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Everard Benjamin

Nome Turma Data

William Jennys, Everard Benjamin (1795). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
William Jennys artsdot.com/pt/artists/william-jennys/
Pintura a óleo
1795
Dimensões originais
82 x 69 cm

No contexto

Everard Benjamin — William Jennys

Qual é o tamanho?

As dimensões originais são 82 × 69 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1790
  2. 1800

▲ esta obra, 1795 cada pintura datada, década por década

Comparar com

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Mais obras para acompanhar esta: artsdot.com/pt/art/similar/william-jennys-everard-benjamin-D38HTY-en/

Cores

Medido a partir da imagem

    Cor principal

    Black #0b1216

    Paleta catalogada

    • #0B1216
    • #75590E
    • #B3A470
    • #DDD8B8

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Black
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de William Jennys nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 4 obras mais visualizadas de William Jennys

    1. 1 Everard Benjamin, 1795 esta obra 25,0%
    2. 2 Henry L. Clark and John W. Clark, 1800 25,0%
    3. 3 Master Pike, 1800 25,0%
    4. 4 Gentleman of the Hale Family, 1807 25,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 10 obras deste artista, das quais 4 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 1 posição entre elas, com 25,0% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    William Jennys

    William Jennys: A Pioneer of American Portraiture

    William Jennys, a name perhaps less familiar than many of his contemporaries, nevertheless stands as a significant figure in the early development of American portrait painting. Active primarily during the late 18th and early 19th centuries, Jennys carved out a distinctive niche for himself through a unique blend of itinerant practice, a simplified yet compelling style, and an enduring legacy reflected in numerous museum collections across North America. His story is one of quiet determination, artistic evolution, and a remarkable ability to capture the essence of his subjects within a remarkably restrained aesthetic.

    Born around 1774 (though precise birthdates are often elusive for artists of this era), William Jennys was apprenticed to his father, Richard Jennys, a self-taught itinerant portrait painter. This familial connection provided him with an invaluable foundation – not just in technical skills but also in the nomadic lifestyle inherent to their profession. Richard Jennys’s own practice involved traveling throughout New England and beyond, seeking commissions from rural communities and small towns. This early exposure instilled in William a deep understanding of the practical realities of portraiture: the need for adaptability, the importance of direct engagement with clients, and the challenges of sustaining an artistic career on irregular income.

    The Style of a Primitive Master

    Jennys’s distinctive style is often categorized as “primitive,” though this label can be misleading. It's more accurate to describe it as a highly developed form of American Naive painting – characterized by a deliberate simplicity, a focus on direct observation, and an avoidance of academic conventions. His early works are immediately recognizable for their broad, almost schematic modeling of faces, often rendered with minimal attention to costume detail or elaborate backgrounds. He frequently depicted his subjects in neutral settings, emphasizing the individual’s presence rather than creating complex narratives. This approach wasn't a lack of skill; rather, it was a conscious decision to prioritize direct representation and emotional impact over technical virtuosity.

    As his career progressed, Jennys gradually refined his technique. He began to incorporate more detail into the costumes and backgrounds of his portraits, reflecting an increasing awareness of visual complexity. However, he never abandoned his fundamental approach – a commitment to capturing the essential character of his subjects with clarity and immediacy. The Connecticut Historical Society, the Currier Museum of Art, and numerous other institutions hold examples of this fascinating stylistic evolution, showcasing a painter who consistently sought to distill human likeness into its most potent form.

    A Life on the Road: Commissions and Collections

    Jennys’s career was largely defined by his itinerant practice. He traveled extensively throughout New England, from Connecticut to Vermont and Massachusetts, seeking commissions in small towns and rural areas. He wasn't a household name; his fame rested primarily on word-of-mouth referrals and the satisfaction of fulfilling individual requests for portraits. This lifestyle necessitated a degree of self-reliance and adaptability – qualities that undoubtedly contributed to his artistic success.

    Remarkably, Jennys’s work has been collected by some of America's most prestigious museums, including the Metropolitan Museum of Art in New York, the Minneapolis Institute of Arts, the National Gallery of Art in Washington D.C., and the Honolulu Academy of Arts. This widespread recognition speaks to the enduring appeal of his portraits – their directness, emotional resonance, and unique visual character. His paintings offer a valuable glimpse into the lives and appearances of ordinary Americans during a pivotal period in American history.

    Legacy and Influence

    While William Jennys may not be as widely celebrated as some of his contemporaries, his influence on subsequent generations of American artists is undeniable. His work helped to establish a precedent for direct observation and emotional expression in portraiture – paving the way for later movements such as American Realism and Regionalism. Artists like Simon Fitch and Reuben Moulthrop, active in Connecticut during the same period, were undoubtedly influenced by Jennys’s simplified style and his focus on capturing the essence of his subjects.

    Jennys's legacy lies not only in his individual paintings but also in the broader context of American art history. He represents a vital link between the early traditions of portraiture and the emerging artistic landscape of the 19th century – a testament to the enduring power of simplicity, directness, and an unwavering commitment to capturing the human spirit.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Everard Benjamin

    artsdot.com/pt/art/download/william-jennys-everard-benjamin-D38HTY-en/

    Como citar esta obra

    MLA
    Jennys, William. Everard Benjamin. 1795, https://artsdot.com/pt/art/william-jennys-everard-benjamin-D38HTY-en/
    APA
    Jennys, William (1795). Everard Benjamin [Painting]. https://artsdot.com/pt/art/william-jennys-everard-benjamin-D38HTY-en/
    Chicago
    William Jennys. Everard Benjamin. 1795. https://artsdot.com/pt/art/william-jennys-everard-benjamin-D38HTY-en/
    Harvard
    Jennys, William (1795) Everard Benjamin. Available at: https://artsdot.com/pt/art/william-jennys-everard-benjamin-D38HTY-en/

    Observe de perto

    Everard Benjamin — William Jennys

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 1 — você concorda?)
    4. Relembre Asa Benjamin (1795), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

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    Perguntas e Respostas

    Qual é o formato e as dimensões de "Everard Benjamin"?

    "Everard Benjamin", de William Jennys é uma composição em Portrait com dimensões de 82 x 69 cm no original.

    Quem criou "Everard Benjamin" e quando?

    A obra "Everard Benjamin" é de autoria de William Jennys e data de 1795.

    Qual cor mais se destaca em "Everard Benjamin"?

    Black (#0b1216) é a cor predominante de "Everard Benjamin", de William Jennys.