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Guia de Obras de Estudantes

City-II

Nome Turma Data

Zarina Hashmi, City-II (2003), Devi Art Foundation. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Zarina Hashmi artsdot.com/pt/artists/zarina-hashmi_pt/
Datas do artista
1937 – 2020
Pintura
2003
Técnica
Drawing
Dimensões originais
45 x 39 cm
Movimento
Minimalism Stripping a work back to the fewest possible elements, so nothing is there for decoration.
Período
Contemporary
Realizado em
Devi Art Foundation artsdot.com/pt/museums/devi-art-foundation-gurugram/
Artistic style
Minimalism
Subject or theme
Urban environment and transportation

No contexto

City-II — Zarina Hashmi

Qual é o tamanho?

As dimensões originais são 45 × 39 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010
  10. 2020

Sombreado: a trajetória de Zarina Hashmi (1937–2020) ▲ esta obra, 2003

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Putty #f5dcbd

    Paleta catalogada

    • #F5DCBD
    • #1D1A16
    • #B6A489
    • #675D4C
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    City-II — Zarina Hashmi

    A Cartography of Memory: Exploring Zarina Hashmi’s City-II

    In the quiet, profound lines of City-II, we encounter more than just a depiction of an urban landscape; we enter the delicate psyche of one of the most poignant voices in contemporary printmaking. Created in 2003 by the late Indian-American master Zarina Hashmi, this black and white drawing serves as a window into a world where architecture and emotion intersect. The piece presents a meticulously detailed cityscape, where a central body of water acts as a mirror to the surrounding structures, creating a sense of both enclosure and openness. Through her masterful use of line, Hashmi captures the rhythmic pulse of urban life—the movement of cars along winding roads, the distant presence of a train, and the subtle, fleeting traces of human activity that animate the concrete expanse.

    The technique employed in City-II is a testament to Hashmi’s minimalist prowess. Eschewing the distraction of color, she relies entirely on the interplay of light, shadow, and intricate linework to build depth and atmosphere. This monochromatic approach strips the scene down to its essential geometry, echoing the artist's lifelong fascination with borders and boundaries. Each stroke feels intentional, contributing to a structural complexity that invites the viewer to wander through the streets of the drawing as if navigating a map of one’s own memories. The precision of her hand evokes the clarity of a blueprint, yet there is an undeniable softness in the way the water reflects the sky, suggesting that even within the rigid structures of a city, there is room for fluidity and reflection.

    To understand City-II, one must look toward the historical and personal context of Zarina Hashmi’s life. As an artist whose work was deeply informed by her experiences with displacement and the concept of "home" as a shifting, often lost territory, this cityscape takes on a symbolic weight. The roads and waterways can be viewed as conduits of journey and transition—themes that defined her career. The city is not merely a collection of buildings, but a vessel for identity, a place where the traces of those who pass through become part of the permanent landscape. For the collector or interior designer, this piece offers a sophisticated intellectual depth; it is a conversation starter that brings a sense of contemplative stillness and structural elegance to any curated space.

    For those seeking to integrate fine art into a modern interior, City-II provides a timeless aesthetic appeal. Its monochromatic palette allows it to harmonize seamlessly with diverse decor styles, from minimalist contemporary to classic academic settings. The artwork does not demand attention through loudness, but rather commands respect through its quiet intensity and the way it invites long, meditative gazes. Owning a reproduction of this work is an opportunity to possess a fragment of a profound legacy—a piece that celebrates the beauty of the structured world while whispering the haunting, beautiful stories of the human journey.

    Artista e museu

    Artista

    Zarina Hashmi

    Nascido em Aligarh, Índia

    primeiros anos e carreira

    zarina hashmi, artista e gravadora indo-americana, nasceu em 16 de julho de 1937. A obra de sua vida seria profundamente marcada por temas como o lar, o deslocamento, as fronteiras, a jornada e a memória, refletindo suas próprias vivências como uma pessoa deslocada.

    estilo artístico e temas

    Associada ao movimento minimalista, a obra de zarina hashmi utilizava formas abstratas e geométricas para evocar uma reação espiritual no espectador. Sua arte narra de forma pungente sua trajetória, apresentando temas recorrentes sobre o lar, o lugar, as fronteiras e a memória.

    minimalismo: o trabalho de zarina inclina-se para o minimalismo, suavizado por sua textura e materialidade.

    deslocamento e memória: sua arte reflete suas próprias experiências como uma pessoa deslocada, explorando ideias de lar, lugar, fronteiras e memória.

    inscrições em urdu: o uso de inscrições em urdu por zarina em seu trabalho invoca sua língua materna, denotando uma "tradução" vitalícia da expressão artística e linguística.

    obras notáveis e exposições

    home is a foreign place, 1999 (portfólio de 36 xilogravuras em chine collé com texto em urdu impresso em papel e montado sobre papel, the metropolitan museum of art, aquisição, doação da coleção george economou), é um exemplo notável do trabalho de zarina. Esta peça, juntamente com outras, pode ser encontrada na seção de obras de zarina hashmi no AllPaintingsStore.com.

