Papel

Guia de Obras de Estudantes

Central Black

Nome Turma Data

William Ronald Smith, Central Black (1956), The Robert McLaughlin Gallery. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
William Ronald Smith artsdot.com/pt/artists/william-ronald-smith_pt/
Datas do artista
1926 – 1998
Pintura a óleo
1956
Dimensões originais
214 x 165 cm
Realizado em
The Robert McLaughlin Gallery artsdot.com/pt/museums/the-robert-mclaughlin-gallery-oshawa/

No contexto

Central Black — William Ronald Smith

Qual é o tamanho?

As dimensões originais são 214 × 165 cm (altura × largura), representadas aqui ao lado de um adulto de altura média. É demasiado grande para ser representada à escala nesta página.

Quando foi pintado?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 72 ao falecer.

Pintado quando o artista tinha 30. O artista viveu até aos 72. 2 das 4 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de William Ronald Smith (1926–1998) ▲ esta obra, 1956 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/william-ronald-smith-central-black-D7H22F-en/

Cores

Medido a partir da imagem

    Cor principal

    Putty #dedad0

    Paleta catalogada

    • #DEDAD0
    • #978A82
    • #222123
    • #921317

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de William Ronald Smith nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 2 obras mais visualizadas de William Ronald Smith

    1. 1 Manhattan Carnival, 1952 100,0%
    2. — Central Black, 1956 esta obra 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 4 obras deste artista, das quais 1 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    William Ronald Smith

    Nascido em Stratford, Canadá

    **early life and career**

    william ronald smith, known professionally as william ronald, was a pivotal figure in the development of canadian abstract art. born on august 13, 1926, in canada, smith's artistic journey was marked by innovation and a deep passion for the abstract expressionist movement.

    **the founding of painters eleven**

    in 1953, smith co-founded painters eleven, a group that would significantly influence the canadian art scene. this collective's emphasis on abstract art not only reflected the post-war avant-garde spirit but also positioned smith as a leading figure in this movement.

    **artistic style and contributions**

    smith's work is characterized by his "central image" paintings, which embody the essence of abstract expressionism. his style, though varied, consistently explores the depths of human emotion through bold, vibrant colors and dynamic compositions. this approach has been influential in shaping the broader understanding of canadian art.

    key works: the lyrical abstraction art movement, a series that delves into the emotional aspects of abstract art. central image paintings, a collection showcasing smith's unique approach to abstract expressionism.

    influences: the lyrical abstraction art movement on AllPaintingsStore, offering insights into the post-war art scene. abstract expressionism on wikipedia, detailing the global influence of this art movement.

    museums and collections: the robert mclaughlin gallery, featuring smith's works alongside other notable canadian artists. the robert mclaughlin gallery on AllPaintingsStore, highlighting the gallery's collection of contemporary art.

    **legacy and impact**

    william ronald smith passed away on february 9, 1998, but his legacy endures. his contributions to canadian abstract art have been profound, influencing generations of artists and cementing his place in the annals of art history.

    notable mentions: walter hawley yarwood, a fellow artist whose work sky fire is featured on AllPaintingsStore, showcasing the diversity of canadian abstract art. william ronald smith's profile on AllPaintingsStore, offering an in-depth look at his life and work.

    **conclusion**

    william ronald smith's impact on canadian art is undeniable. through his pioneering spirit and innovative approach to abstract expressionism, he has left an indelible mark on the world of art. his legacy continues to inspire, a testament to the enduring power of his vision.

