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Guia de Obras de Estudantes

Robert Orme

Nome Turma Data

Sir Joshua Reynolds, Robert Orme. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Sir Joshua Reynolds artsdot.com/pt/artists/sir-joshua-reynolds_pt/
Datas do artista
1723 – 1792
Movimento
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.

No contexto

Robert Orme — Sir Joshua Reynolds

Quando poderá ter sido pintada esta obra?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770
  7. 1780
  8. 1790

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 69 ao falecer.

Sombreado: a trajetória de Sir Joshua Reynolds (1723–1792) cada pintura datada, década por década

Primeiras obras: até 1761 Principais anos de atividade: 1761–1781 Obras tardias: a partir de 1781

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/sir-joshua-reynolds-robert-orme-7Z3PGD-en/

Cores

Medido a partir da imagem

    Cor principal

    Black #191114

    Paleta catalogada

    • #191114
    • #E2DCD1
    • #83776F
    • #5C3A2F

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Black
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Sir Joshua Reynolds nos últimos doze meses — 22 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 60,7%
    2. 2 Singapura 9,7%
    3. 3 Estados Unidos da América 8,8%
    4. 4 Hong Kong 5,4%
    5. 5 Espanha 4,4%
    6. 6 Reino Unido 2,0%
    7. 7 Roménia 1,5%
    8. 8 Itália 1,2%
    9. 9 México 1,2%
    10. 10 Brasil 1,0%
    11. · 12 outros países 4,1%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Sir Joshua Reynolds

    1. 1 Miss Bowles, 1775 2,7%
    2. 2 The Infant Samuel, 1776 1,5%
    3. 3 Mrs James Fortescue, née Mary Henrietta Hunter 1,5%
    4. 4 The Honorable Henry Fane (1739–1802) with Inigo Jones and Charles Blair, 1761 1,2%
    5. 5 Kitty Fisher as Cleopatra Dissolving the Pearl, 1759 1,2%
    6. 6 Francesco Bartolozzi (1727 1815) 1,2%
    7. 7 Mrs Siddons as the Tragic Muse, 1789 1,2%
    8. 8 Mr. James Bourdieu, 1765 1,0%
    9. 9 Miss Jane Bowles, 1775 1,0%
    10. 10 Cupid Untying the Zone of Venus, 1788 0,9%
    11. 11 Miss Nelly O'Brien, 1762 0,9%
    12. 12 Lady Delm and her Children, 1780 0,9%
    13. 13 Sir Thomas Dyke Acland (1722–1785), 7º Barão, MP, 1767 0,9%
    14. 14 Mrs. Robinson, 1784 0,9%
    15. 15 The Infant Samuel at Prayer 0,9%
    16. 16 The Infant Hercules Strangling the Serpents, 1786 0,7%
    17. 17 Garrick Between Tragedy and Comedy, 1761 0,7%
    18. 18 Portrait of Colonel Vernon / A Gentleman in Armour, 1760 0,7%
    19. 19 The Hon. Mrs John Barrington, 1758 0,7%
    20. — Robert Orme esta obra 0,0%

    Juntas, estas obras representam 20,7% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 861 obras deste artista, das quais 332 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Sir Joshua Reynolds

    Nascido em Plympton, Reino Unido

    A Luminary of the Enlightenment: The Life and Art of Sir Joshua Reynolds

    Sir Joshua Reynolds, born in 1723 in the quaint Devonshire town of Plympton, emerged as a pivotal figure during a period of immense cultural transformation in Britain. His father, Reverend Samuel Reynolds, instilled in him a love for learning and intellectual pursuits, initially steering young Joshua towards a scholarly path. However, an undeniable artistic inclination soon surfaced, leading to his apprenticeship with Thomas Hudson in London at the age of seventeen. This formative experience provided Reynolds with a solid foundation in portraiture—a genre that would become the cornerstone of his illustrious career. Hudson’s studio was more than just a workspace; it was a vibrant hub of fashionable society, exposing Reynolds to the demands and expectations of aristocratic patrons – shaping not only his technique but also his profound understanding of the social landscape he would so masterfully depict. It wasn't merely about capturing likeness; it was about constructing an image that reflected status, taste, and aspiration, a carefully orchestrated representation of power and refinement.

    Forging a ‘Grand Style’ for British Portraiture

    Reynolds didn’t simply replicate what he learned from Hudson. He embarked on a journey of artistic exploration, fueled by a deep admiration for the Old Masters – particularly Raphael, Michelangelo, and Titian. A defining moment in his development occurred during a sojourn to Rome in 1750. There, immersed in classical art and absorbing the principles of the ‘Grand Style’ – an approach that prioritized idealized beauty, dramatic composition, and historical or mythological allusions – Reynolds fundamentally altered his artistic vision. He sought to elevate British portraiture beyond mere representation, imbuing it with a sense of dignity and intellectual weight previously unseen. He believed that portraits should not just record physical appearances but also reveal the sitter’s character and social standing, transforming them into symbols of their era. This ambition led him to incorporate elements of history painting – often depicting his subjects in elaborate costumes or staged settings reminiscent of classical narratives – creating a visual dialogue between the present and the past. Reynolds wasn't merely painting people; he was crafting enduring images of power, intellect, and refinement.

