Papel

Guia de Obras de Estudantes

Ten Commandments

Nome Turma Data

hystercine rankin, Ten Commandments (1990), San Jose Museum of Quilts - Textiles. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
hystercine rankin artsdot.com/pt/artists/hystercine-rankin/
Datas do artista
1929 – 2010
Pintura
1990
Realizado em
San Jose Museum of Quilts - Textiles artsdot.com/pt/museums/san-jose-museum-of-quilts-textiles-san-jose/

No contexto

Ten Commandments — hystercine rankin

Ano de criação

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Sombreado: a trajetória de hystercine rankin (1929–2010) ▲ esta obra, 1990

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/hystercine-rankin-ten-commandments-D8EMM2-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Putty #dadcdb

    Paleta catalogada

    • #DADCDB
    • #B8A89D
    • #3C4C4E
    • #78797C
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    hystercine rankin

    Nascido em Jefferson County, United States of America

    early life and career

    hystercine rankin was born on september 11, 1929, in jefferson county, mississippi. she was the third child of her parents, laula and denver gray. her mother, laula, taught at a one-room schoolhouse, while her father, denver gray, was a sharecropper. in 1939, her father was shot and killed by a white man for unknown reasons. following his burial, rankin and her siblings moved in with her grandmother, alice whelman.

    artistic career

    when rankin turned 12, her grandmother began teaching her how to quilt. she learned styles such as flower garden, nine patch, star quilt, and string quilt. her quilts were primarily utilitarian bed covers, made from scraps of fabric. rankin's work is held in the permanent collections of the american folk art museum, the mississippi museum of art, and the san jose museum of quilts and textiles. you can see some of her artwork on hystercine rankin's page on AllPaintingsStore.com.

    awards and recognition

    rankin was awarded the national heritage fellowship in 1990 for her contributions to the field of quilting. she was also recognized by the mississippi department of archives and history for her work. you can learn more about her achievements on kirby collection of historical paintings (united states) page.

    legacy

    rankin's legacy lives on through her quilts, which continue to inspire and educate people about the art of african-american quilting. her story is a testament to the power of tradition and community. you can read more about her life and work on hystercine rankin's wikipedia page.

    african-american quilter from mississippi

    utilitarian bed covers made from scraps of fabric

    traditional patterns such as flower garden, nine patch, star quilt, and string quilt

    national heritage fellowship award in 1990

    mississippi department of archives and history recognition

    you can explore more about hystercine rankin's artwork on AllPaintingsStore.com, including her biography and a selection of her quilts.

    Museu

    San Jose Museum of Quilts - Textiles

    Em exibição em San Jose, United States of America

    A Tapestry of Human Narrative: The San Jose Museum of Quilts & Textiles

    In the vibrant heart of San Jose’s SoFA Arts District, where creativity pulses through the streets, lies a sanctuary dedicated to one of humanity's most intimate and enduring art forms. The

    San Jose Museum of Quilts & Textiles

    stands as a singular testament to the power of fiber arts—a medium that, while often overshadowed by the grand scale of oil paintings or marble sculptures, possesses a profound ability to articulate the textures of human existence. Founded in 1977 as the American Museum of Quilts and Related Arts, this pioneering institution was the first of its kind in the United States to elevate the craft of quilting and textile production to the status of legitimate visual art. It is a place where the needle and thread serve as instruments of storytelling, weaving together the threads of personal memory and global heritage.

    To wander through the museum’s collection is to embark on a sensory journey across centuries and continents. The holdings are a breathtaking mosaic of over 1,500 objects that bridge the gap between domestic devotion and avant-garde experimentation. Visitors may find themselves captivated by the rhythmic geometry of historical masterpieces, such as the

    Silk Log Cabin Quilt

    by Marie T. Wageman Pechmann, where every interlocking square acts as a heartbeat of mid-nineteenth-century history. The collection breathes with the vitality of both the old and the new, showcasing meticulously crafted ethnic textiles that serve as repositories of cultural identity alongside groundbreaking contemporary works. From the intricate, nature-inspired motifs of Jane A. Sassaman’s

    Brocade Quilt

    to the vibrant, seasonal landscapes found in Karmen Gallo Stren’s

    Celebration of Autumn

    , the museum celebrates a spectrum of technique that ranges from traditional hand-stitching to modern machine strip quilting.

    What truly distinguishes this institution is its role as a living laboratory for artistic dialogue. Beyond the static beauty of its permanent galleries, the museum fosters a dynamic community through its

    Artist in Residence Program

    , which has provided a platform for creators since 2016 to push the boundaries of fiber experimentation. This commitment to growth is mirrored in its scholarly depth; with a research library containing over 500 specialized volumes, the museum serves as a vital cornerstone for historians and textile enthusiasts alike. For the interior designer seeking inspiration in texture and form, or the collector drawn to the intersection of craft and fine art, the San Jose Museum of Quilts & Textiles offers more than just an exhibition; it offers an immersive exploration of the tactile soul of art, proving that the most profound stories are often those woven into the very fabric of our lives.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Ten Commandments

    artsdot.com/pt/art/download/hystercine-rankin-ten-commandments-D8EMM2-en/

    Como citar esta obra

    MLA
    rankin, hystercine. Ten Commandments. 1990, San Jose Museum of Quilts - Textiles. https://artsdot.com/pt/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    APA
    rankin, hystercine (1990). Ten Commandments [Painting]. San Jose Museum of Quilts - Textiles. https://artsdot.com/pt/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    Chicago
    hystercine rankin. Ten Commandments. 1990. San Jose Museum of Quilts - Textiles. https://artsdot.com/pt/art/hystercine-rankin-ten-commandments-D8EMM2-en/
    Harvard
    rankin, hystercine (1990) Ten Commandments. San Jose Museum of Quilts - Textiles. Available at: https://artsdot.com/pt/art/hystercine-rankin-ten-commandments-D8EMM2-en/

    Observe de perto

    Ten Commandments — hystercine rankin

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre One Patch Quilt (1990), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. hystercine rankin tinha cerca de 61 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.