Papel

Guia de Obras de Estudantes

Lilies

Nome Turma Data

Ellen Day Hale, Lilies (1890). Domínio público.

Informações principais

Artista
Ellen Day Hale artsdot.com/pt/artists/ellen-day-hale/
Datas do artista
1880 – 1940
Pintura
1890

No contexto

Lilies — Ellen Day Hale

Ano de criação

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940

Sombreado: a trajetória de Ellen Day Hale (1880–1940) ▲ esta obra, 1890

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #a99c8f

    Paleta catalogada

    • #A99C8F
    • #7B6641
    • #5E4027
    • #D8CEE2
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Ellen Day Hale

    Nascido em Worcester, United States of America

    Ellen Day Hale: A Pioneer of American Impressionism

    Early Life and Education

    Born in Worcester, Massachusetts, in 1855, Ellen Day Hale (also known as Helen M. Knowlton) demonstrated an early aptitude for art.

    She received formal training at the Pennsylvania Academy of the Fine Arts (1878-1879), followed by studies at the Académie Julian and the Colarossi Academy in Paris (1882-1885).

    Hale first exhibited her work at the Boston Art Club as early as 1876, establishing herself within the American art scene.

    European Influences and Artistic Development

    Hale spent considerable time in Europe, residing in London and Paris, and traveling extensively throughout Italy and Spain. This exposure profoundly shaped her artistic vision.

    She exhibited at the prestigious Paris Salon in 1885 and the Royal Academy of Arts in London, gaining international recognition.

    Her style evolved towards Impressionism, characterized by a focus on capturing fleeting moments, light effects, and scenes from everyday life. She was particularly drawn to depicting women in domestic settings and landscapes.

    Partnership with Gabrielle Clements and Color Etching

    In 1883, Hale met Gabrielle de Veaux Clements, who became her lifelong companion and artistic collaborator.

    Together, they pioneered color etching in the United States during the late 1880s, experimenting with innovative techniques to create vibrant and expressive prints. This was a significant contribution to American printmaking.

    Their collaborative spirit fostered a creative environment that pushed the boundaries of traditional artistic practices.

    Teaching Career and Mentorship

    Upon returning to the United States, Hale settled in Boston and worked as an instructor at the Boston School.

    She became a mentor to numerous female artists, encouraging their artistic development and advocating for greater opportunities for women in the art world.

    Hale’s dedication to education helped shape a new generation of American painters and printmakers.

    Major Achievements and Artistic Themes

    Hale's paintings often depict scenes of daily life, particularly those involving women – reading, socializing, or engaged in domestic activities.

    Her landscapes reflect her travels in Europe, capturing the beauty and atmosphere of various locations.

    Notable works include “Street, Mont St. Michel,” “Reading on a Boat,” “June”, “Lilies” and “The Green Calash”.

    She exhibited extensively throughout North, Central, and South America, as well as at international exhibitions.

    Historical Significance and Legacy

    Ellen Day Hale was a significant figure in the American Impressionist movement, contributing to its development and popularization.

    As a “New Woman”, she challenged societal norms by pursuing a successful artistic career without marriage.

    Her pioneering work in color etching expanded the possibilities of printmaking as an art form.

    Hale’s commitment to mentorship and education left a lasting impact on the American art community, paving the way for future generations of female artists. She died on her birthday, February 11, 1940, in Brookline, Massachusetts, and is buried at Forest Hills Cemetery.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Lilies

    artsdot.com/pt/art/download/ellen-day-hale-lilies-AQRTP3-en/

    Como citar esta obra

    MLA
    Hale, Ellen Day. Lilies. 1890, https://artsdot.com/pt/art/ellen-day-hale-lilies-AQRTP3-en/
    APA
    Hale, Ellen Day (1890). Lilies [Painting]. https://artsdot.com/pt/art/ellen-day-hale-lilies-AQRTP3-en/
    Chicago
    Ellen Day Hale. Lilies. 1890. https://artsdot.com/pt/art/ellen-day-hale-lilies-AQRTP3-en/
    Harvard
    Hale, Ellen Day (1890) Lilies. Available at: https://artsdot.com/pt/art/ellen-day-hale-lilies-AQRTP3-en/

    Observe de perto

    Lilies — Ellen Day Hale

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Reading on a Boat, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    4. Ellen Day Hale tinha cerca de 10 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

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