Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de Max Pietschmann em nosso catálogo
Em resumo
A obra mais conhecida de Max Pietschmann é Adam and Eve (1894). Você pode encontrá-la no National Gallery Prague, em Praga. Temos 1 obras de Max Pietschmann em nosso catálogo; este guia seleciona as 1 mais conhecidas, com o ano, o museu e a história de cada peça.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Max Pietschmann | Pinturas desta lista |
|---|---|---|---|
 National Gallery Prague |
Praga | 1 | Adam and Eve |
As obras de Max Pietschmann datadas desta página são todas de 1894. Aqui estão elas, por ordem de fama.
Escolha um ano para ver as suas obras.
No topo da lista está Adam and Eve (1894).
29 anos. Max Pietschmann nasceu em 1865, e Adam and Eve é de 1894.
Temos 1 obras de Max Pietschmann em nosso catálogo.
Encontrará a maioria deles em National Gallery Prague (Praga). A lista de museus acima apresenta o detalhamento completo.
Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.
Ernst Max Pietschmann lived much of his life within the quiet landscapes and academic circles of Dresden, Germany. Born on August 6, 1865, he began his formal training at the Dresden Academy of Fine Arts, where he studied under Leon Pohle and Ferdinand Pauwels between 1883 and 1889. His path took him far beyond the borders of his home city, including two years spent in Italy alongside Hans Unger and time spent at the Académie Julian in Paris, focusing largely on the study of nude drawing.
He eventually returned to the familiar surroundings of Saxony, becoming part of the painters' colony in Goppeln. This group focused on plein air painting, capturing the light of the natural world directly from the landscape. In 1904, he moved into a studio house built in an Italian style in Niederpoyritz, where he remained until his death in 1952. His professional life was deeply tied to the Dresden Academy, where he was appointed as a professor in 1909.
Pietschmann’s work is often identified with the German Symbolist movement. He did not follow the later shifts toward Expressionism or New Objectivity that emerged during and after the First World War. Instead, his paintings remained connected to a tradition shared by artists like Max Klinger and Arnold Böcklin. His repertoire frequently explored mythological themes and the human form.
Some of his notable works include:
Under the pseudonym Fr. Laubnitz, he produced pictures that found a wide audience as mural prints during the first half of the twentieth century. This side of his practice allowed his imagery to enter many homes through more accessible formats.
Throughout his career, Pietschmann was part of a group of artists known as the "phalanx of the strong," which included figures such as Oskar Zwintscher and Richard Müller. This group represented the artistic pulse of Dresden at the turn of the century. His presence in the Visual Artists' Association of Dresden helped define the local secession movement.
Today, much of his physical and creative output is preserved within German institutions. His paintings can be found in the following locations:
He passed away on April 16, 1952, and was laid to rest in the Hosterwitz Cemetery in Dresden, leaving behind a body of work that remains anchored in the traditions of his era.
