cup by GuercinoA Woman Drinking from a Cup 73St. John the Baptist in the Wilderness 1 by GuercinoSt. John the Baptist in the Wilderness 1 74A Woman Outstretched Arms by GuercinoA Woman Outstretched ArmsBavarian State Painting Collections 75The Flaying of Marsyas by GuercinoThe Flaying of Marsyas 76God the Father by GuercinoGod the Father 77Saint Jerome by GuercinoSaint Jerome 78Two Women and an Infant by GuercinoTwo Women and an Infant 79HEAD OF A GIRL, SEEN FROM BEHIND by GuercinoHEAD OF A GIRL, SEEN FROM BEHIND 80A seated man training a dog by GuercinoA seated man training a dog 81Cupid holding a vase of flowers by GuercinoCupid holding a vase of flowers 82Study of a woman holding a sieve by GuercinoStudy of a woman holding a sieve 83Susanna and the Elders 1 by GuercinoSusanna and the Elders 1 84The Martyrdom of St Peter by GuercinoThe Martyrdom of St Peter 85A study of Christ by GuercinoA study of Christ 86Madonna of the Swallow by GuercinoMadonna of the Swallow 87Landscape with tree in the foreground by GuercinoLandscape with tree in the foreground 88Annunciation by GuercinoAnnunciation 89Warrior Kneeling with Arms Outstretched by GuercinoWarrior Kneeling with Arms Outstretched 90Putto in the Clouds by GuercinoPutto in the Clouds 91Saint John the Evangelist in Meditation by GuercinoSaint John the Evangelist in Meditation 92The Resurrected Christ Appears to the Virgin by GuercinoThe Resurrected Christ Appears to the Virgin 93Saint Peter by GuercinoSaint Peter 94Nude figure of a woman, seen from the side by GuercinoNude figure of a woman, seen from the side 95STUDIES FOR THE VISION OF SAINT PHILIP NERI by GuercinoSTUDIES FOR THE VISION OF SAINT PHILIP NERI 96The Virgin and Child with the Infant Saint John the Baptist by GuercinoThe Virgin and Child with the Infant Saint John the BaptistScottish National Gallery 97David the violonist by GuercinoDavid the violonist 98Self-Portrait before a Painting of Amor Fedele by GuercinoSelf-Portrait before a Painting of Amor Fedele 99St Augustine by GuercinoSt Augustine 100Study of the God Almighty by GuercinoStudy of the God Almighty

Guercino's paintings, period by period

What Guercino painted most

The four subjects that come up most often in these pieces, each with its best-known example.

Where you can see Guercino's paintings

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Guercino Paintings from this list
Bavarian State Painting Collections, MuniqueBavarian State Painting Collections Munique 8 Portrait of a Woman, Christ and the Moneylender, The Persian Sybil
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 6 Saint Joseph with the Christ Child, The Pensive Muse, Saint Agatha
Museu Nacional de Varsóvia, VarsóviaMuseu Nacional de Varsóvia Varsóvia 2 God the Father, Saint Francis with an angel playing violin
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 2 Study for St. William of Aquitaine, Bust of a Soldier in Armor
National Gallery, LondresNational Gallery Londres 8 The Samian Sibyl with a Putto
Staatliche KunstSammlungen Dresden, DresdenStaatliche KunstSammlungen Dresden Dresden 4 Painting and Drawing
Fitzwilliam MuseumFitzwilliam Museum 3 The Holy Family on the Flight meets the infant St John
Scottish National Gallery, EdimburgoScottish National Gallery Edimburgo 3 The Virgin and Child with the Infant Saint John the Baptist

Decade by decade: the best-known Guercino piece of each

Works per decade

Pick a decade to see its standout piece.

Guercino: quick answers about the paintings

What is Guercino's best-known painting?See the answer

Top of the list is Pietà (1638), Musée Condé, Chantilly. Right behind it: St Peter and the angel (1650) and David with the Head of Goliath (1657).

