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Guia de Obras de Estudantes

Abstract with Holes

Nome Turma Data

John Banting, Abstract with Holes (1937), Darlington Library. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
John Banting artsdot.com/pt/artists/john-banting/
Pintura
1937
Dimensões originais
44 x 56 cm
Movimento
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.
Realizado em
Darlington Library artsdot.com/pt/museums/darlington-library-darlington/

No contexto

Abstract with Holes — John Banting

Dimensões

As dimensões originais são 44 × 56 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1930

▲ esta obra, 1937 cada pintura datada, década por década

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Putty #d4be9c

    Paleta catalogada

    • #D4BE9C
    • #DADEDC
    • #382727
    • #C35A43

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de John Banting nos últimos doze meses — 1 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 4 obras mais visualizadas de John Banting

    1. 1 Humphrey Spender, 1934 33,3%
    2. 2 Edward Burra, 1930 33,3%
    3. 3 Goat Man and Guitar 33,3%
    4. Abstract with Holes, 1937 esta pintura 0,0%

    Juntas, estas obras representam 99,9% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 10 obras deste artista, das quais 3 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada nesse período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    John Banting

    John Banting: The Unassuming Surrealist of Bloomsbury

    John Banting (1902-1972) remains a curiously compelling figure in the history of British art, often described as “the only true English Surrealist painter” by Anthony Powell. He wasn’t a flamboyant provocateur or a central member of the core group associated with André Breton; instead, he was a quietly observant artist who absorbed and subtly transmuted the currents of surrealism, vorticism, and Bloomsbury aesthetics into his distinctive body of work – primarily book jackets, decorative panels, and evocative paintings. His life story is one of understated resilience, marked by periods of struggle, intellectual curiosity, and a deep engagement with political and social issues.

    Born in Chelsea, London, to a farming family, Banting’s early years were shaped by the rhythms of rural life and a somewhat isolated childhood. He was a shy and introspective boy, finding solace in nature and developing a keen eye for detail. This quiet observation would later become a defining characteristic of his artistic practice. His formal education was patchy – he struggled with spelling and found traditional schooling uninspiring – but he possessed an innate desire to learn and explore. Influenced by the vorticist movement, which sought to connect art directly with industrial experience, Banting began experimenting with abstraction and geometric forms in the early 1920s.

    Early Artistic Training: He attended evening classes at Vincent Square Art School under Bernard Meninsky, a respected figure in London’s artistic circles. This provided him with foundational skills but it was his time in Paris that truly ignited his surrealist sensibilities.

    Bloomsbury Connections: Banting's association with the Bloomsbury Group – Virginia Woolf, E.M. Forster, and others – exposed him to a vibrant intellectual environment where ideas about art, literature, and society were constantly debated. While not an active participant in their inner circles, he benefited from their influence and shared concerns.

    Book Jacket Design: Banting gained early recognition through his striking book jacket designs for Leonard and Virginia Woolf’s Hogarth Press. These weren't mere advertisements; they were miniature works of art that captured the essence of the books within, often employing surreal imagery and evocative typography.

    The Surrealist Turn and Political Engagement

    Following his time in Paris, Banting embraced the principles of Surrealism, incorporating dreamlike imagery, illogical juxtapositions, and a fascination with the subconscious into his work. His paintings from the early 1930s – works like “Explosion,” “Snake in The Grass,” and “Triplets” – are characterized by their unsettling beauty and symbolic richness. These pieces often feature fragmented figures, distorted perspectives, and unexpected combinations of objects, reflecting the core tenets of Surrealism.

    However, Banting’s artistic practice was inextricably linked to his political beliefs. He became increasingly involved in left-wing politics during the 1930s, influenced by the rise of fascism in Europe and a growing awareness of social injustice. His engagement with Nancy Cunard, a radical anti-fascist activist and writer, further deepened his commitment to leftist causes. He travelled to Harlem in 1932, documenting racial tensions and contributing to her Negro anthology, demonstrating a genuine concern for civil rights.

    Spanish Civil War: Banting’s most dramatic political involvement occurred during the Spanish Civil War. He attempted to join the International Brigades fighting against Franco's forces, highlighting his willingness to put himself at risk for ideological convictions.

