Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de James Macbeth em nosso catálogo
Em resumo
A obra mais conhecida de James Macbeth é Sir Daniel Macnee, 1806 - 1882. Artist (1870). Você pode encontrá-la no Galeria Nacional de Retratos de Escócia, em Edimburgo. Temos 1 obras de James Macbeth em nosso catálogo; este guia seleciona as 1 mais conhecidas, com o ano, o museu e a história de cada peça.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de James Macbeth | Pinturas desta lista |
|---|---|---|---|
 Galeria Nacional de Retratos de Escócia |
Edimburgo | 1 | Sir Daniel Macnee, 1806 - 1882. Artist |
As obras de James Macbeth datadas desta página são todas de 1870. Aqui estão elas, por ordem de fama.
Escolha um ano para ver as suas obras.
No topo da lista está Sir Daniel Macnee, 1806 - 1882. Artist (1870).
23 anos. James Macbeth nasceu em 1847, e Sir Daniel Macnee, 1806 - 1882. Artist é de 1870.
Temos 1 obras de James Macbeth em nosso catálogo.
Encontrará a maioria deles em Galeria Nacional de Retratos de Escócia (Edimburgo). A lista de museus acima apresenta o detalhamento completo.
Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.
The year is 1847 in Glasgow. James Macbeth enters a world where the lines of Scottish identity are being drawn through brushstrokes and ink. He is born into a family of creators; his father, Norman Macbeth, is a portrait painter, and his brothers, Robert Walker and Henry, will also find their way into the arts. This lineage is not merely a coincidence of birth but a shared language of form and color. James moves between the creative hubs of London and Scotland, establishing a presence in both the metropolitan galleries and the local scenes of his homeland.
His work often turns toward the human figure and the quietude of domestic life. In his portrait of Sir Daniel Macnee, he captures the likeness of a contemporary artist, a choice that places him directly within the professional circles of his era. He does not merely record a face; he engages with the social fabric of the mid-nineteenth century.
As the 1880s approach, a shift occurs in the atmosphere of his compositions. His painting A quiet afternoon signals a departure from strict realism toward something more atmospheric. This work anticipates the mood of Aestheticism, a movement that prioritizes sensory experience and a specific kind of contemplative stillness. The scene is not one of action, but of a lingering, suspended moment.
His output is defined by two primary modes of expression:
The trajectory of James Macbeth is cut short in 1891. He leaves behind a body of work that bridges the gap between traditional Scottish portraiture and the emerging sensibilities of the late Victorian period. His presence in the National Galleries of Scotland ensures that his contribution to the visual history of his country remains documented, even as the movements he helped anticipate continue to evolve.
