Papel

Guia de Obras de Estudantes

Across Low Moor

Nome Turma Data

peter joyce, Across Low Moor (1994), Middlesbrough Institute of Modern Art. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
peter joyce artsdot.com/pt/artists/peter-joyce/
Pintura
1994
Dimensões originais
38 x 56 cm
Realizado em
Middlesbrough Institute of Modern Art artsdot.com/pt/museums/middlesbrough-institute-of-modern-art-middlesbrough_pt/

No contexto

Across Low Moor — peter joyce

Dimensões

As dimensões originais são 38 × 56 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1990

▲ esta obra, 1994

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Plum #c2c2d0

    Paleta catalogada

    • #C2C2D0
    • #5E2E27
    • #13080B
    • #515362
    Nome da cor principal
    Plum
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Across Low Moor — peter joyce

    The artwork "Across Low Moor" by Peter Joyce is a captivating piece that invites viewers to delve into its abstract and intriguing composition. Created in 1994, this acrylic on paper work measures 38 x 56 cm and is currently housed at the Middlesbrough Institute of Modern Art (MIMA) in Middlesbrough, United Kingdom.

    Composition and Symbolism

    The painting features a bold red background, juxtaposed with various shapes and objects that add to its mystique. Two chairs are prominently displayed, one on the left side and another on the right, with a person seated in the former. A clock is also visible near the center of the image, adding an air of timelessness to the piece. The abstract nature of "Across Low Moor" encourages viewers to interpret its symbolism and meaning. Key Elements:

    The red background serves as a striking contrast to the shapes and objects within the painting.

    The two chairs and seated figure create a sense of human presence and interaction.

    The clock adds a sense of time and eternity, inviting viewers to ponder its significance.

    Artist and Museum Context

    Peter Joyce's work is part of the Middlesbrough Institute of Modern Art's collection, which features a diverse range of modern and contemporary art. The museum's collection includes works by internationally recognized artists, making it a significant cultural institution in the United Kingdom. For more information on the artist and his work, visit Peter Joyce: Across Low Moor on AllPaintingsStore.com.

    The Middlesbrough Institute of Modern Art is also home to other notable works, including pieces by Jack Youngerman and Beatrice Wood. To explore more artworks and learn about the museum's collection, visit Smithsonian American Art Museum on AllPaintingsStore.com.

    Artista e museu

    Artista

    peter joyce

    The Essence of the Landscape: The Art of Peter Joyce

    In the realm of contemporary British abstraction, few artists capture the ephemeral dialogue between nature and human perception as poignantly as Peter Joyce. Born in 1964 in Poole, Dorset, Joyce has dedicated his career to exploring what he describes as an abstraction derived from the landscape. His work does not merely seek to replicate the scenery of the English countryside or the man-altered terrains of regions like La Vendée; rather, it strives to distill the very soul of these environments. Through a masterful command of texture and color, Joyce invites viewers into a space where the boundaries between the physical world and emotional resonance begin to blur.

    Joyce’s artistic foundation is rooted in rigorous academic training, which provided him with the technical vocabulary to execute his complex visions. After earning a diploma in art and design from the Bournemouth & Poole College of Art & Design in 1982, he continued his studies to achieve a Bachelor of Arts (Hons.) in Fine Art and History of Art from Stourbridge College of Technology & Art in 1985. This dual focus on practice and historical context allowed him to develop a style that is both deeply personal and informed by the broader traditions of abstract expressionism. His early years were marked by an intense investigation into how visual storytelling can be achieved through the manipulation of raw materials.

    Technique and the Architecture of Surface

    To encounter a painting by Peter Joyce is to engage with a tactile, living surface. He primarily utilizes acrylic paint on canvases of varying dimensions, yet his process transcends the simple application of pigment. Joyce employs an array of tools—brushes, knives, and other implements—to achieve a signature effect characterized by scraped, rubbed, and scratched textures. This meticulous layering creates what critics have described as "complicated yet enchanting surfaces," where the marks of the artist's hand are as vital to the composition as the colors themselves.

