Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 14 obras de Daniel Gran em nosso catálogo
Em resumo
A pintura de Daniel Gran que a maioria das pessoas conhece é Allegory of the Dawn (1723). Logo em seguida vêm Mary with Child and Saints, Enthroned on Clouds (1730) e Diana's Admission to Olympus (1732). Dos 14 trabalhos de Daniel Gran em nosso catálogo, estas 14 são as obras mais conhecidas. Cada uma vem acompanhada do seu ano, do seu museu e de uma breve nota sobre o que a torna especial.
Os 3 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Daniel Gran | Pinturas desta lista |
|---|---|---|---|
 Museu Nacional de Varsóvia |
Varsóvia | 2 | Greeting of Venus at Mount Olympus, Bacchus and Ceres |
 Szépművészeti Múzeum |
Budapeste | 2 | St Elizabeth Distributing Alms, The Day Driving away the Night |
 Museu Nacional de Cracóvia |
Cracóvia | 1 | Apollo with the Muses – Project for a Plafond |
Escolha uma década para ver a sua obra de destaque.
No topo da lista está Allegory of the Dawn (1723). Logo atrás: Mary with Child and Saints, Enthroned on Clouds (1730) e Diana's Admission to Olympus (1732).
29 anos. Daniel Gran nasceu em 1694, e Allegory of the Dawn é de 1723.
Allegory of the Dawn, Mary with Child and Saints, Enthroned on Clouds, Diana's Admission to Olympus, Apollo with the Muses – Project for a Plafond, Allegory of the Happy Government of Mähren, Allegory of the Morning, Instruction of Mary by Joachim and Anna, The Holy Family, Madonna and Child e unleserlich. Encontrará o ano e o museu de cada uma na lista acima.
Temos 14 obras de Daniel Gran em nosso catálogo, datadas de 1723 a 1747.
Encontrará a maioria deles em Museu Nacional de Varsóvia (Varsóvia), Szépművészeti Múzeum (Budapeste) e Museu Nacional de Cracóvia (Cracóvia). A lista de museus acima apresenta o detalhamento completo.
Em 1730s, mais do que em qualquer outro momento: 4 das 14 obras nesta página datam dessa época, sendo Mary with Child and Saints, Enthroned on Clouds delas.
A obra mais antiga aqui é Allegory of the Dawn (1723); a mais recente é Allegory of the Morning (1747).
Pode ver 2 das obras nesta página no Museu Nacional de Varsóvia, Varsóvia, incluindo Greeting of Venus at Mount Olympus e Bacchus and Ceres.
Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.
Daniel Gran (1694-1757) was a prominent Austrian Baroque painter who played a crucial role in the transition towards Classicism. His career spanned a period of significant artistic change, and he is remembered for his masterful frescoes, religious scenes, and illusionistic style.
Born in Vienna, Italy in 1694, Daniel Gran came from a family that valued its noble lineage. Successfully asserting his claim to this title was important during his time, as improper use of such distinctions could have severe social consequences. Details regarding his early artistic training remain somewhat scarce, but it is known he developed considerable skill and ambition.
Gran’s initial work firmly rooted in the Baroque tradition, characterized by dramatic compositions, rich colors, and a sense of movement. However, towards the end of his career, his paintings began to exhibit a shift away from purely Baroque aesthetics – particularly in terms of figural dimensions and illusionism. This evolution suggests an increasing interest in the emerging principles of Classicism, emphasizing clarity, balance, and restraint.
While specific influences are not extensively documented, it’s reasonable to assume Gran was impacted by contemporary Italian and Austrian Baroque masters. His later stylistic changes suggest a growing awareness of early Classical art and its emphasis on form and proportion.
Daniel Gran’s significance lies in his role as a bridge between the Baroque and Classical periods. He wasn't merely an imitator of earlier styles but actively contributed to the evolving artistic landscape of 18th-century Austria. His work demonstrates a conscious effort to move beyond the exuberance of the High Baroque towards a more restrained and balanced aesthetic.
Gran’s influence can be seen in the subsequent development of Austrian painting, paving the way for later Classicist artists. In 1894, Vienna honored his legacy by naming the Grangasse street in Rudolfsheim-Fünfhaus (the 15th district) after him. His self-portrait remains a treasured piece within the monastery of Herzogenburg.
Gran’s frescoes continue to captivate viewers with their beauty, technical skill, and historical importance, solidifying his place as a notable figure in Austrian art history.