    Ministry of Information: During World War II, he worked as an art director for the Ministry of Information’s Strand Films unit, creating propaganda posters and designing sets for wartime films.

    Left-Wing Publications: He contributed to Our Time, a left-wing monthly magazine, and co-edited Salvo for Russia, an anthology of poetry and essays supporting the Soviet Union.

    Style and Technique

    Banting’s artistic style is difficult to categorize neatly. While undeniably influenced by Surrealism, his work also draws on elements of vorticism, Cubism, and decorative arts. His paintings are often characterized by a meticulous attention to detail, a subtle use of color, and a preference for muted tones. He frequently employed collage techniques, incorporating found objects and fragments of text into his compositions.

    His book jacket designs were particularly notable for their innovative approach to typography and illustration. Banting skillfully combined images and words to create visually arresting packages that effectively communicated the essence of the books they adorned. His work demonstrated a remarkable ability to balance aesthetic appeal with conceptual rigor.

    Legacy and Recognition

    Despite his significant contributions to British Surrealism, Banting remained largely outside the mainstream art world during his lifetime. He struggled financially and faced periods of obscurity. However, in recent decades, there has been a growing appreciation for his work, fueled by scholarly research and retrospective exhibitions. His book jacket designs are now recognized as masterpieces of graphic design, and his paintings are valued for their haunting beauty and symbolic depth.

    John Banting’s legacy is that of an unsung hero of British Surrealism – a quietly determined artist who used his art to explore the complexities of human experience and challenge prevailing social norms. His work continues to resonate with audiences today, offering a glimpse into a fascinating period of artistic experimentation and political engagement.

    Museu

    Darlington Library

    Em exibição em Darlington, United Kingdom

    A Tapestry of Industry and Art: Unveiling Darlington Library

    Nestled within the heart of County Durham, Darlington Library stands as a remarkably singular institution – a vibrant confluence of public library services, an engaging art gallery, and a meticulously curated local studies center. More than simply a repository for books, it’s a living testament to Darlington's rich industrial heritage and its enduring commitment to cultural preservation. The building itself, a Grade II listed Victorian structure, whispers tales of the town’s pivotal role in the rise of railways, while within its walls, an impressive collection of art, historical documents, and local treasures awaits discovery. The library’s unique integration of these elements creates a dynamic space where visitors can trace the evolution of a community, appreciate artistic expression across generations, and connect with their local roots.

    At the heart of Darlington Library lies its remarkable focus on railway history – a legacy inextricably linked to the town's identity. The ‘Whistle Stop’ exhibition is a must-see, offering a captivating journey through the lives and innovations that shaped this vital industry. Here, meticulously preserved artifacts—from original blueprints and locomotive components to passenger tickets and personal accounts—paint a vivid picture of Darlington’s role as a crucial hub in the burgeoning railway network. Beyond the locomotives themselves, the exhibition delves into the social impact of the railways, showcasing how they transformed travel, trade, and daily life for generations. Alongside this industrial narrative, the library boasts an impressive collection of portraits, many capturing notable figures from local history – industrialists, politicians, artists, and everyday citizens who shaped Darlington’s character. These paintings offer intimate glimpses into the personalities and aspirations of a bygone era.

    The Artistic Legacy of Frances Darlington

    A particularly noteworthy aspect of Darlington Library's art collection is its celebration of Frances Darlington (1865-1947), a prominent local artist whose work has been largely overlooked for far too long. Darlington, her birthplace, provided the inspiration for many of her pieces, which often depicted the rolling landscapes and charming villages of County Durham. Her sculptures, particularly those adorning public spaces within the library itself, are characterized by their elegant lines and a subtle grace that reflects the artistic sensibilities of the late Victorian and early Edwardian periods. Furthermore, Darlington’s decorative panels – intricate mosaics and painted murals – add a unique dimension to the library's interior design, transforming ordinary walls into captivating works of art. These pieces offer a rare opportunity to witness the creative spirit of a local talent whose contributions deserve greater recognition.

