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Guia de Obras de Estudantes

Asmodeia

Nome Turma Data

Francisco de Goya, Asmodeia (1823), Museo del Prado. Domínio público.

Informações principais

Artista
Francisco de Goya artsdot.com/pt/artists/francisco-de-goya_pt/
Datas do artista
1746 – 1828
Pintura
1823
Técnica
Óleo sobre tela
Dimensões originais
123 x 265 cm
Movimento
Romanticism Art that puts feeling, wildness and the power of nature above calm order and rules.
Período
Século XIX
Realizado em
Museo del Prado artsdot.com/pt/museums/museo-del-prado-madrid_pt/
Ano
1823
Artista
Francisco Goya
Tema
Caos, desespero e fuga
Título
Asmodea

No contexto

Asmodeia — Francisco de Goya

Dimensões

As dimensões originais são 123 × 265 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1740
  2. 1750
  3. 1760
  4. 1770
  5. 1780
  6. 1790
  7. 1800
  8. 1810
  9. 1820

Sombreado: a trajetória de Francisco de Goya (1746–1828) ▲ esta obra, 1823

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Magenta de Quinacridona #7b6341

    Paleta catalogada

    • #7B6341
    • #C7BC87
    • #A59763
    • #27231D
    Nome da cor principal
    Magenta de Quinacridona
    Intensidade
    Vívido O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Declaração O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Paleta Unificada A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilhante O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Suavidade Equilibrada Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Asmodeia — Francisco de Goya

    Notas sobre esta obra

    Elaborado para este guia com base em fontes publicadas. O registro do catálogo propriamente dito encontra-se na primeira parte deste guia.

    Dimensões
    123 x 265 cm
    Influências
    Mitologia grega
    Localização
    Museu do Prado, Madrid
    Meio
    Óleo sobre tela
    Movimento
    Romantismo

    Asmodea de Goya: Um Mergulho na Alma Turmentada do Artista

    Francisco Goya, um nome que ressoa através dos séculos da história da arte, personifica uma complexidade fascinante. Nascido em 1746, em Fuendetodos, Espanha, sua jornada desde um aspirante artista provincial até cronista das profundezas da alma humana é um testemunho de seu talento extraordinário e do turbulento período que viveu. "Asmodea", parte integrante dos seus "Pinturas Negras", emerge como uma obra-prima arrebatadora, um vislumbre perturbador da angústia interior do artista e sua visão singular do mundo.

    Um Cenário de Voo e Caos: A Narrativa Visual

    "Asmodea" nos transporta para um universo onírico e inquietante. No centro da composição, duas figuras aladas – um homem e uma mulher – pairam sobre uma paisagem caótica. A figura feminina, vestida com um vestido branco sob um manto vermelho vibrante, demonstra um medo palpável, cobrindo o rosto com suas vestes. O homem, igualmente angustiado, aponta para uma cidade distante, erguendo-se sobre uma montanha que muitos interpretam como Gibraltar, refúgio de liberais espanhóis após a devastadora Guerra Peninsular. Essa referência histórica adiciona camadas de significado à obra, evocando um sentimento de esperança tênue em meio ao desespero.

    A cena abaixo dessas figuras etéreas é um turbilhão de violência e sofrimento. Soldados franceses apontam suas armas para um grupo de pessoas, presumivelmente refugiadas fugindo da guerra. Essa justaposição dramática entre o voo esperançoso das figuras superiores e a carnificina que se desenrola abaixo cria uma poderosa tensão visual, intensificando o impacto emocional da obra. A composição piramidal, com as figuras aladas no ápice, direciona o olhar do espectador para cima, em contraste com a turbulência caótica abaixo.

    A Expressividade Crua e a Técnica Inovadora de Goya

    O estilo de Goya em "Asmodea" é marcado por uma expressividade visceral e uma certa abstração que se afasta da precisão detalhada. Suas pinceladas são soltas, gestuais, transmitindo uma sensação de energia e espontaneidade. As linhas diagonais dominam a composição, acentuando o movimento e a urgência da cena. A paleta de cores é terrosa e sombria, com tons de marrom, bege e cinza que contribuem para a atmosfera melancólica. O manto vermelho da figura feminina se destaca vividamente contra esses tons sutis, criando um ponto focal intenso e adicionando uma camada de dramaticidade à obra. As nuances douradas no fundo sugerem o crepúsculo ou as chamas, intensificando ainda mais a sensação de desespero.