What age was Guercino when creating Pietà?See the answer

47 years old. Guercino was born in 1591, and Pietà dates from 1638.

What are Guercino's top 10 paintings?See the answer

Pietà, St Peter and the angel, David with the Head of Goliath, The Samian Sibyl with a Putto, Saint-Jean-Baptiste, La Madonna del passero, Painting and Drawing, Portrait of a Woman, Christ and the Moneylender and St Anthony of Padua with the Infant Christ. You'll find the year and the museum of each in the list above.

How many works by Guercino are in your catalogue?See the answer

We have 367 works by Guercino in our catalogue, dated 1613 to 1666.

In which museums can you see Guercino's famous works?See the answer

You'll find most of them in Bavarian State Painting Collections (Munique), National Gallery of Ireland (Dublin) and Museu Nacional de Varsóvia (Varsóvia). The museum list above has the full breakdown.

When did Guercino make the most famous pieces?See the answer

In 1650s, more than any other time: 9 of the 100 pieces on this page date from then, St Peter and the angel among them.

What are Guercino's first and last famous pieces?See the answer

The earliest piece here is The Glory of All the Saints. Fragment (1613); the most recent is Virtuous Love (1666).

Which subjects did Guercino paint most often?See the answer

Woman (11), Man (10) and Religious (9), out of the 100 pieces on this page.

Which medium shows up most in Guercino's paintings?See the answer

Oil On Canvas, used in 15 of the 100 pieces on this page.

What style or movement is Guercino known for?See the answer

Baroque, as you can see in the pieces on this page.

Which famous Guercino paintings are at the Bavarian State Painting Collections?See the answer

You can see 5 of the pieces on this page at the Bavarian State Painting Collections, Munique, including Portrait of a Woman, Christ and the Moneylender and The Persian Sybil.

Where can I order a Guercino reproduction?See the answer

Yes. Every painting on this page is available as a hand-painted oil reproduction or a print, in the size that suits you. Just open the painting's page to order.

Guercino's story

A Vida Iluminada pela Sombra: O Mundo de Guercino

Giovanni Francesco Barbieri, conhecido mundialmente como Guercino – “o estrábico” – era um nome nascido de uma característica física, mas destinado a representar uma visão artística que remodelou dramaticamente a pintura barroca. Nascido em 1591 no pequeno vilarejo de Cento, aninhado entre Ferrara e Bolonha, a jornada de Guercino começou não nos salões consagrados das academias formais, mas através da autodescoberta e do aprendizado inicial com Ludovico Carracci. Este período formativo lançou as bases para um estilo que se tornaria sinônimo de intensidade emocional, chiaroscuro dramático e um profundo engajamento tanto com o realismo quanto com o idealismo. Ao contrário de muitos de seus contemporâneos que buscavam a perfeição clássica, a arte de Guercino pulsava com uma energia humana crua, refletindo o clima espiritual turbulento da Itália do século XVII. Sua vida inicial foi marcada por um talento natural que rapidamente ultrapassou o treinamento convencional; ele não estava simplesmente replicando estilos, mas forjando seu próprio caminho, um iluminado por uma compreensão intuitiva de luz e sombra.

Da Caravaggismo à Graça Clássica: Uma Paleta em Transformação

O desenvolvimento artístico de Guercino não foi uma progressão linear, mas sim um fascinante diálogo entre influências diferentes e explorações estilísticas. Suas primeiras obras estavam profundamente endividadas com o naturalismo revolucionário de Caravaggio, abraçando contrastes marcantes e um realismo áspero que chocava e cativava os públicos. Pinturas como *Amnon e Tamar* exemplificam este período inicial – uma representação pungente de um narrativo bíblico renderizada com honestidade implacável e profundidade psicológica. No entanto, Guercino não estava satisfeito em permanecer apenas na órbita do Caravaggismo. Um ponto de inflexão ocorreu em seu estilo durante a década de 1630, impulsionado pela curiosidade artística e pelas demandas dos mecenas exigentes. Ele começou a suavizar sua paleta, afastando-se do tenebrismo agressivo em direção a uma abordagem mais luminosa e equilibrada. Esta transição não foi simplesmente um capricho estilístico; refletiu um engajamento mais profundo com os ideais clássicos e um desejo de criar obras que fossem não apenas poderosas emocionalmente, mas também esteticamente refinadas. Este período viu-o abraçar uma maior profundidade espacial e uma composição mais harmoniosa, como evidenciado em obras-primas como *O Retorno do Filho Pródigo*. A influência de Carracci é evidente na busca por equilíbrio e proporção, elementos que ele incorporou gradualmente ao seu estilo.

