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Monkeys

Nome Turma Data

hashimoto kansetsu, Monkeys (1933). Domínio público.

Informações principais

Artista
hashimoto kansetsu artsdot.com/pt/artists/hashimoto-kansetsu/
Datas do artista
1883 – 1945
Pintura
1933
Dimensões originais
139 x 158 cm

No contexto

Monkeys — hashimoto kansetsu

Dimensões

As dimensões originais são 139 × 158 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Sombreado: a trajetória de hashimoto kansetsu (1883–1945) ▲ esta obra, 1933

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #bab193

    Paleta catalogada

    • #BAB193
    • #7A7666
    • #A19A81
    • #D0C4A2
    Paleta
    Monochrome A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Monkeys — hashimoto kansetsu

    Two black monkeys, depicted in a realistic style, sit in a tree painted in light colors. The composition is a simple one, and the poses of the monkeys and the twisting branches of the tree generate a sense of space. The theme of monkeys in trees, as in this painting of two black monkeys, has a tradition that can be traced back to Chinese painting. Hashimoto Kansetsu was well versed in both classical Chinese literature and Asian painting, for he had been taught the Chinese classics by his father, a Confucian scholar of the Akashi fief, from his childhood and had studied painting under Takeuchi Seiho in Kyoto. He particularly excelled in painting animals, establishing a unique style by depicting Southern themes based on the Shijo school’s manner of sketching from life. Monkeys is a late masterpiece, which shows well the artist’s individuality. The face of the monkey in the foreground is positioned at the center of the picture, and the line from its left foot to its right hand forms a diagonal. The tree, meanwhile, is confined almost entirely to the bottom right of the picture. The monkey’s hand reaches into the air toward the upper left, as if trying to grasp something, and we realize how Hashimoto needed the full size of this picture to give meaning to this space. Through his skillful handling of a composition defined only by monkeys and tree, Hashimoto Kansetsu has achieved a spatial expression of great spiritual depth, which differs in dimension from that achieved by the Western system of perspective that was strongly influencing Japanese style painting at the time. (Writer : Masato Satsuma Source : Selected Masterpieces from The University Art Museum, Tokyo National University of Fine Arts and Music: Grand Opening Exhibition, The University Art Museum, Tokyo National University of Fine Arts and Music, 1999)

    Artista e museu

    Artista

    hashimoto kansetsu

    Nascido em Kobe, Japan

    Hashimoto Kansetsu: A Life Dedicated to Nihonga

    Born: November 10, 1883, Kobe, Japan

    Died: February 26, 1945

    Nationality: Japanese

    Artistic Movement: Nihonga

    Early Life and Training

    Hashimoto Kansetsu was born into a family of artists; his father, Hashimoto Kaikan, was also a painter. This upbringing instilled in him a deep appreciation for art and Chinese culture.

    He initially studied at Chikujokai, a private school founded by the renowned nihonga painter Takeuchi Seihō. However, he left due to differing artistic viewpoints.

    His early training focused on mastering traditional Japanese painting techniques and absorbing influences from both Japanese and Chinese art traditions.

    Artistic Style and Influences

    Nihonga Specialization: Kansetsu dedicated his career to Nihonga, a style of Japanese painting that emerged during the Meiji period, emphasizing traditional Japanese aesthetics and techniques while incorporating elements of Western art.

    Chinese Inspiration: A significant influence on Kansetsu's work was Chinese scenery and classical literature. He frequently visited China, drawing inspiration from its landscapes and literary heritage.

    Themes & Subjects: His paintings often depicted scenes inspired by Chinese poetry and historical narratives, showcasing his erudition and artistic skill. Common subjects included figures, animals (particularly monkeys and dogs), and landscapes imbued with a sense of tranquility and elegance.

    Style Characteristics: Kansetsu's style is characterized by meticulous detail, refined brushwork, and a harmonious use of color. He skillfully blended traditional Japanese techniques with subtle Western influences, creating a unique and recognizable aesthetic.

    Major Works and Recognition

    Notable Paintings: Some of his most celebrated works include "Tang Dogs" (唐犬), depictions of monkeys, and paintings inspired by historical figures like Emperor Godaigo.

    Museum Collections: His artworks are featured in prominent museums such as the Osaka City Museum of Fine Arts and the Honolulu Museum of Art.

    Awards & Honors: Kansetsu received numerous awards throughout his career, including first prize at the Bunten exhibitions in 1916 and 1917. He was also appointed an Imperial Household Artist, a prestigious honor recognizing his contributions to Japanese art.

    Legacy and Historical Significance

    Contribution to Nihonga: Hashimoto Kansetsu played a crucial role in the development and popularization of Nihonga painting. His work helped define the style's aesthetic principles and established him as one of its leading figures.

    Hakusasonso Museum: His former residence, now known as the Hakusasonso (Hashimoto Kansetsu Memorial House), serves as a museum showcasing his extensive body of work and preserving his artistic legacy.

    Influence on Subsequent Artists: Kansetsu's influence can be seen in the works of later Japanese artists who continued to explore the possibilities of Nihonga, solidifying his place as an important figure in modern Japanese art history.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Monkeys

    artsdot.com/pt/art/download/hashimoto-kansetsu-monkeys-D78U84-en/

    Como citar esta obra

    MLA
    kansetsu, hashimoto. Monkeys. 1933, https://artsdot.com/pt/art/hashimoto-kansetsu-monkeys-D78U84-en/
    APA
    kansetsu, hashimoto (1933). Monkeys [Painting]. https://artsdot.com/pt/art/hashimoto-kansetsu-monkeys-D78U84-en/
    Chicago
    hashimoto kansetsu. Monkeys. 1933. https://artsdot.com/pt/art/hashimoto-kansetsu-monkeys-D78U84-en/
    Harvard
    kansetsu, hashimoto (1933) Monkeys. Available at: https://artsdot.com/pt/art/hashimoto-kansetsu-monkeys-D78U84-en/

    Observe de perto

    Monkeys — hashimoto kansetsu

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    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Title(Japanese): 唐犬 (1936), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. hashimoto kansetsu tinha cerca de 50 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

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