    Contexto Histórico e Simbolismo Profundo: As Pinturas Negras

    "Asmodea" é parte integrante das "Pinturas Negras", uma série singular criada por Goya diretamente sobre as paredes de sua casa, a Quinta del Sordo. Essas pinturas, realizadas em um período de profunda crise pessoal e social, refletem o pessimismo crescente do artista em relação à Espanha e à condição humana. A ausência de títulos oficiais para essas obras aumenta seu mistério e convida a múltiplas interpretações. "Asmodea", possivelmente aludindo ao demônio Asmodéus ou à figura mitológica de Prometeu, pode ser interpretada como uma representação da angústia existencial, da perda da fé e do desespero diante da violência e da injustiça. A obra transcende a mera representação histórica para se tornar um poderoso comentário sobre a natureza humana e os horrores da guerra.

    Em suma, "Asmodea" é uma obra-prima que continua a fascinar e perturbar o público séculos após sua criação. Sua beleza sombria, sua expressividade crua e seu simbolismo profundo a tornam um testemunho indelével do talento de Goya e da complexidade da alma humana.

    Artista e museu

    Artista

    Francisco de Goya

    Nascido em Fuendetodos, Espanha

    The Spanish Soul: A Life Forged in Shadow and Light

    Francisco José de Goya y Lucientes, a name that echoes through the corridors of art history, embodies a profound paradox – a man simultaneously rooted in the traditions of the Old Masters and a visionary who presaged the anxieties and expressive freedom of modern art. Born in 1746 in the unassuming village of Fuendetodos, Spain, Goya’s journey from a provincial artist to court painter, and ultimately, to a chronicler of human suffering and societal decay, is a testament to his extraordinary talent and the turbulent era he navigated. His early training began at fourteen under José Luzán y Martinez, laying a foundational understanding of classical techniques before he sought refinement in Madrid with Anton Raphael Mengs, then the dominant artistic force within the Spanish court. This initial period instilled in him a mastery of form and composition, vividly demonstrated in his early commissions – intricate designs for tapestries depicting lively scenes of everyday life, subtly infused with a distinctly Spanish realism that hinted at both Rococo elegance and a burgeoning critical eye. His marriage to Josefa Bayeu, sister to another painter within the royal circle, further solidified his position within the artistic establishment, providing access to influential patrons and opportunities for advancement. However, these early works, while technically proficient and aesthetically pleasing, offered little indication of the profound emotional depth and unsettling darkness that would characterize much of his later oeuvre.

    Ascension and Transformation: From Courtly Grace to Inner Turmoil

    Goya’s ascent through the ranks of the Spanish court was a steady climb. He secured a position as a painter to the Royal Chamber in 1786, amassing a substantial commission portfolio from the aristocracy and royalty. These portraits are remarkable not merely for their technical brilliance – Goya possessed an uncanny ability to capture likeness with startling honesty – but also for their astute psychological insight. He didn’t simply paint what his sitters looked like; he revealed something of their character, their vulnerabilities, and often, their hidden anxieties. The Countess of Chinchón, for example, is not merely a beautiful woman adorned in elegant attire, but a figure radiating intelligence, perhaps tinged with melancholy – a subtle suggestion of the complexities beneath her outward composure. Yet, beneath this veneer of courtly success, a significant transformation was taking place within Goya’s soul. In 1793, a debilitating illness, likely a combination of syphilis and mercury poisoning, left him profoundly deaf, an event that irrevocably altered his perception of the world and consequently, his artistic vision. This affliction plunged him into a period of intense introspection and isolation, severing his connection to the social life he once enjoyed and forcing him inward, towards a darker, more subjective reality. The shift in his artistic style was dramatic – a deliberate departure from the bright colors and cheerful scenes that had defined his earlier work. He began to explore themes of madness, violence, and the irrational, foreshadowing the anxieties that would grip Europe during the tumultuous years ahead.

    The Dark Visions: Caprichos, Disasters, and Black Paintings

    This period of artistic ferment culminated in some of Goya’s most iconic and unsettling works. Los Caprichos, a series of eighty etchings published in 1799, serve as a scathing satire of Spanish society – its follies, superstitions, and moral corruption laid bare with biting wit and unflinching irony. The images are often grotesque yet undeniably captivating, populated by witches, monstrous figures, and caricatures of the aristocracy, all rendered with a masterful command of etching techniques. However, it was The Disasters of War, created between 1810 and 1820, that truly cemented Goya’s reputation as a fearless chronicler of human suffering. These harrowing etchings depict the brutal realities of the Peninsular War – the atrocities committed by both sides, the starvation, the despair, and the utter devastation inflicted upon the Spanish people. They are not romanticized accounts of battle; they are unflinching portrayals of its horrors, devoid of any glorification or sentimentality. Perhaps most profoundly disturbing are The Black Paintings, a series of fourteen murals Goya painted directly onto the walls of his house, “Quinta del Sordo” (the Deaf Man’s Villa), between 1819 and 1823. These works – including the terrifying Saturn Devouring His Son and the haunting Asmodea – represent a descent into the darkest recesses of the human psyche, expressing themes of despair, madness, and existential dread with unparalleled intensity. They are a radical departure from traditional artistic conventions, anticipating the expressive power of abstract art and reflecting Goya’s own inner turmoil.

