Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 5 obras de Carl Ebert em nosso catálogo
Em resumo
Se você conhece uma pintura de Carl Ebert, provavelmente é Forest Landscape with Bathing Children (1867), que está exposta no Bavarian State Painting Collections, em Munique. Evening Landscape (1875) e Landscape society in a park completam as três obras que as pessoas reconhecem de imediato. Nosso catálogo possui 5 obras de Carl Ebert. Abaixo estão as 5 mais conhecidas, cada uma com seu ano, onde encontrá-la e o que a torna especial.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Carl Ebert | Pinturas desta lista |
|---|---|---|---|
 Bavarian State Painting Collections |
Munique | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
Munique | 1 | Isar Landscape |
9 anos, de 1867 a 1875: este é o período completo das obras datadas de Carl Ebert aqui. Explore ano a ano.
Escolha um ano para ver as suas obras.
No topo da lista está Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, Munique. Logo atrás: Evening Landscape (1875) e Landscape society in a park.
46 anos. Carl Ebert nasceu em 1821, e Forest Landscape with Bathing Children é de 1867.
Temos 5 obras de Carl Ebert em nosso catálogo, datadas de 1867 a 1875.
Encontrará a maioria deles em Bavarian State Painting Collections (Munique) e Lenbachhaus (Munique). A lista de museus acima apresenta o detalhamento completo.
A obra mais antiga aqui é Forest Landscape with Bathing Children (1867); a mais recente é Evening Landscape (1875).
Pode ver 2 das obras nesta página no Bavarian State Painting Collections, Munique, incluindo Forest Landscape with Bathing Children e Evening Landscape.
Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.