    legado e memória

    O falecimento de zarina hashmi em 25 de abril de 2020 marcou a perda de uma figura cultural significativa. Sua história de vida, conforme refletida em sua arte, continua a evocar uma reação espiritual nos espectadores, garantindo que seu legado perdure. veja as obras de zarina hashmi em AllPaintingsStore.com leia mais sobre zarina hashmi na wikipedia

    Museu

    Devi Art Foundation

    Em exibição em Gurugram, India

    A Sanctuary of South Asian Vision: The Devi Art Foundation

    In the bustling heart of Gurugram, where industrial progress meets the rapid pulse of modern India, lies a profound sanctuary for the soul: the Devi Art Foundation. More than a mere repository for objects, this institution serves as a luminous beacon for the evolving artistic landscape of South Asia. Established through the visionary passion of Anupam and Lekta Poddar, the foundation was born from a deep-seated desire to elevate the visibility of creative expression within the subcontinent. It stands as a testament to the power of private patronage, transforming a personal devotion to art into a public stage where the diverse voices of a region can converge, clash, and coalesce into a shared cultural narrative.

    The collection itself is an expansive, breathing entity, boasting over 7,000 pieces that traverse the delicate boundaries between the ancient and the avant-garde. To wander through its halls is to embark on a temporal journey; one might find themselves captivated by the intricate precision of a Pahari miniature, such as Nainsukh’s

    “Durga Confronts the Buffalo Demon Mahisha,”

    where Mughal and Persian influences dance across the surface to recount the grandeur of Hindu mythology. Yet, this reverence for tradition is seamlessly juxtaposed with the raw energy of contemporary sculpture and tribal art that celebrates India’s rich, multifaceted heritage. The collection thrives on this tension, offering experimental works that push the limits of medium and meaning, challenging every preconceived notion of what South Asian art can be.

    Architectural Harmony and the Spirit of Innovation

    The physical presence of the Devi Art Foundation is as much a work of art as the treasures it houses. Designed by the architect Aniket Bhagwat, the museum’s structure is a masterclass in material dialogue. By blending the rugged, weathered texture of Corten steel with the organic warmth of handmade bricks, the architecture reflects a deliberate reverence for both industrial innovation and artisanal craftsmanship. This intentional marriage of materials mirrors the collection's own duality—the intersection of the modern moment and the enduring weight of history. The expansive, light-filled spaces are thoughtfully curated to prioritize visitor engagement, creating an immersive environment where the boundary between the observer and the observed begins to dissolve.

    What truly distinguishes the Devi Art Foundation is its pioneering spirit as India’s inaugural private museum dedicated specifically to contemporary art. This unique autonomy grants curators the freedom to pursue ambitious, unconstrained programming that transcends commercial limitations. Notable exhibitions, such as the groundbreaking

    “Still Moving Image,”

    have spotlighted the cinematic potential of video and photography through the eyes of twenty-five Indian artists, fostering a vibrant intellectual exchange. Through initiatives like Khoj Studios, the foundation actively bridges the gap between art production and public discourse, ensuring that art is never cloistered within institutional walls but remains an active, debating presence in the lives of the community.

    For the collector seeking depth or the interior designer searching for inspiration, the Devi Art Foundation offers a profound lesson in curation and atmosphere. It is a place where history is not just remembered but reimagined, and where every corner invites a new way of seeing. By fostering a culture of critical engagement and celebrating the shared histories of the Indian Subcontinent, the foundation continues to inspire a new generation of thinkers, ensuring that the pulse of South Asian creativity beats stronger and more vibrantly than ever before.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de City-II

    artsdot.com/pt/art/download/zarina-hashmi-city-ii-D5DEP5-en/

    Como citar esta obra

    MLA
    Hashmi, Zarina. City-II. 2003, Devi Art Foundation. https://artsdot.com/pt/art/zarina-hashmi-city-ii-D5DEP5-en/
    APA
    Hashmi, Zarina (2003). City-II [Painting]. Devi Art Foundation. https://artsdot.com/pt/art/zarina-hashmi-city-ii-D5DEP5-en/
    Chicago
    Zarina Hashmi. City-II. 2003. Devi Art Foundation. https://artsdot.com/pt/art/zarina-hashmi-city-ii-D5DEP5-en/
    Harvard
    Hashmi, Zarina (2003) City-II. Devi Art Foundation. Available at: https://artsdot.com/pt/art/zarina-hashmi-city-ii-D5DEP5-en/

    Observe de perto

    City-II — Zarina Hashmi

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: cityscape, buildings, water. Concorda? O que acrescentaria ou removeria?
    4. Relembre Home Is a Foreign Place (1999), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Minimalism: Stripping a work back to the fewest possible elements, so nothing is there for decoration. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.