    Museu

    The Robert McLaughlin Gallery

    Em exibição em Oshawa, Canada

    A Sanctuary of Light and Line

    Nestled within the vibrant pulse of Downtown Oshawa, Ontario,

    The Robert McLaughlin Gallery

    stands as a luminous beacon for the Canadian spirit, offering a profound sanctuary where modernism meets memory. To step into this institution is to enter a carefully curated dialogue between the earth and the ether, a place where the heavy weight of history is lifted by the soaring, light-filled expansiveness of its design. The architectural presence of the gallery is, in itself, a masterpiece of modernist principle. Designed by the legendary Canadian architect

    Arthur Erickson

    , the building serves as a structural poem that mirrors the artistic ethos found within its walls. Erickson’s vision prioritizes an organic connection to the surrounding urban landscape, utilizing expansive windows that flood the interior with natural light. This intentional luminosity does more than illuminate; it breathes life into the canvases, mirroring the brilliance and depth found in many of the gallery's most celebrated works.

    For the interior designer or lover of fine spaces, the gallery offers a masterclass in how architecture can act as a silent collaborator to art, creating an environment that is simultaneously invigorating and deeply contemplative. The space serves as a bridge between the industrial heritage of the region and the ethereal beauty of abstract form, making it a vital destination for those who seek inspiration in the intersection of structure and soul.

    The Pulse of Abstract Expressionism

    At the heart of the gallery’s identity lies an unparalleled devotion to

    Abstract Expressionism

    . This singular focus is inextricably linked to the pioneering legacy of

    Alexandra Luke

    , a visionary whose advocacy for abstract forms irrevocably altered the trajectory of Canadian art history. The gallery holds the distinction of housing the largest collection of works by the

    Painters Eleven

    in Canada, a group of rebels and innovators who sought to break free from representational constraints to explore pure emotion, form, and texture. To wander through these collections is to encounter monumental works that pulse with energy, offering profound insights into a collective movement that redefined how we perceive the canvas.

    The collection's depth is matched by its diversity, featuring a wide array of artistic expressions including:

    Canadian Paintings:

    A vast panorama of works spanning various periods of national importance.

    Sculpture and Printmaking:

    Tactile explorations of materiality and process that complement the painted works.

    Archives:

    Significant historical records related to the Painters Eleven, preserving the very origins of the movement.

    Beyond its permanent treasures, which number over 4,500 diverse pieces, the gallery remains a living, breathing entity through its commitment to groundbreaking exhibitions and community engagement. It consistently pushes boundaries, presenting shows that traverse themes from the intricate nuances of Indigenous storytelling to the cutting-edge pulse of contemporary trends. Whether one is drawn by the historical weight of the McLaughlin legacy or the raw, unbridled power of modern Canadian creativity, the gallery offers an enduring journey through the heart of Canadian expression.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Central Black

    artsdot.com/pt/art/download/william-ronald-smith-central-black-D7H22F-en/

    Como citar esta obra

    MLA
    Smith, William Ronald. Central Black. 1956, The Robert McLaughlin Gallery. https://artsdot.com/pt/art/william-ronald-smith-central-black-D7H22F-en/
    APA
    Smith, William Ronald (1956). Central Black [Painting]. The Robert McLaughlin Gallery. https://artsdot.com/pt/art/william-ronald-smith-central-black-D7H22F-en/
    Chicago
    William Ronald Smith. Central Black. 1956. The Robert McLaughlin Gallery. https://artsdot.com/pt/art/william-ronald-smith-central-black-D7H22F-en/
    Harvard
    Smith, William Ronald (1956) Central Black. The Robert McLaughlin Gallery. Available at: https://artsdot.com/pt/art/william-ronald-smith-central-black-D7H22F-en/

    Observe de perto

    Central Black — William Ronald Smith

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Back Through Sound (1954), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. William Ronald Smith tinha cerca de 30 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual era a idade de William Ronald Smith ao criar "Central Black" em 1956?

    Quando "Central Black" foi criada em 1956, William Ronald Smith — nascido(a) em 1926 — tinha 30 anos.

    Qual paleta e cor predominante definem "Central Black"?

    "Central Black", de William Ronald Smith utiliza uma paleta Neutrals, com Putty (#dedad0) como cor dominante.

    Qual é a orientação de "Central Black", de William Ronald Smith?

    "Central Black", de William Ronald Smith possui um formato Portrait. O formato descreve as proporções da composição.