Papel

Guia de Obras de Estudantes

The Annunciation

Nome Turma Data

Mariotto Albertinelli, The Annunciation (1511). Domínio público.

Informações principais

Artista
Mariotto Albertinelli artsdot.com/pt/artists/mariotto-albertinelli/
Datas do artista
1474 – 1515
Pintura
1511
Movimento
High Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.

No contexto

The Annunciation — Mariotto Albertinelli

Ano de criação

  1. 1470
  2. 1480
  3. 1490
  4. 1500
  5. 1510

Sombreado: a trajetória de Mariotto Albertinelli (1474–1515) ▲ esta obra, 1511

Obras comparáveis

  • Visitation, 1503 artsdot.com/pt/art/mariotto-albertinelli-visitation-8XZ8SA-en/
  • The Annunciation artsdot.com/pt/art/mariotto-albertinelli-the-annunciation-D3KFJ2-en/
  • Triptych, 1500 artsdot.com/pt/art/mariotto-albertinelli-triptych-D4K6Z7-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/mariotto-albertinelli-the-annunciation-D3KE79-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #a6acb1

    Paleta catalogada

    • #A6ACB1
    • #252428
    • #4E453F
    • #91714C
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Mariotto Albertinelli

    Nascido em Florence, Italy

    Mariotto Albertinelli: A Florentine Renaissance Painter

    Born: Florence, Italy (1474)

    Died: 1515

    Early Life and Training

    Mariotto di Bigio di Bindo Albertinelli was born in Florence as the son of a gold beater. He was an only child, and his mother died when he was just five years old. Initially trained as a gold beater until the age of 12, he then became a pupil of Cosimo Rosselli, sharing studies with Fra Bartolomeo. The close friendship between Albertinelli and Fra Bartolomeo led them to establish a joint studio in Florence by 1494.

    Artistic Development and Influences

    Albertinelli’s style demonstrates the influence of several prominent artists including Perugino, Piero di Cosimo, Lorenzo di Credi, and Flemish painters. His early works, produced independently of Fra Bartolomeo, are stylistically distinct and reveal a sophisticated taste for detail. Piero di Cosimo introduced him to Flemish techniques, enriching his artistic palette. A period of independence followed Fra Bartolomeo’s entry into the Dominican order in 1500, allowing Albertinelli to develop his own voice while still maintaining a connection to his former mentor's style.

    Major Works and Collaborations

    The Visitation (1503): Housed in the Uffizi Gallery, this is considered Albertinelli’s masterpiece. It depicts the biblical story of Elizabeth visiting Mary, showcasing his skill in composition, narrative depiction, and blending influences from Fra Bartolomeo and Perugino.

    Altarpiece for the Chapel of Congregazione di San Martino: This altarpiece includes panels depicting the Visitation, Annunciation, Nativity, and Circumcision. It demonstrates Albertinelli's ability to create a cohesive narrative across multiple panels.

    Kress Tondo: Initially attributed solely to Fra Bartolomeo, it is now believed that Albertinelli used his partner’s cartoon in its creation, highlighting their collaborative relationship.

    Annunciation (1511): A joint work with Fra Bartolomeo, showcasing a period of stylistic convergence and collaboration.

    Historical Significance and Legacy

    Albertinelli's artistic career reflects the dynamic shifts within Florentine painting during the High Renaissance. His ability to synthesize diverse influences—Perugino’s grace, Flemish detail, and Leonardo’s sfumato technique—created a unique style that contributed to the richness of Florentine art. He trained notable artists such as Jacopo da Pontormo, Innocenzo di Pietro Francucci da Imola, and Giuliano Bugiardini, ensuring his influence extended beyond his own works. Despite facing financial difficulties later in life, Albertinelli left behind a body of work that demonstrates his skill and artistic versatility, solidifying his place within the Florentine Renaissance.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de The Annunciation

    artsdot.com/pt/art/download/mariotto-albertinelli-the-annunciation-D3KE79-en/

    Como citar esta obra

    MLA
    Albertinelli, Mariotto. The Annunciation. 1511, https://artsdot.com/pt/art/mariotto-albertinelli-the-annunciation-D3KE79-en/
    APA
    Albertinelli, Mariotto (1511). The Annunciation [Painting]. https://artsdot.com/pt/art/mariotto-albertinelli-the-annunciation-D3KE79-en/
    Chicago
    Mariotto Albertinelli. The Annunciation. 1511. https://artsdot.com/pt/art/mariotto-albertinelli-the-annunciation-D3KE79-en/
    Harvard
    Albertinelli, Mariotto (1511) The Annunciation. Available at: https://artsdot.com/pt/art/mariotto-albertinelli-the-annunciation-D3KE79-en/

    Observe de perto

    The Annunciation — Mariotto Albertinelli

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 3 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: annunciation story, religious painting, mary and angel. Concorda? O que acrescentaria ou removeria?
    5. Relembre Visitation (1503), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.