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Guia de Obras de Estudantes

Australian beach pattern

Nome Turma Data

matthew charles meere, Australian beach pattern (1940), Galeria de Arte da Nova Gales do Sul. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
matthew charles meere artsdot.com/pt/artists/matthew-charles-meere/
Datas do artista
1890 – 1961
Pintura
1940
Técnica
Oil On Canvas
Dimensões originais
108 x 138 cm
Movimento
Neo-Classicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Período
Modern
Realizado em
Galeria de Arte da Nova Gales do Sul artsdot.com/pt/museums/galeria-de-arte-da-nova-gales-do-sul-sydney_pt/
Artistic style
Modernised classical traditions
Notable elements
Men playing volleyball, beach scene
Subject or theme
Leisure and relaxation at the beach

No contexto

Australian beach pattern — matthew charles meere

Dimensões

As dimensões originais são 108 × 138 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Sombreado: a trajetória de matthew charles meere (1890–1961) ▲ esta obra, 1940

Obras comparáveis

  • Atalanta, 1938 artsdot.com/pt/art/matthew-charles-meere-atalanta-D3ZME3-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #b5ae8e

    Paleta catalogada

    • #B5AE8E
    • #583C16
    • #90703D
    • #D5DADB
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Australian beach pattern — matthew charles meere

    Meere was one of a group of Sydney artists whose work modernised classical artistic traditions as a means of imaging national life during the inter-war period. The epitome of his vision by the late 1930s is

    Artista e museu

    Artista

    matthew charles meere

    Nascido em London, United Kingdom

    **early life and education**

    matthew charles meere, a prominent english-born artist, was born in 1890 in the united kingdom. his formative years were marked by an innate passion for art, leading him to pursue higher education in both england and france. this cosmopolitan approach to his artistic development would later influence his unique style.

    **war service and relocation**

    meere's life took a significant turn when he served in world war i. upon completion of his service, he made the decision to settle in australia in 1932, a move that would have a profound impact on his career.

    **artistic achievements**

    meere's sydney art practice flourished, with him working as a commercial artist and teaching life classes to notable students like freda robertshaw.

    he achieved considerable artistic and commercial success, notably winning the sulman prize in 1938 with his piece atalanta's eclipse, a neo-classical interpretation of the greek myth.

    one of his most celebrated works, australian beach pattern (1938–40), has been subject to various interpretations, including as a celebration of australian beach culture or a nuanced reflection of australia's unpreparedness for world war ii.

    **legacy and notable mentions**

    - *inclusion in the 2000 summer olympics program: his work was among the quintessential australian images chosen for the opening ceremony. - exhibition at london's national gallery in 2013*: a major exhibition of australian art featured his works.

    **personal life and later years**

    meere's life post-war saw him establish a successful career in australia. his legacy extends beyond his own work, with his grandson also becoming a painter of note, based in sydney and inspired by global travels.

    view matthew charles meere's artworks on AllPaintingsStore

    explore the greatest artists of all time on AllPaintingsStore

    learn more about australian art on wikipedia

    *note:* this biography is based on information available up to 2022 and may not reflect updates or new discoveries post-2022.

    Museu

    Galeria de Arte da Nova Gales do Sul

    Em exibição em Sydney, Austrália

    A Window into Colonial Australia: The Art of New South Wales

    Nestled within the vibrant heart of Sydney, the Art Gallery of New South Wales is more than simply a collection of paintings and sculptures; it’s a profound journey through centuries of cultural exchange. Founded on the ancestral lands of the Gadigal people – a recognition that remains deeply woven into the gallery's very ethos – this institution invites visitors to contemplate not only the beauty contained within its walls, but also the complex, often challenging narrative of Australia’s formation. From the meticulous detail of early engravings depicting the arrival of Governor Arthur Phillip to the bold expressions of contemporary street art, the Gallery offers a remarkably diverse collection reflecting the varied experiences that shaped colonial art and continue to resonate powerfully today.

    The gallery's origins trace back to 1872 with the establishment of the New South Wales Academy of Art. Initially conceived as a platform for organizing annual exhibitions, it quickly evolved into a vital cornerstone for nurturing emerging artists within the burgeoning colony. The building itself – originally constructed as the Royal North Shore Hospital in 1856 – is an integral part of the gallery’s story. Designed by the esteemed architect John Habens, its imposing Victorian façade speaks volumes about a time when hospitals were not merely places of healing, but symbols of civic pride and progress—a testament to the burgeoning confidence of a young nation. The deliberate repurposing into an art gallery in 1973 was a considered act of preservation, honoring the building’s rich historical fabric while simultaneously providing a fittingly grand space for artistic expression. The painstaking restoration has meticulously maintained the original grandeur, layering architectural history with the dynamic energy of contemporary exhibitions; one can almost hear the echoes of generations past as you traverse the soaring arches and admire the intricate stonework – each element whispering tales of settlement, ambition, and transformation.

