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Guia de Obras de Estudantes

Taking the Census

Nome Turma Data

Francis William Edmonds, Taking the Census (1854). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Francis William Edmonds artsdot.com/pt/artists/francis-william-edmonds/
Pintura a óleo
1854
Dimensões originais
71 x 97 cm

No contexto

Taking the Census — Francis William Edmonds

Qual é o tamanho?

As dimensões originais são 71 × 97 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1830
  2. 1840
  3. 1850

▲ esta obra, 1854 cada pintura datada, década por década

Comparar com

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Cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #26150d

    Paleta catalogada

    • #26150D
    • #764929
    • #AC855D
    • #472816

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Francis William Edmonds nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 3 obras mais visualizadas de Francis William Edmonds

    1. 1 The Speculator, 1852 33,3%
    2. 2 The Image Pedlar, 1844 33,3%
    3. 3 Taking the Census, 1854 esta obra 33,3%

    Juntas, estas obras representam 99,9% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 7 obras deste artista, das quais 3 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 3 posição entre elas, com 33,3% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Francis William Edmonds

    The Quiet Humorist of Victorian America

    Francis William Edmonds remains a captivating, somewhat enigmatic figure within the tapestry of American art history—a painter who achieved considerable renown through an oeuvre characterized by remarkable consistency and an understated, elegant grace. Born on November 22, 1806, in Hudson, New York, Edmonds was raised within a large Quaker family, a background steeped in humanist ideals that would subtly inform the moral depth of his later works. His life unfolded against the dramatic backdrop of a burgeoning industrial era and the fervent social debates surrounding slavery, forces that shaped his artistic vision and lent a quiet gravity to his depictions of everyday existence.

    Though he possessed a natural talent for drawing, the practicalities of the nineteenth century led him toward a dual existence. Finding formal training in etching too prohibitantly expensive, Edmonds followed the professional path of an uncle into the world of finance. For much of his life, he balanced the meticulous responsibilities of a bank cashier with the soulful pursuits of a painter. This duality perhaps contributed to the disciplined, precise nature of his brushwork, as he navigated the structured world of banking while simultaneously exploring the boundless realms of human emotion and domestic narrative.

    A Mastery of Light and Dutch Influence

    Edmonds’s artistic journey was profoundly shaped by a deep reverence for the seventeenth-century Dutch Masters. He found great inspiration in the works of Rembrandt and Vermeer, adopting their meticulous techniques and their unparalleled ability to capture atmospheric light. This stylistic choice became the hallmark of his aesthetic, allowing him to transform simple scenes of contemporary American life into timeless studies of light, shadow, and texture. His early experiments with etching eventually gave way to oil painting, a medium that allowed him to fully realize this fascination with luminosity.

    His development as an artist was further stimulated by the opening of the National Academy of Design in New York in 1826. Registering as a student of the antique between 1827 and 1830, he refined his command over composition and color. It was during this period that he began to emerge on the exhibition circuit, sometimes even using the pseudonym E. F. Williams to shield himself from potential criticism. The success of early works like Sammy the Tailor provided the encouragement necessary to pursue his passion with renewed vigor, leading to a body of work that would eventually earn him a place among the notable genre painters of his era.

    The Art of the Everyday: Genre and Narrative

    The true heart of Edmonds’s legacy lies in his genre paintings—scenes of rural and domestic life rendered with a remarkable degree of realism and psychological insight. He possessed a unique ability to weave humor and pathos into a single frame, capturing the subtle nuances of social interaction and the quiet dignity of labor. His subjects often explored themes of domesticity and community, frequently imbued with a gentle, moralizing commentary that resonated with the values of his time.

    Several of his masterpieces stand as testaments to this narrative skill:

    The New Bonnet: A work that exemplifies his ability to use contemporary American subjects to explore deeper themes of social interaction and subtle morality.

    The Bashful Cousin: A charming 1842 scene that showcases his mastery of the Dutch style, capturing a tender moment of domestic life with delightful intimacy.

    Preparing for Christmas: An evocative piece that demonstrates his command over complex compositions and the ability to convey warmth and seasonal anticipation.

    Through these works, Edmonds did more than merely document the customs of the nineteenth century; he elevated the mundane to the level of high art. By applying the sophisticated techniques of the Old Masters to the lived experiences of his fellow Americans, he created a visual language that was both intimately familiar and profoundly beautiful. His historical significance rests in this bridge between worlds—the ability to find the extraordinary within the ordinary, leaving behind a legacy of quiet, enduring charm.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Taking the Census

    artsdot.com/pt/art/download/francis-william-edmonds-taking-the-census-AQZQBU-en/

    Como citar esta obra

    MLA
    Edmonds, Francis William. Taking the Census. 1854, https://artsdot.com/pt/art/francis-william-edmonds-taking-the-census-AQZQBU-en/
    APA
    Edmonds, Francis William (1854). Taking the Census [Painting]. https://artsdot.com/pt/art/francis-william-edmonds-taking-the-census-AQZQBU-en/
    Chicago
    Francis William Edmonds. Taking the Census. 1854. https://artsdot.com/pt/art/francis-william-edmonds-taking-the-census-AQZQBU-en/
    Harvard
    Edmonds, Francis William (1854) Taking the Census. Available at: https://artsdot.com/pt/art/francis-william-edmonds-taking-the-census-AQZQBU-en/

    Observe de perto

    Taking the Census — Francis William Edmonds

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre The Image Pedlar (1844), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Como faço para baixar a imagem de "Taking the Census", de Francis William Edmonds?

    Um download está disponível para "Taking the Census": a página de Download da obra oferece download de imagem digital em alta resolução.

    Qual é a intensidade das cores de "Taking the Census", de Francis William Edmonds?

    As cores em "Taking the Census", de Francis William Edmonds possuem uma intensidade Monochromatic.

    Qual é a paleta de cores de "Taking the Census"?

    As cores de "Taking the Census" compõem uma paleta Earthy. Esta classificação descreve as famílias de cores predominantes.