Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 5 obras de Robert Atkinson em nosso catálogo
Em resumo
Se você conhece uma pintura de Robert Atkinson, provavelmente é A Spanish Soldier of the 16th Century (1885), que está exposta no Auckland Art Gallery Toi o Tāmaki, em Auckland. Portrait of Albin Martin (1886) e A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886) completam as três obras que as pessoas reconhecem de imediato. Nosso catálogo possui 5 obras de Robert Atkinson. Abaixo estão as 5 mais conhecidas, cada uma com seu ano, onde encontrá-la e o que a torna especial.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Robert Atkinson | Pinturas desta lista |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 5 | A Spanish Soldier of the 16th Century, Portrait of Albin Martin, A Settler’s Kitchen, Opua Whanga, New Zealand 1886 |
As obras datadas de Robert Atkinson aqui abrangem apenas 2 anos, de 1885 a 1886. Veja o que cada ano trouxe.
Escolha um ano para ver as suas obras.
No topo da lista está A Spanish Soldier of the 16th Century (1885), Auckland Art Gallery Toi o Tāmaki, Auckland. Logo atrás: Portrait of Albin Martin (1886) e A Settler’s Kitchen, Opua Whanga, New Zealand 1886 (1886).
22 anos. Robert Atkinson nasceu em 1863, e A Spanish Soldier of the 16th Century é de 1885.
Temos 5 obras de Robert Atkinson em nosso catálogo, datadas de 1885 a 1886.
Encontrará a maioria deles em Auckland Art Gallery Toi o Tāmaki (Auckland). A lista de museus acima apresenta o detalhamento completo.
Em 1886, mais do que em qualquer outro momento: 2 das 5 obras nesta página datam dessa época, sendo Portrait of Albin Martin delas.
A obra mais antiga aqui é A Spanish Soldier of the 16th Century (1885); a mais recente é Portrait of Albin Martin (1886).
Pode ver 5 das obras nesta página no Auckland Art Gallery Toi o Tāmaki, Auckland, incluindo A Spanish Soldier of the 16th Century, Portrait of Albin Martin e A Settler’s Kitchen, Opua Whanga, New Zealand 1886.
Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.
Born in the industrial heart of Leeds, Robert Atkinson sought a different air, eventually finding himself in the studios of Antwerp. It was under the guidance of Verlat that his hand first learned the discipline of form and light. By 1885, driven by a need for better health, he turned his gaze toward the southern reaches of the globe, arriving in New Zealand. He established a studio in the Victoria Arcade in Auckland, a space where the quiet intensity of his studies began to take shape. His presence in the colonies was marked by a steady hand and a desire to capture the essence of his surroundings, from the intimate details of a settler's kitchen in Opua Whanga to the formal dignity of a portrait of Albin Martin.
His time in the colonies was a period of constant movement and connection. He moved between the art circles of Melbourne, Sydney, and Auckland, building friendships with fellow painters like Kate McCosh Clark. These years were defined by a search for subject matter that could bridge the gap between his European training and the raw reality of his new environment. Even when he returned to England in 1889 to work as an illustrator, the pull of the southern lands remained, drawing him back to New Zealand in 1895.
The works he left behind reveal a man deeply interested in the structure of life, whether through the study of the human form or the depiction of social scenes. His paintings often focused on the immediate and the tangible:
His death in Dunedin in 1896 cut short a career that was still finding its footing in the colonial landscape. Though his life was brief, the rarity of his New Zealand genre subjects ensures that his vision remains a distinct part of the historical record. He was a painter of specific moments, capturing the light of a new world through the lens of an old-world education.
