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Guia de Obras de Estudantes

Bean Vine

Nome Turma Data

Ito Jakuchu, Bean Vine (701). Domínio público.

Informações principais

Artista
Ito Jakuchu artsdot.com/pt/artists/ito-jakuchu_pt/
Datas do artista
1716 – 1800
Pintura
701
Dimensões originais
125.7cm x 47.9cm
Movimento
Japanese Traditional

No contexto

Bean Vine — Ito Jakuchu

Dimensões

As dimensões originais são 126 × 48 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 640
  2. 720
  3. 800
  4. 880
  5. 960
  6. 1040
  7. 1120
  8. 1200
  9. 1280
  10. 1360
  11. 1440
  12. 1520
  13. 1600
  14. 1680
  15. 1760

Sombreado: a trajetória de Ito Jakuchu (1716–1800) ▲ esta obra, 701

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Walnut #6d513a

    Paleta catalogada

    • #6D513A
    • #D3CEC8
    • #CCC0B1
    • #978875
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Walnut
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Bean Vine — Ito Jakuchu

    Itō Jakuchū, son of a greengrocer, used vegetables and plants as a personal iconography that almost always included a moral or religious meaning. This handsome sketch of a bean plant, paired with a poem by Ōbaku Zen monk Musen Jōzen (Tangai), refers to a story about the Chinese poet Cao Zhi (192–232), whose tyrannical brother, Cao Pei (Emperor Wen), once commanded him to compose a poem before he took seven steps, threatening him with execution if he failed. Tangai’s verse makes an erudite reference to Cao Zhi’s original poem comparing himself and his brother to the parts of a bean plant, while also alluding to the Zen philosophy of nonduality. The green vine puts forth blossoms, and its pods are like half-formed swords. The bean and stalk are inseparable; both were born from the same roots. —Trans. John T. Carpenter

    Artista e museu

    Artista

    Ito Jakuchu

    Nascido em Quioto, Japão

    A Singular Vision Amidst Tradition: The Life and Art of Ito Jakuchu

    Ito Jakuchu (1716 – 1800) stands as one of Japan’s most distinctive artistic figures, a painter who defied convention while simultaneously embracing the profound spirit of his era. Unlike many of his contemporaries who adhered to established lineages within the Kano school—a dominant force in Edo period art—Jakuchu forged an independent path, marked by meticulous observation and a daring willingness to challenge accepted aesthetic norms. His legacy resides not merely in his technical prowess but in his singular vision: a refusal to depict human figures alongside a deep reverence for the natural world, particularly birds and flowers, which became central to his oeuvre.

    Early Life and Family Background

    Zen Influence and Artistic Training

    Style and Technique: The Pursuit of Detail

    Notable Works and Recognition

    Jakuchu's Enduring Legacy

    Early Life and Family Background

    Ito Jakuchu was born in Kyoto’s Nishiki market district, a vibrant hub of commerce and culture—a location that would profoundly shape his artistic sensibility. His father, Ito Genzaemon, operated Masuya, a sizable wholesaler specializing in vegetables, providing young Jakuchu with a comfortable upbringing rooted in the practical realities of Edo society. This familial environment instilled in him an awareness of societal shifts and the growing influence of Kyoto’s merchant class—a perspective that subtly permeated his artistic explorations. While expected to inherit the family business, Jakuchu possessed an innate passion for painting—a fascination nurtured from childhood by a father who recognized and encouraged his talent.

    Zen Influence and Artistic Training

    Jakuchu’s artistic journey took an unexpected turn when he embraced Zen Buddhism at Kyoto’s Shokoku-ji temple. This formative experience instilled in him a contemplative mindset—a detachment from worldly concerns—and profoundly impacted his artistic approach. He studied under Ōoka Shunboku, a Kano school artist renowned for his bird and flower paintings, absorbing centuries of artistic tradition while simultaneously cultivating his own distinctive style. Notably, Jakuchu received permission to study classic Chinese paintings within the temple’s collection, furthering his understanding of artistic principles beyond Japanese conventions.

    Style and Technique: The Pursuit of Detail

    Jakuchu's artistic style distinguishes itself through meticulous realism combined with a playful disregard for established norms. He achieved remarkable precision in capturing the essence of nature—particularly birds—employing techniques that would become synonymous with his legacy. His paintings are characterized by vibrant colors, dynamic compositions, and an unwavering focus on detail—a hallmark evident in works like “Rooster In The Snow,” where he painstakingly rendered individual feathers to convey a sense of palpable vitality. Unlike many artists of his time who prioritized idealized representations, Jakuchu sought to depict subjects as they appeared in reality, elevating observation and meticulous rendering to the highest artistic standards.

    Notable Works and Recognition

    Among Jakuchu’s most celebrated creations are “Five Hundred Arhats,” a monumental undertaking demonstrating his extraordinary skill and dedication—a testament to his unwavering commitment to artistic excellence. Also noteworthy is “Hanshan and Shide,” which captures the spirit of Japanese folklore with remarkable sensitivity. His masterful polychrome renderings— doshoku sai-e —are particularly admired, showcasing an unparalleled attention to detail and a palette that defied prevailing stylistic trends. Despite remaining relatively unknown during his lifetime, Jakuchu’s work gained posthumous recognition thanks to the scholarship of Nobuo Tsuji, who championed him as a pivotal figure within the “Lineage of Eccentrics”—a movement that revolutionized perceptions of Edo period painting.

    Jakuchu's Enduring Legacy

    Ito Jakuchu’s influence extends far beyond his own lifetime. His willingness to challenge artistic conventions paved the way for subsequent generations of artists—most notably Hakuin Ekaku and Suzuki Kiitsu—who embraced the “Lineage of Eccentrics” aesthetic. Today, Jakuchu is revered not only for his technical mastery but also for his singular vision—a testament to an artist who dared to forge his own path and capture the spirit of his time with unparalleled originality. His legacy continues to inspire artists and scholars alike, cementing his place as one of Japan’s most enduring cultural icons.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Bean Vine

    artsdot.com/pt/art/download/ito-jakuchu-bean-vine-D2VR7S-en/

    Como citar esta obra

    MLA
    Jakuchu, Ito. Bean Vine. 701, https://artsdot.com/pt/art/ito-jakuchu-bean-vine-D2VR7S-en/
    APA
    Jakuchu, Ito (701). Bean Vine [Painting]. https://artsdot.com/pt/art/ito-jakuchu-bean-vine-D2VR7S-en/
    Chicago
    Ito Jakuchu. Bean Vine. 701. https://artsdot.com/pt/art/ito-jakuchu-bean-vine-D2VR7S-en/
    Harvard
    Jakuchu, Ito (701) Bean Vine. Available at: https://artsdot.com/pt/art/ito-jakuchu-bean-vine-D2VR7S-en/

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    Bean Vine — Ito Jakuchu

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    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: japanese art, botanical illustration, zen philosophy. Concorda? O que acrescentaria ou removeria?
    4. Relembre Five hundred arhats (1789), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Temas recorrentes na obra de Ito Jakuchu: chinese poetic influence, zen buddhism symbolism, cao zhi's literary tale. Quais deles você consegue identificar aqui?

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