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Guia de Obras de Estudantes

Dancing Skeletons

Nome Turma Data

Edward Burra, Dancing Skeletons (1934). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Edward Burra artsdot.com/pt/artists/edward-burra/
Datas do artista
1905 – 1976
Pintura
1934

No contexto

Dancing Skeletons — Edward Burra

Ano de criação

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Sombreado: a trajetória de Edward Burra (1905–1976) ▲ esta obra, 1934

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #222b2f

    Paleta catalogada

    • #222B2F
    • #784144
    • #144D8A
    • #CDC4C9
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Edward Burra

    Nascido em South Kensington, United Kingdom

    Edward Burra: A Life in Surreal Visions

    Early Life and Education

    Born: South Kensington, United Kingdom, 1905.

    Edward Burra demonstrated artistic talent early on, particularly as a draughtsman.

    He received his formal training at the Royal College of Art from 1923 to 1925, honing his skills in drawing and painting.

    Early Travels and Influences (1920s)

    During the latter half of the 1920s, Burra travelled extensively throughout France.

    He focused on depicting detailed urban scenes, often portraying the harsh realities of life in cities like Toulon and Marseille.

    These early works reveal a keen observational eye and a sensitivity to social conditions.

    A pivotal moment came in 1927 when he met Paul Nash, who introduced him to avant-garde periodicals.

    Exposure to artists like George Grosz through these publications profoundly influenced Burra, inspiring him to experiment with collage and drawing within a Dadaist spirit.

    Artistic Development & Key Themes (1930s-1940s)

    The Jungle (1931) exemplifies Burra’s fascination with the exotic and forbidden. The painting depicts a lavish dinner party set in a fantastical tropical world, blending sensuality with premonitions of death.

    Burra was among the first British artists to embrace Surrealism, creating a distinctive universe populated by extravagantly dressed women, workers, sailors, and soldiers—often situated in imaginary locales.

    His physical health, compromised from childhood, led him to favor watercolor as his primary medium due to its relative ease of use compared to oil paints.

    He held his first solo exhibition at the Leicester Galleries in 1930.

    The impact of Picasso’s Guernica was significant, prompting a shift in Burra's artistic style.

    World War II and Later Life (1940s-1976)

    During World War II, travel restrictions led Burra to work as a stage designer for theatrical productions and ballets, achieving some recognition in this field.

    He declined an invitation to become a Royal Academician in 1963 but accepted the Order of the British Empire in 1971.

    A major retrospective of his work was organized by the Tate Gallery in 1973, solidifying his place within British art history.

    He died in Hastings on March 22, 1976, as a result of complications from a fractured iliac bone.

    Artistic Style and Historical Significance

    Burra’s style is characterized by its unsettling atmosphere, vivid colors, and distorted figures.

    He masterfully blended elements of Dadaism and Surrealism with a uniquely British sensibility.

    His work offers a critical commentary on social issues, exploring themes of alienation, decadence, and the darker aspects of human nature.

    Though not always widely recognized during his lifetime, Edward Burra is now considered a pioneering figure in 20th-century British art, influencing subsequent generations of artists with his distinctive vision.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Dancing Skeletons

    artsdot.com/pt/art/download/edward-burra-dancing-skeletons-AQSVR3-en/

    Como citar esta obra

    MLA
    Burra, Edward. Dancing Skeletons. 1934, https://artsdot.com/pt/art/edward-burra-dancing-skeletons-AQSVR3-en/
    APA
    Burra, Edward (1934). Dancing Skeletons [Painting]. https://artsdot.com/pt/art/edward-burra-dancing-skeletons-AQSVR3-en/
    Chicago
    Edward Burra. Dancing Skeletons. 1934. https://artsdot.com/pt/art/edward-burra-dancing-skeletons-AQSVR3-en/
    Harvard
    Burra, Edward (1934) Dancing Skeletons. Available at: https://artsdot.com/pt/art/edward-burra-dancing-skeletons-AQSVR3-en/

    Observe de perto

    Dancing Skeletons — Edward Burra

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre The Band (1934), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Edward Burra tinha cerca de 29 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.