Retrato de John Dee

Conheça as 4 pinturas mais famosas de John Dee

Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 4 obras de John Dee em nosso catálogo

Em resumo

Se você conhece uma pintura de John Dee, provavelmente é Obsidian Mirror (1400). Four Castles Gold Disk (1560) e Sigillum Dei, Wax Disks (1582) completam as três obras que as pessoas reconhecem de imediato. Nosso catálogo possui 4 obras de John Dee. Abaixo estão as 4 mais conhecidas, cada uma com seu ano, onde encontrá-la e o que a torna especial.

1527 – 1608

Comece aqui: as 10 principais pinturas de John Dee

John Dee ano a ano: as obras de destaque

As obras datadas de John Dee aqui abrangem 23 anos, de 1560 a 1582. Explore-as ano a ano, com as peças mais conhecidas de cada período.

Obras por ano

Escolha um ano para ver as suas obras.

Suas perguntas sobre as pinturas de John Dee

Qual pintura de John Dee é a mais famosa?Ver a resposta

No topo da lista está Obsidian Mirror (1400). Logo atrás: Four Castles Gold Disk (1560) e Sigillum Dei, Wax Disks (1582).

Quantas pinturas John Dee criou?Ver a resposta

Temos 4 obras de John Dee em nosso catálogo, datadas de 1560 a 1582.

Quando é que John Dee pintou as suas obras mais conhecidas?Ver a resposta

Em 1582, mais do que em qualquer outro momento: 2 das 4 obras nesta página datam dessa época, sendo Sigillum Dei, Wax Disks delas.

Quais pinturas famosas de John Dee foram as primeiras e as últimas?Ver a resposta

A obra mais antiga aqui é Four Castles Gold Disk (1560); a mais recente é Sigillum Dei, Wax Disks (1582).

Posso obter uma reprodução de uma pintura de John Dee?Ver a resposta

Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.

Conhecendo John Dee

The Life and Family of John Dee

John Dee was an English polymath and occultist, a man whose intellectual reach extended far beyond the boundaries of traditional scholarship. Born on 13 July 1527, he occupied a space between rigorous science and the esoteric. His lineage began with his father, Rowland Dee, providing the foundation for a life defined by the pursuit of hidden knowledge. He was not a painter or a visual creator, but a thinker whose influence was felt through his vast intellectual inquiries and his involvement in the occult sciences of the sixteenth century.

Family life for Dee was marked by specific, documented connections that anchored his complex existence. His son, Arthur Dee, was born on 13 July 1579. This lineage continued through a life spent largely in Mortlake, London, where he maintained his residence and his extensive collections. The weight of his intellectual pursuits often intersected with his personal associations, creating a life that was as much about human relationships as it was about the study of the unknown.

The end of his life remains a matter of slight historical debate, with records suggesting he died in 1608 or 1609. Regardless of the exact year, the impact of his work remains a concrete part of the history of English intellectualism. He left behind a legacy of manuscripts and tracts, including the Cotton Vitellius C. VII, which serves as a primary record of his own life and thoughts. His existence was defined by this tension between the documented word and the unseen forces he sought to understand.

Travels and Connections in Europe

John Dee was an English polymath and occultist whose influence relied heavily on his ability to navigate the complex social and intellectual circles of the European continent. His movements were not mere sightseeing; they were strategic engagements with the power structures of the era. He was a visitor to the court of Rudolf II, a connection that placed him at the center of significant intellectual exchange. This relationship was solidified during his time in Prague, where he visited the court of Rudolf II between 1584 and 1585. These interactions demonstrate a man deeply embedded in the high-stakes political and esoteric currents of the late sixteenth century.

His social network was as diverse as it was specialized. He maintained a close friendship with Edward Kelley, a relationship that likely defined much of his later intellectual pursuits. Beyond these personal ties, Dee moved through a web of associates and acquaintances that spanned various social strata. He was connected to William of Rosenberg and Nicholas Starkie, figures who represent the breadth of his professional and social reach. These were not casual acquaintances but part of a structured existence defined by proximity to power and the exchange of specialized knowledge. His presence in Prague and his ties to the court of Rudolf II confirm that his work was never isolated to a single locale, but was instead part of a broader, continental dialogue.