Retrato de Robert Polack

O seu Guia das 1 Pinturas Mais Famosas de Robert Polack

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de Robert Polack em nosso catálogo

Em resumo

A obra mais conhecida de Robert Polack é Robert Polack for Batschari Cigarettes (1925). Você pode encontrá-la no The Fan Museum, em Greenwich. Temos 1 obras de Robert Polack em nosso catálogo; este guia seleciona as 1 mais conhecidas, com o ano, o museu e a história de cada peça.

1880 – 1958, Paris Mais obras: The Fan Museum

As 10 pinturas de Robert Polack que você deve conhecer primeiro

1
Robert Polack for Batschari Cigarettes (1925) de Robert Polack

Robert Polack for Batschari Cigarettes

1925 · The Fan Museum, Greenwich

Fontange or balloon shaped fan with stained wooden sticks.The double paper leaf is printed on the recto with a pochoir (stencil print) of an elegant looking couple against a starlit sky. The male figure, adopting a fashionably effete pose, holds a box of matches in one hand while clasping his female companion in a gentle embrace. She tilts her head to take a light from his cigarette and smoke rises…

Onde você pode ver as pinturas de Robert Polack

O museu que detém a maioria das pinturas desta página.

Museus Cidade Obras de Robert Polack Pinturas desta lista
The Fan Museum, GreenwichThe Fan Museum Greenwich 1 Robert Polack for Batschari Cigarettes

Ano a ano: as obras mais conhecidas de Robert Polack

As obras de Robert Polack datadas desta página são todas de 1925. Aqui estão elas, por ordem de fama.

Obras por ano

Escolha um ano para ver as suas obras.

Robert Polack: respostas rápidas sobre as pinturas

Qual é a pintura mais conhecida de Robert Polack?Ver a resposta

No topo da lista está Robert Polack for Batschari Cigarettes (1925).

Qual era a idade de Robert Polack quando criou Robert Polack for Batschari Cigarettes?Ver a resposta

45 anos. Robert Polack nasceu em 1880, e Robert Polack for Batschari Cigarettes é de 1925.

Quantas obras de Robert Polack existem no seu catálogo?Ver a resposta

Temos 1 obras de Robert Polack em nosso catálogo.

Em quais museus é possível ver as obras famosas de Robert Polack?Ver a resposta

Encontrará a maioria deles em The Fan Museum (Greenwich). A lista de museus acima apresenta o detalhamento completo.

A história de Robert Polack

The lines of Paris

Born in Paris, France, in 1880, Robert Polack lived through a period where the edges of illustration began to soften into something more decorative. His hands worked with the delicate textures of paper and stencil, leaving behind traces of a specific French aesthetic. The work often appeared on small, intimate objects or within the quiet pages of books, far from the scale of large canvases.

In 1925, his touch was seen on a fan held in the collection of The Fan Museum in Greenwich. This piece featured a double paper leaf, shaped like a balloon, with wooden sticks stained to hold their form. Using a pochoir technique, he rendered an elegant couple beneath a starlit sky. The smoke from a cigarette rises to form words, a small, clever detail tucked into the design.

Ink and stencil

Polack’s method relied on the precision of the stencil and the softness of watercolor. He moved between different mediums to suit the surface at hand, whether it was the thin tissue of a book or the paper of a handheld fan. His illustrations often captured figures in specific, poised moments.

Some of his known works include:

  • Handcolored illustrations on tissue for a 1928 edition of Voltaire's Candide.
  • Pochoir prints for Batschari Cigarettes, featuring figures in gentle embraces.
  • Watercolor works that utilized the layering of color to create depth on paper.

A quiet presence in print

The traces of his career are found in the small details of the Art Deco era. He focused on the way light and shadow could be captured through stenciling, creating images that felt part of a larger, fashionable atmosphere. His death in 1958 marked the end of a life spent working within these fine, controlled boundaries of print and illustration.