Atualizado em Novembro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 1 obras de A. Reddock em nosso catálogo
Em resumo
A pintura de A. Reddock que a maioria das pessoas conhece é Andrew Meikle (1811), e você pode vê-la no National Portrait Gallery, em Londres. Dos 1 trabalhos de A. Reddock em nosso catálogo, estas 1 são as obras mais conhecidas. Cada uma vem acompanhada do seu ano, do seu museu e de uma breve nota sobre o que a torna especial.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de A. Reddock | Pinturas desta lista |
|---|---|---|---|
 National Portrait Gallery |
Londres | 1 | Andrew Meikle |
1811 é o ano em que todas as obras datadas de A. Reddock nesta página foram criadas. Aqui estão elas, começando pelas mais famosas.
Escolha um ano para ver as suas obras.
No topo da lista está Andrew Meikle (1811).
37 anos. A. Reddock nasceu em 1774, e Andrew Meikle é de 1811.
Temos 1 obras de A. Reddock em nosso catálogo.
Encontrará a maioria deles em National Portrait Gallery (Londres). A lista de museus acima apresenta o detalhamento completo.
Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.
In the quiet corners of the Scottish landscape during the late eighteenth and early nineteenth centuries, the brush of A. Reddock moved to capture the likenesses of a changing era. Born in 1774, this painter emerged from a time when the dignity of the individual was increasingly sought through the medium of oil and canvas. Reddock, often associated with the town of Falkirk, dedicated his life to the art of the portrait, seeking to fix the character of his subjects upon the surface of the work.
His life was one of quiet observation. While the world around him underwent the tremors of industrial and social shifts, Reddock focused his gaze upon the faces of those who shaped the era. His work was not merely about the likeness of a person, but about the presence they held in the room. Through his hands, the fleeting essence of a sitter was rendered into something permanent.
The records of his skill are found in the portraits he left behind, some of which have been preserved within the halls of Glasgow Life Museums. One such work, a portrait of Andrew Meikle, reveals the artist's ability to document the men of his time. Meikle, an engineer credited with the invention of the threshing machine, was captured by Reddock's hand, linking the artist to the very spirit of Scottish innovation. In such works, we see the intersection of art and history, where the painter records the faces of those who altered the course of industry.
Reddock's technical approach was rooted in the traditions of his station. He worked with a focus on the essential features that defined a person's status and character. His ability to render the likeness of figures like Lady Hannah Anne Gardiner Maxwell suggests a painter who understood the nuances of social standing and the subtle play of light upon a subject's countenance. He remained active in his craft until his passing in 1842, leaving behind a body of work that serves as a window into the Scottish social fabric of the early nineteenth century.