Narrativas Bíblicas e Ressonância Emocional

Ao longo de sua carreira, Guercino consistentemente se voltou para as narrativas bíblicas como fonte de inspiração. No entanto, ele não simplesmente ilustrava essas histórias; ele imbui-las com um profundo senso de drama humano e ressonância emocional. Seus personagens não são santos idealizados, mas indivíduos falíveis confrontados com fé, dúvida, remorso e redenção. *O Retorno do Filho Pródigo* é um exemplo primário – uma representação poderosa de um momento crucial da Bíblia, renderizada com habilidade e sensibilidade impressionantes. Guercino compreendia que a verdadeira piedade não era sobre demonstrações externas de devoção, mas sobre as lutas internas e os sacrifícios que definiam uma vida dedicada à fé. Sua capacidade de capturar as vidas interiores de seus personagens o diferenciava de muitos de seus contemporâneos. Ele entendia que a arte podia ser um espelho da alma humana, refletindo suas esperanças, medos e anseios. A intensidade emocional em suas obras é inegável, transmitida através de expressões faciais sutis, gestos dramáticos e uma paleta de cores cuidadosamente selecionada.

O Desenvolvimento do Estilo: Da Sombra ao Clássico

A trajetória artística de Guercino foi marcada por uma evolução constante, influenciada por diversos estilos e mestres. Inicialmente, sua obra refletia a influência direta de Caravaggio, com o uso dramático da luz e sombra, figuras esqueléticas e um realismo cru. No entanto, ao longo dos anos, ele desenvolveu um estilo mais refinado, incorporando elementos do Maneirismo e do Classicismo. A década de 1630 marcou uma mudança significativa em sua paleta de cores, com a adoção de tons mais suaves e luminosos, influenciada por artistas como Guido Reni. Essa transição não foi apenas uma questão de estética; refletiu também uma mudança em seu estilo de pintura, com um foco maior na composição e no detalhe. A obra *A Flagelação de Cristo* (1657) demonstra essa evolução, combinando o realismo dramático de Caravaggio com a elegância e harmonia do Maneirismo. Guercino era um mestre em capturar a emoção e o drama em suas pinturas, mas também possuía uma habilidade notável para representar a beleza e a graça.

Legado Histórico: Reconhecimento e Influência

Embora seu nome não tenha alcançado a mesma fama que os de seus contemporâneos mais renomados, como Caravaggio ou Bernini, Guercino deixou um legado duradouro na história da arte. Suas pinturas são admiradas hoje por sua intensidade emocional, realismo dramático e beleza estética. Após um período de relativa obscuridade no século XIX, o trabalho de Guercino foi redescoberto no século XX, graças aos esforços do renomado historiador de arte Sir Denis Mahon. Mahon dedicou décadas à pesquisa sobre a vida e obra de Guercino, identificando seus estilos distintos e documentando sua produção artística com meticulosa precisão. Sua pesquisa ajudou a restaurar o reconhecimento merecido de Guercino como um dos principais pintores do Barroco italiano. Suas obras podem ser encontradas em importantes museus ao redor do mundo, incluindo a Pinacoteca Nacional de Ferrara, o Palazzo Brignole-Sale em Gênova e a Galleria Spada em Roma, testemunhando sua influência duradoura na arte europeia.

All 367 works by Guercino →