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Margate harbour,

Nome Turma Data

Samuel Owen, Margate harbour, (1806). Domínio público.

Informações principais

Artista
Samuel Owen artsdot.com/pt/artists/samuel-owen/
Datas do artista
1769 – 1857
Pintura
1806
Movimento
British Landscape Painting

No contexto

Margate harbour, — Samuel Owen

Ano de criação

  1. 1760
  2. 1770
  3. 1780
  4. 1790
  5. 1800
  6. 1810
  7. 1820
  8. 1830
  9. 1840
  10. 1850

Sombreado: a trajetória de Samuel Owen (1769–1857) ▲ esta obra, 1806

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #b7af91

    Paleta catalogada

    • #B7AF91
    • #4D4430
    • #857A5E
    • #141009
    Nome da cor principal
    Rosy Brown
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Samuel Owen

    Nascido em United Kingdom

    Early Life and Artistic Beginnings

    Samuel Owen (circa 1769 – December 8, 1857) emerged from obscurity as a prominent English marine painter and illustrator during the Romantic era. Precise details of his birthdate remain elusive, though records indicate he was born sometime around 1769 in England—a time marked by significant artistic innovation and burgeoning interest in exploring the natural world. Little is known about Owen’s formative years prior to 1791, when he debuted his artwork “A Sea View” at the Royal Academy, marking a pivotal moment in establishing his professional career.Note: Wikipedia

    His early artistic training remains undocumented, suggesting self-taught proficiency combined with exposure to prevailing artistic trends of the period.

    Owen’s initial works demonstrated an acute observational skill and a commitment to capturing the essence of maritime landscapes—characteristics that would define his distinctive style throughout his prolific output.

    Royal Academy Exhibitions and Maritime Observation

    Owen swiftly gained recognition within London's artistic circles following his debut at the Royal Academy in 1797, capitalizing on the fervor surrounding Napoleon’s invasion of Spain. His ambitious depiction “A View of the British and Spanish Fleets” powerfully conveyed the grandeur and tension of naval warfare—a subject that would become a cornerstone of his oeuvre.Note: Tate

    He continued to impress audiences with subsequent exhibitions showcasing scenes from engagements like Camperdown, meticulously rendered in watercolor.

    Owen’s artistic vision was profoundly influenced by the Romantic movement's emphasis on emotion and sublime beauty—a sensibility evident in his detailed depictions of ships and coastal vistas.

    Collaboration with William Blake and Artistic Style

    Owen’s association with William Blake, a fellow artist and visionary, fostered intellectual exchange and contributed to the development of his artistic style.Note: Tate

    Blake's influence encouraged Owen to explore expressive techniques—particularly tonal gradation—that heightened the dramatic impact of his paintings.

    Owen’s meticulous attention to detail—capturing textures, light effects, and atmospheric conditions—became a hallmark of his work.

    Notable Projects: Thames River Views and Engravings

    Among Owen's most enduring achievements were the series of 84 watercolor drawings commissioned for William Westall’s “Picturesque Tour of the River Thames,” published in 1838.Note: Tate

    These panoramic views celebrated the Thames as a symbol of British identity and artistic aspiration.

    Furthermore, Owen's collaboration with William Bernard Cooke resulted in the engraving of “The Thames”—a monumental undertaking that solidified his reputation as a master draftsman and illustrator.Note: Tate

    Legacy and Historical Significance

    Samuel Owen died peacefully at Sunbury in Surrey on December 8, 1867, leaving behind a substantial body of work that continues to inspire admiration for its artistic merit and historical documentation.Note: Tate

    His paintings exemplify the Romantic ideal of capturing sublime landscapes—a genre that profoundly shaped British art history.

    Owen’s meticulous observation and skillful rendering of maritime subjects cemented his place as one of the foremost marine painters of his era, ensuring his enduring legacy within the annals of artistic achievement.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Margate harbour,

    artsdot.com/pt/art/download/samuel-owen-margate-harbour-9HTSMF-en/

    Como citar esta obra

    MLA
    Owen, Samuel. Margate harbour,. 1806, https://artsdot.com/pt/art/samuel-owen-margate-harbour-9HTSMF-en/
    APA
    Owen, Samuel (1806). Margate harbour, [Painting]. https://artsdot.com/pt/art/samuel-owen-margate-harbour-9HTSMF-en/
    Chicago
    Samuel Owen. Margate harbour,. 1806. https://artsdot.com/pt/art/samuel-owen-margate-harbour-9HTSMF-en/
    Harvard
    Owen, Samuel (1806) Margate harbour,. Available at: https://artsdot.com/pt/art/samuel-owen-margate-harbour-9HTSMF-en/

    Observe de perto

    Margate harbour, — Samuel Owen

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: harbor scene, maritime life, 1806 england. Concorda? O que acrescentaria ou removeria?
    4. Relembre Homeward Bound, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    5. Samuel Owen tinha cerca de 37 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?

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