    This physical approach to painting serves a deeper symbolic purpose. By creating surfaces that bear the scars and traces of their own creation, Joyce mirrors the geological and ecological processes of the natural world—the erosion of earth, the shifting of light, and the accumulation of time. His compositions often balance a sense of controlled chaos with a lyrical grace, resulting in works that feel both structurally sound and vibrantly dynamic. Whether he is exploring the geometric forms of a coastal pier or the symbolic depth of a more figurative abstract piece like "Across Low Moor," his technique remains focused on capturing the underlying interconnectedness of all things.

    Legacy and Artistic Vision

    Throughout his prolific career, Joyce has established himself as a respected voice in the international art community, exhibiting extensively across the United Kingdom and beyond. His contributions to the contemporary landscape are noted not only in gallery walls but also in significant institutional collections, such as the Middlesbrough Institute of Modern Art (MIMA). His ability to translate the profound beauty of natural environments into a language of pure abstraction has earned him recognition in various art publications and scholarly catalogues.

    The significance of Joyce’s work lies in its ability to provoke contemplation regarding our relationship with the environment. In an era of rapid ecological change, his focus on the "man-altered landscape"* serves as a powerful reminder of the delicate balance between human presence and the natural world. Through his evocative use of color and texture, Peter Joyce continues to push the boundaries of abstract landscape painting, ensuring that the essence of the earth remains visible even when stripped of its literal form.

    Museu

    Middlesbrough Institute of Modern Art

    Em exibição em Middlesbrough, Reino Unido

    Middlesbrough Institute of Modern Art (mima)

    O

    Middlesbrough Institute of Modern Art (mima)

    ergue-se como um vibrante centro cultural, dedicado à exibição de arte contemporânea e moderna com um foco profundo em temas socialmente engajados. Sua coleção destaca a modernidade britânica ao lado de obras contemporâneas de vanguarda, promovendo o diálogo e o envolvimento dentro da comunidade de Teesside.

    Situado em uma região marcada por sua transformação industrial, o mima não é apenas um espaço de contemplação, mas um ponto de encontro para a reflexão crítica. Através de suas exposições rotativas, o museu explora as complexidades da cultura contemporânea, desafiando perspectivas e incentivando o pensamento crítico sobre os problemas sociais e locais que moldam o nosso tempo.

    A experiência no mima é enriquecida por uma diversidade de meios artísticos, abrangendo desde a pintura e a escultura até a fotografia, o vídeo e as instalações imersivas. O edifício em si serve como um pano de fundo dinâmico para sua coleção, projetado para ser um espaço acessível e convidativo para visitantes de todas as origens, celebrando a arte como uma força transformadora na sociedade.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Across Low Moor

    artsdot.com/pt/art/download/peter-joyce-across-low-moor-AR2D22-en/

    Como citar esta obra

    MLA
    joyce, peter. Across Low Moor. 1994, Middlesbrough Institute of Modern Art. https://artsdot.com/pt/art/peter-joyce-across-low-moor-AR2D22-en/
    APA
    joyce, peter (1994). Across Low Moor [Painting]. Middlesbrough Institute of Modern Art. https://artsdot.com/pt/art/peter-joyce-across-low-moor-AR2D22-en/
    Chicago
    peter joyce. Across Low Moor. 1994. Middlesbrough Institute of Modern Art. https://artsdot.com/pt/art/peter-joyce-across-low-moor-AR2D22-en/
    Harvard
    joyce, peter (1994) Across Low Moor. Middlesbrough Institute of Modern Art. Available at: https://artsdot.com/pt/art/peter-joyce-across-low-moor-AR2D22-en/

    Observe de perto

    Across Low Moor — peter joyce

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Shell Stone, Portland, Dorset (1998), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

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