    The First President and Champion of the Royal Academy

    Reynolds’ influence extended far beyond his own canvas. In 1768, he became a founding member of the Royal Academy of Arts, and crucially, its first president – a position he held until his death in 1792. This was a watershed moment for British art, establishing an institution dedicated to fostering artistic talent and promoting national identity. Reynolds tirelessly advocated for the importance of art education and championed the recognition of artists as professionals deserving of respect and patronage. His annual Discourses – lectures delivered to Academy students – became seminal texts on artistic theory and practice, outlining his vision for a distinctly British school of painting. He stressed the importance of studying nature, mastering technique, and cultivating imagination, urging artists to strive for originality while remaining grounded in tradition. Reynolds’ leadership transformed the landscape of British art, elevating its status and laying the groundwork for future generations of artistic innovation.

    Capturing an Era: Notable Works and Enduring Legacy

    Reynolds' prolific output encompassed portraits of some of the most prominent figures of 18th-century Britain – members of the aristocracy, literary luminaries, and military heroes. His portrait of Duke of Devonshire, for example, exudes an air of aristocratic power and sophistication, while his depiction of Peter Darnell Muilman, Charles Crokatt and William Keable in a Landscape showcases his ability to integrate figures seamlessly into natural settings. Mr and Mrs William Lindow is another compelling example of his skill in capturing the intimacy and social dynamics of family life. Beyond individual portraits, Reynolds also excelled at group compositions, skillfully arranging multiple figures within a single frame to create dynamic and engaging narratives. His work wasn’t simply about technical proficiency; it was about storytelling—about conveying the essence of an era through carefully constructed images. His works can be found in prestigious collections worldwide, including the Tate Britain in London and the Royal Collection at Hampton Court, ensuring that his legacy will continue to inspire and inform for centuries to come.

    Influences and Artistic Style

    Reynolds’ artistic style was deeply rooted in the traditions of the Old Masters, particularly Raphael, Michelangelo, and Titian. He admired their mastery of composition, anatomy, and color, but he also sought to adapt these principles to the specific needs of British portraiture. His ‘Grand Style’ emphasized idealized beauty, dramatic lighting, and a sense of historical or mythological grandeur. He was influenced by the Baroque painters of Italy, particularly Rubens, whose dynamic brushwork and vibrant colors he adopted for his own work. Reynolds' portraits are characterized by their elegance, psychological depth, and meticulous attention to detail. He was renowned for his ability to capture not only the physical likeness of his sitters but also their personalities and social standing. His use of color was particularly noteworthy, employing a rich palette of reds, blues, and greens to create visually stunning and emotionally resonant images.

    A Lasting Impact

    Sir Joshua Reynolds’s legacy extends far beyond his individual paintings. He fundamentally reshaped the course of British art, elevating portraiture to a position of prominence and establishing the Royal Academy as a vital center for artistic development. His emphasis on classical ideals, rigorous technique, and psychological insight influenced generations of artists who followed him. Today, Reynolds remains one of the most celebrated figures in British art history – a testament to his extraordinary talent, vision, and enduring impact on the cultural landscape.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Robert Orme

    artsdot.com/pt/art/download/sir-joshua-reynolds-robert-orme-7Z3PGD-en/

    Como citar esta obra

    MLA
    Reynolds, Sir Joshua. Robert Orme. n.d., https://artsdot.com/pt/art/sir-joshua-reynolds-robert-orme-7Z3PGD-en/
    APA
    Reynolds, Sir Joshua (n.d.). Robert Orme [Painting]. https://artsdot.com/pt/art/sir-joshua-reynolds-robert-orme-7Z3PGD-en/
    Chicago
    Sir Joshua Reynolds. Robert Orme. n.d. https://artsdot.com/pt/art/sir-joshua-reynolds-robert-orme-7Z3PGD-en/
    Harvard
    Reynolds, Sir Joshua (n.d.) Robert Orme. Available at: https://artsdot.com/pt/art/sir-joshua-reynolds-robert-orme-7Z3PGD-en/

    Observe de perto

    Robert Orme — Sir Joshua Reynolds

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 1 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: portrait, equestrian, baroque. Concorda? O que acrescentaria ou removeria?
    5. Relembre Lady Frances Finch (1782), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Onde posso comprar reproduções pintadas à mão de "Robert Orme", de Sir Joshua Reynolds?

    Reproduções pintadas à mão de "Robert Orme", de Sir Joshua Reynolds podem ser adquiridas no este site: uma reprodução a óleo pintada à mão sobre tela de linho, através da sua página de encomendas Reprodução Pintada à Mão.

    Como o movimento e a época se encontram em "Robert Orme", de Sir Joshua Reynolds?

    "Robert Orme", de Sir Joshua Reynolds insere-se no movimento Rococo, dentro da era Idade Moderna de seu criador.

    Qual é a situação dos direitos autorais de "Robert Orme", de Sir Joshua Reynolds?

    O status de direitos autorais de "Robert Orme" - em domínio público — seus direitos autorais expiraram - decorre do falecimento do artista em 1792.