    Themes and Techniques

    Throughout his career, several recurring themes emerge in Goya’s work. The exploration of human folly and societal corruption is prominent in Los Caprichos, while the horrors of war are brutally depicted in The Disasters of War. A fascination with darkness, superstition, and the irrational pervades much of his later output, culminating in the unsettling imagery of The Black Paintings. Technically, Goya was a master of various mediums. He excelled in portraiture, capturing not only physical likeness but also psychological depth. His use of color evolved over time, from the lighter palettes of his early works to the somber tones of his later paintings and etchings. He was particularly innovative in his printmaking techniques, utilizing aquatint to create tonal variations and dramatic effects.

    Etching:

    Goya’s mastery of etching allowed him to create intricate details and expressive lines.

    Aquatint:

    This technique enabled him to achieve a range of tones and textures, enhancing the emotional impact of his prints.

    Brushwork:

    His loose and expressive brushwork, particularly in his later paintings, contributed to their sense of immediacy and emotional intensity. Goya’s willingness to experiment with both subject matter and technique cemented his place as a revolutionary figure in art history.

    A Legacy of Innovation and Influence

    In 1824, disillusioned by political unrest in Spain, Goya sought exile in Bordeaux, France, where he continued to work until his death in 1828. His final years were marked by a renewed focus on printmaking, culminating in the La Tauromaquia series, which explored the spectacle and brutality of bullfighting. Francisco Goya’s legacy is immense and far-reaching. He stands as a pivotal figure in art history, bridging the gap between the Old Masters and the modern movement. His influence can be seen in the works of countless artists who followed – from Édouard Manet and Pablo Picasso to Francis Bacon – all drawn to his expressive brushwork, psychological depth, and willingness to confront uncomfortable truths. He challenged artistic conventions, embraced innovation, and dared to explore the darker aspects of human experience, leaving behind a body of work that continues to resonate with audiences today. Goya wasn’t merely painting pictures; he was holding up a mirror to society, forcing us to confront our own flaws and vulnerabilities, and reminding us of the enduring power – and fragility – of the human spirit.

    Museu

    Museo del Prado

    Em exibição em Madrid, Espanha

    The Soul of Spain: A Journey Through the Prado

    Nestled in the heart of Madrid, the Museo del Prado isn’t merely a repository of art; it's a living testament to centuries of Spanish history, ambition, and artistic genius. From its humble beginnings as a royal collection intended to rival the treasures of Europe, the Prado has evolved into one of the world’s most revered museums, offering an unparalleled immersion into the nation’s cultural soul. Stepping through its grand, Doric-style façade is akin to entering a time capsule, where brushstrokes whisper tales of kings and conquests, religious fervor and revolutionary spirit.

    The museum's architecture itself contributes significantly to the experience. Designed by Juan de Villanueva in the late 18th century, it’s a masterpiece of Neoclassical design, reflecting the Enlightenment ideals of order and reason. The vast, light-filled halls, punctuated by soaring ceilings and intricate marble details, were meticulously planned to showcase the royal collection with dignity and grandeur. However, it's not just the building that impresses; the very air within seems charged with the echoes of artists at work, patrons commissioning masterpieces, and generations of viewers captivated by the beauty before them.

    A Tapestry of Masters: The Collection’s Jewels

    The Prado’s collection is notoriously rich, but certain works stand as beacons, drawing visitors from across the globe. Francisco Goya reigns supreme, his turbulent and profoundly human canvases dominating a significant portion of the museum. From the unsettling nightmares of Saturn Devouring His Son to the poignant portraits of the Royal Family, Goya’s work offers an unflinching glimpse into the complexities of the human condition. His series of etchings, particularly Los Caprichos, are a biting satire of Spanish society, revealing a sharp wit and social conscience rarely seen in art of that era.

