Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 5 obras de László Pataky em nosso catálogo
Em resumo
A pintura de László Pataky que a maioria das pessoas conhece é Roosters on Horses (1880), e você pode vê-la no Slovak National Gallery, em Bratislava. Logo em seguida vêm Cavalry Battle (1890) e Kuruci (1903). Dos 5 trabalhos de László Pataky em nosso catálogo, estas 3 são as obras mais conhecidas. Cada uma vem acompanhada do seu ano, do seu museu e de uma breve nota sobre o que a torna especial.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de László Pataky | Pinturas desta lista |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Escolha uma década para ver a sua obra de destaque.
No topo da lista está Roosters on Horses (1880), Slovak National Gallery, Bratislava. Logo atrás: Cavalry Battle (1890) e Kuruci (1903).
23 anos. László Pataky nasceu em 1857, e Roosters on Horses é de 1880.
Temos 5 obras de László Pataky em nosso catálogo, datadas de 1880 a 1903.
Encontrará a maioria deles em Slovak National Gallery (Bratislava) e Ernest Zmeták Art Gallery (Nové Zámky). A lista de museus acima apresenta o detalhamento completo.
A obra mais antiga aqui é Roosters on Horses (1880); a mais recente é Kuruci (1903).
Pode ver 2 das obras nesta página no Slovak National Gallery, Bratislava, incluindo Roosters on Horses e Cavalry Battle.
Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.