    A Legacy of Patronage and Artistic Voice

    The Gallery’s collection is particularly enriched by the influence of Charles Jones, a prominent patron and collector who played a pivotal role in championing the talents of Sydney artists during the 19th century. Recognizing the potential within the colony's burgeoning artistic community, Jones actively fostered its growth through astute acquisitions and unwavering support. His dedication resulted in a significant collection that showcases not only the evolution of artistic styles and techniques – from the formal elegance of early portraiture to the emerging Romanticism capturing the rugged beauty of the Australian landscape – but also the stories of the artists themselves. Keep an eye out for works by Francis Wheatley, whose meticulous engravings immortalized figures like Arthur Phillip Esq., offering a poignant glimpse into the initial stages of settlement and the establishment of British authority in this new land. The gallery also houses a remarkable collection of Charles Jones’s acquisitions, representing his discerning taste and commitment to nurturing local talent—a tangible reminder of his belief in the power of art to shape national identity.

    Notable Exhibitions & Artistic Voices

    The Art Gallery of New South Wales consistently hosts a dynamic program of exhibitions that illuminate diverse themes and artistic movements. Recent highlights have included compelling retrospectives dedicated to pioneering Australian artists like Charles Condor, whose dramatic seascapes capture the raw power of the Pacific Ocean with breathtaking intensity; and explorations of contemporary street art – a vibrant reflection of urban culture, social commentary, and the evolving spirit of Sydney itself. The Archibald Prize, Australia’s most prestigious portraiture award, is regularly featured at the gallery, offering a captivating insight into the nation's artistic talent and its ever-evolving perspectives on identity, representation, and the human condition. Don’t miss opportunities to explore thematic exhibitions focusing on Indigenous Australian art – showcasing traditional storytelling techniques, intricate symbolism, and the profound connection between art and culture—an essential component of understanding Australia’s rich artistic heritage and acknowledging the deep roots of Aboriginal communities.

    The Lewers Bequest: A Pivotal Collection

    Perhaps the Gallery's most distinctive feature is the Lewers Bequest – a remarkable collection of 19th-century Australian paintings amassed by Sir John Edward Lewers, a prominent businessman and art collector. This bequest represents a pivotal moment in the development of Australian art history, providing an unparalleled opportunity to study the evolution of artistic styles and techniques within the colony. The collection includes works by masters such as Frederick McCubbin, Tom Roberts, and Russell Drysdale—artists who captured the essence of rural life, the beauty of the Australian landscape, and the spirit of a nation forging its identity. The Lewers Bequest is housed in a dedicated wing of the gallery, allowing visitors to immerse themselves fully in this extraordinary assemblage and appreciate its significance within the broader context of Australian art history – a treasure trove for scholars, collectors, and anyone seeking to understand the artistic journey of Australia’s past.

    A Living Collection: Research & Community Engagement

    The Art Gallery of New South Wales is more than just a display space; it's a vibrant hub for research, education, and community engagement. Its dedicated curatorial team actively investigates the provenance and significance of its artworks, contributing to a deeper understanding of Australian art history—a commitment that extends beyond the gallery’s walls. The gallery also offers a diverse range of educational programs, workshops, and guided tours designed to engage visitors of all ages and backgrounds – from school groups eager to explore artistic concepts to seasoned art enthusiasts seeking new perspectives. Furthermore, the Gallery's commitment extends beyond its physical presence through collaborations with local schools, universities, and cultural organizations—promoting artistic literacy, supporting emerging talent, and fostering a shared appreciation for the power of art to connect us all. The gallery’s website provides extensive resources for researchers, students, and art lovers alike, solidifying its role as a vital center for Australian art scholarship and a cornerstone of Sydney's cultural landscape.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Australian beach pattern

    artsdot.com/pt/art/download/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/

    Como citar esta obra

    MLA
    meere, matthew charles. Australian beach pattern. 1940, Galeria de Arte da Nova Gales do Sul. https://artsdot.com/pt/art/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/
    APA
    meere, matthew charles (1940). Australian beach pattern [Painting]. Galeria de Arte da Nova Gales do Sul. https://artsdot.com/pt/art/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/
    Chicago
    matthew charles meere. Australian beach pattern. 1940. Galeria de Arte da Nova Gales do Sul. https://artsdot.com/pt/art/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/
    Harvard
    meere, matthew charles (1940) Australian beach pattern. Galeria de Arte da Nova Gales do Sul. Available at: https://artsdot.com/pt/art/matthew-charles-meere-australian-beach-pattern-D3ZKHY-en/

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    Australian beach pattern — matthew charles meere

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    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: beach scene, leisure, people. Concorda? O que acrescentaria ou removeria?
    4. Relembre Atalanta (1938), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Neo-Classicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Onde você pode observar isso nesta obra?

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