    Beyond Goya, the Prado boasts an astonishing array of masterpieces. El Greco’s ethereal figures—particularly The Burial of Count Agung—exude a mystical quality that continues to mesmerize viewers. Titian's opulent portraits capture the grandeur of the Spanish court, while Rubens’ dynamic compositions demonstrate his mastery of color and movement. Velázquez, arguably Spain’s greatest painter, is represented by several iconic works, including Las Meninas, a complex and endlessly fascinating portrait that invites endless interpretation. The museum also holds significant collections of Italian Renaissance art, notably works by Raphael, Botticelli, and Bellini, reflecting the Spanish monarchy's patronage of the arts during its expansionist period.

    Echoes of History: Exhibitions and Transformations

    The Prado’s story is one of continuous evolution. Throughout its history, it has undergone numerous renovations and expansions, each adding to its allure. Notable temporary exhibitions offer fresh perspectives on the collection's highlights, often revealing previously unknown details or highlighting connections between artists and movements. In recent years, the museum has embraced digital innovation, offering interactive displays and virtual tours that enhance the visitor experience. The ongoing restoration of Goya’s Saturn Devouring His Son, a monumental work recently returned to its place of honor, is a testament to the museum's commitment to preserving these artistic treasures for future generations.

    Beyond the Paintings: Architecture and Atmosphere

    The Prado isn’t just about the art within its walls; it’s about the entire experience. The surrounding Paseo del Prado, lined with elegant cafes, theaters, and shops, creates a vibrant cultural hub. The museum's café offers a perfect spot to reflect on your visit, while the nearby Thyssen-Bornemisza Museum and Museo Reina Sofía complete Madrid’s “Golden Triangle of Art.” The atmosphere within the Prado is one of quiet reverence, punctuated by the hushed voices of visitors lost in contemplation. It’s a place where time seems to slow down, allowing you to connect with the artists who created these enduring masterpieces and to appreciate the profound beauty they have bequeathed to humanity.

    A Legacy Continues: The Prado Today

    Today, the Museo del Prado remains one of the world's most visited museums, attracting millions of visitors each year. It continues to evolve, embracing new technologies and perspectives while safeguarding its invaluable collection for future generations. The museum’s commitment to research, conservation, and education ensures that the stories embedded within these paintings, sculptures, and drawings will continue to resonate with audiences around the globe, solidifying the Prado's place as a cornerstone of Spanish culture and a beacon of artistic excellence.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Asmodeia

    artsdot.com/pt/art/download/francisco-de-goya-asmodeia-8XY336-pt/

    Como citar esta obra

    MLA
    Goya, Francisco de. Asmodeia. 1823, Museo del Prado. https://artsdot.com/pt/art/francisco-de-goya-asmodeia-8XY336-pt/
    APA
    Goya, Francisco de (1823). Asmodeia [Painting]. Museo del Prado. https://artsdot.com/pt/art/francisco-de-goya-asmodeia-8XY336-pt/
    Chicago
    Francisco de Goya. Asmodeia. 1823. Museo del Prado. https://artsdot.com/pt/art/francisco-de-goya-asmodeia-8XY336-pt/
    Harvard
    Goya, Francisco de (1823) Asmodeia. Museo del Prado. Available at: https://artsdot.com/pt/art/francisco-de-goya-asmodeia-8XY336-pt/

    Observe de perto

    Asmodeia — Francisco de Goya

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 2 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: war, flight, chaos. Concorda? O que acrescentaria ou removeria?
    5. Relembre O Três de Maio de 1808: A Execução dos Defensores de Madrid, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Asmodeia — Francisco de Goya

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. Qual o período em que Francisco Goya criou a obra "Asmodea"?

      • A 1760-1770
      • B 1820-1823
      • C 1900-1910
    2. 2. Qual o estilo artístico predominante em "Asmodea"?

      • A Rococó
      • B Romantismo
      • C Barroco
    3. 3. O que a figura feminina, vestida com um vestido branco e manto vermelho, parece estar fazendo na pintura?

      • A Celebrando uma vitória
      • B Demonstrando medo e cobrindo o rosto
      • C Observando a paisagem com alegria
    4. 4. Qual elemento da cena inferior contrasta fortemente com o voo dos personagens centrais?

      • A Um banquete festivo
      • B Soldados franceses atacando refugiados
      • C Uma paisagem pacífica e rural
    5. 5. Qual a característica marcante na técnica de Goya em "Asmodea"?

      • A Uso preciso do detalhe realista
      • B Pinceladas soltas e gestuais que expressam movimento
      • C Cores vibrantes e alegres

    Minha pontuação: ____ de 5

    Gabarito — para o professor

    Isto inicia uma nova página impressa, de modo que ela pode simplesmente ser omitida das cópias.

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