Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 3 obras de Johan Per (Per) Sodermark em nosso catálogo
Em resumo
A pintura de Johan Per (Per) Sodermark que a maioria das pessoas conhece é Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), e você pode vê-la no Nationalmuseum, em Estocolmo. Logo em seguida vêm Portrait of Werner Holmberg (1853) e Christoffer Eichhorn (1837-1889), librarian, art historian (1889). Dos 3 trabalhos de Johan Per (Per) Sodermark em nosso catálogo, estas 3 são as obras mais conhecidas. Cada uma vem acompanhada do seu ano, do seu museu e de uma breve nota sobre o que a torna especial.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Johan Per (Per) Sodermark | Pinturas desta lista |
|---|---|---|---|
 Nationalmuseum |
Estocolmo | 2 | Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery, Christoffer Eichhorn (1837-1889), librarian, art historian |
 Finnish National Gallery |
Helsínquia | 1 | Portrait of Werner Holmberg |
Escolha uma década para ver a sua obra de destaque.
No topo da lista está Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848), Nationalmuseum, Estocolmo. Logo atrás: Portrait of Werner Holmberg (1853) e Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
26 anos. Johan Per (Per) Sodermark nasceu em 1822, e Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery é de 1848.
Temos 3 obras de Johan Per (Per) Sodermark em nosso catálogo, datadas de 1848 a 1889.
Encontrará a maioria deles em Nationalmuseum (Estocolmo) e Finnish National Gallery (Helsínquia). A lista de museus acima apresenta o detalhamento completo.
A obra mais antiga aqui é Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery (1848); a mais recente é Christoffer Eichhorn (1837-1889), librarian, art historian (1889).
Pode ver 2 das obras nesta página no Nationalmuseum, Estocolmo, incluindo Karl Jakob Johannes Lindhagen (1817-1857), chief physician at Pro Patria, battalion physician, medical doctor, Ph.D. in surgery e Christoffer Eichhorn (1837-1889), librarian, art historian.
Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.
Johan Per Södermark stands at a crossroads between military duty and the fine arts. Born in Mossebro, Karlsborg Municipality, on 5 June 1822, his early life follows the disciplined path of his father, Olof Johan Södermark. He enters the military as an Underlöjtnant in 1843, a role that demands precision and observation. The rigidity of service defines his youth, yet the brush remains present. His training begins under his father's guidance before moving to the Royal Swedish Academy of Fine Arts, where he achieves the status of agré in 1848.
The year 1848 brings a sudden shift. He resigns from active military service. The death of his father leaves him with more than just a memory; he inherits a studio. At first, Södermark sustains himself through the labor of copying his father's existing works. This period of imitation acts as a bridge, transitioning him from a man of arms to a man of lithography and paint.
Movement defines his artistic development. He moves through the cultural landscapes of Europe, seeking new light and form. His path takes him to France and Italy, followed by stays in Düsseldorf between 1852 and 1854. In Paris, from 1855 to 1856, he studies under Thomas Couture. These travels expand his repertoire beyond the portraits of his early years.
His work begins to diversify into new territories:
By 1874, Södermark reaches a professional peak as a full member of the Swedish Academy. His presence is felt in major exhibitions, from Copenhagen's Charlottenborg Palace in 1851 to various Nordic Art exhibitions held between 1872 and 1888. He leaves behind a tangible contribution to Swedish collections, having donated his original lithographs to the Nationalmuseum in 1868.
His life concludes in Stockholm on 16 November 1889. While he did not pursue the same level of realistic clarity as his father, his ability to navigate between the roles of officer and artist remains a distinct chapter in Swedish art history. His works remain accessible today through institutions such as the Academy's art gallery, Waldemarsudde, and the Nordic Museum.