    A Building Steeped in History

    Darlington Library’s architectural significance is as compelling as its artistic holdings. Constructed during the Victorian era, the building stands as a proud symbol of Darlington's growth and prosperity. Its design reflects the prevailing aesthetic trends of the time – ornate detailing, soaring ceilings, and generous windows that flood the interior with natural light. The library has served as a vital community resource for over a century, adapting to changing needs while retaining its historical integrity. The careful preservation of the building’s original features—including intricate plasterwork, mahogany paneling, and stained-glass windows—provides a tangible connection to Darlington's past. A visit to the library is therefore not just an exploration of art and history; it’s also a journey through time.

    Beyond the Books: Local Studies and Community Engagement

    What truly distinguishes Darlington Library from other institutions is its seamless integration of diverse functions. The local studies center provides invaluable resources for researchers, genealogists, and anyone interested in tracing their family history or delving into the region’s past. Extensive archives, maps, photographs, and oral histories offer a rich tapestry of information about County Durham and its surrounding areas. Moreover, Darlington Library actively fosters community engagement through a range of programs and events—lectures, workshops, exhibitions, and children's activities—that cater to diverse interests and age groups. It’s a place where people can learn, connect, and celebrate their shared heritage.

    A Unique Destination

    Darlington Library is more than just a building filled with books; it’s a vibrant center for learning, discovery, and community life. Its unique combination of library services, an art gallery showcasing local talent, and a comprehensive local studies center makes it a truly exceptional destination. Whether you're a railway enthusiast, an art lover, a history buff, or simply seeking a welcoming space to explore and connect with your community, Darlington Library offers something for everyone. A visit is guaranteed to be both enlightening and inspiring.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Abstract with Holes

    artsdot.com/pt/art/download/john-banting-abstract-with-holes-AS7V6R-en/

    Como citar esta obra

    MLA
    Banting, John. Abstract with Holes. 1937, Darlington Library. https://artsdot.com/pt/art/john-banting-abstract-with-holes-AS7V6R-en/
    APA
    Banting, John (1937). Abstract with Holes [Painting]. Darlington Library. https://artsdot.com/pt/art/john-banting-abstract-with-holes-AS7V6R-en/
    Chicago
    John Banting. Abstract with Holes. 1937. Darlington Library. https://artsdot.com/pt/art/john-banting-abstract-with-holes-AS7V6R-en/
    Harvard
    Banting, John (1937) Abstract with Holes. Darlington Library. Available at: https://artsdot.com/pt/art/john-banting-abstract-with-holes-AS7V6R-en/

    Observe de perto

    Abstract with Holes — John Banting

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: abstract composition, dynamic forms, bold colors. Concorda? O que acrescentaria ou removeria?
    4. Relembre Card Players (1937), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Existe uma apresentação de slides para "Abstract with Holes" de John Banting?

    O diaporama de "Abstract with Holes" pode ser visualizado na página Apresentação de slides da obra.

    Quais são as dimensões da obra original "Abstract with Holes" de John Banting?

    A obra original "Abstract with Holes" de John Banting mede 44 x 56 cm.

    A imagem de "Abstract with Holes" de John Banting pode ser reproduzida livremente?

    Quanto aos direitos autorais, "Abstract with Holes" está em ainda protegido por direitos autorais.

    Qual é a luminância de "Abstract with Holes" de John Banting?

    A luminância registrada para "Abstract with Holes" de John Banting é Luminous.

    Quando foi criada a obra "Abstract with Holes" e a qual movimento ela pertence?

    "Abstract with Holes" foi realizada em 1937, dentro do movimento Surrealism.

    Onde posso ver uma prévia de "Abstract with Holes"?

    Para visualizar uma reprodução de "Abstract with Holes" de John Banting, acesse a página de Visualização da obra.

    Como posso adquirir uma impressão de "Abstract with Holes" de John Banting?

    "Abstract with Holes" está disponível como uma impressão fine art em tela de algodão ou papel canvas de arquivo. Os pedidos podem ser feitos em esta página, no tamanho de sua escolha.

    Posso ver uma visão de raio-X de "Abstract with Holes" de John Banting?

    A página Raio X de "Abstract with Holes" de John Banting é um visualizador interativo que permite percorrer onze camadas ópticas da imagem da obra, incluindo uma visualização em estilo raio-X.