Papel

Guia de Obras de Estudantes

Self Portrait

Nome Turma Data

Duncan Fraser Mclea, Self Portrait (1890), South Shields Museum And Art Gallery. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Duncan Fraser Mclea artsdot.com/pt/artists/duncan-fraser-mclea/
Datas do artista
1841 – 1916
Pintura a óleo
1890
Dimensões originais
31 x 26 cm
Realizado em
South Shields Museum And Art Gallery artsdot.com/pt/museums/south-shields-museum-and-art-gallery-south-tyneside/

No contexto

Self Portrait — Duncan Fraser Mclea

Qual é o tamanho?

As dimensões originais são 31 × 26 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1840
  2. 1850
  3. 1860
  4. 1870
  5. 1880
  6. 1890
  7. 1900
  8. 1910

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 75 ao falecer.

Pintado quando o artista tinha 49. O artista viveu até aos 75. 6 das 13 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Duncan Fraser Mclea (1841–1916) ▲ esta obra, 1890 cada pintura datada, década por década

Primeiras obras: até 1884 Principais anos de atividade: 1884–1898 Obras tardias: a partir de 1898

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/duncan-fraser-mclea-self-portrait-AQU9T6-en/

Cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #b69178

    Paleta catalogada

    • #B69178
    • #423328
    • #685947
    • #1D1613

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Duncan Fraser Mclea nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 6 obras mais visualizadas de Duncan Fraser Mclea

    1. 1 The Wreck off the South Pier, 1897 33,3%
    2. 2 Marsden Bay, 1911 33,3%
    3. 3 A Bit of Old Shields, 1898 11,1%
    4. 4 Bents House, 1900 11,1%
    5. 5 The Opening of the Albert Edward Dock and Port of Tyne, 1884 11,1%
    6. — Self Portrait, 1890 esta obra 0,0%

    Juntas, estas obras representam 99,9% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 13 obras deste artista, das quais 5 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Duncan Fraser Mclea

    The Tempestuous Soul of the North Sea

    Duncan Fraser Mclea (1841–1916) remains a pivotal figure in the annals of Scottish marine art, a master whose brush captured the very heartbeat of the turbulent North Sea. Born in Edinburgh during an era defined by the sweeping emotional currents of Romanticism, Mclea’s life and work were deeply intertwined with the Victorian fascination with the sublime. His artistic journey was not merely one of technical progression but a profound exploration of the awe-inspiring power of nature. Through his eyes, the sea was never a static backdrop; it was a living, breathing entity, capable of both terrifying destruction and desolate grandeur.

    The foundations of Mclea’s mastery were laid under the guidance of Robert Watson, a respected landscape painter whose influence is etched into every tonal gradation and atmospheric nuance found in Mclea's oeuvre. From Watson, he inherited a disciplined appreciation for how light interacts with mist and spray, a skill that would become essential when depicting the heavy, salt-laden air of the Scottish coastlines. As he honed his craft at the Royal Scottish Academy, Mclea moved beyond mere imitation, developing a distinctive visual language that favored gritty realism over idealized beauty. He sought to document the raw, unvarnished truth of the maritime experience, where the boundary between the sky and the churning deep is often lost in a haze of storm and spray.

    A Symphony of Shadow and Salt

    To encounter a Mclea seascape is to be swept into a drama of light and motion. His technique was characterized by a sophisticated duality: he employed a loose, expressive brushstroke to capture the frantic energy of crashing waves, yet balanced this with meticulous layering to achieve a remarkable textural depth and luminosity. This interplay allowed him to render the heavy weight of water and the ephemeral quality of sea foam with equal conviction. His palette was famously bold, dominated by deep, brooding blues and emerald greens that conveyed the immense pressure and cold intensity of a North Sea gale.

    Mclea’s compositions were masterfully engineered to evoke a sense of overwhelming scale. Eschewing traditional, centered stability, he frequently utilized dynamic diagonals and asymmetrical arrangements. These structural choices guide the viewer’s gaze across expansive, restless vistas, often pulling the eye toward the focal point of a struggle—be it a solitary vessel battling the swell or the jagged silhouette of an exposed cliffside. His work avoids the purely decorative; instead, every stroke serves the purpose of conveying emotion, inviting the observer to confront the sublime experience of facing forces far greater than human comprehension.

    Legacy of the Maritime Sublime

    The historical significance of Duncan Fraser Mclea lies in his ability to bridge the gap between traditional maritime documentation and the emotional depth of Romantic expressionism. While many of his contemporaries focused on the picturesque or the tranquil, Mclea leaned into the chaos. His depictions of shipwrecks and coastal storms—such as his evocative renderings of Marsden Bay or the tragic Wreck of the Barque 'Jacob Rothenberg'—serve as haunting reminders of the precariousness of life on the edge of the ocean.

    His enduring legacy is found in the way he transformed the North Sea from a mere geographic location into a psychological landscape. Through his commitment to capturing the essence of nature through meticulous observation, Mclea ensured that the roar of the waves and the salt-stained atmosphere of 19th-century Scotland would remain eternally preserved on canvas. He remains a cornerstone of Scottish marine art, a painter who did not just observe the storm, but invited us all to feel its power.

    Museu

    South Shields Museum And Art Gallery

    Em exibição em South Tyneside, United Kingdom

    A Coastal Sanctuary of Roman Echoes and Victorian Vision

    Nestled along the rugged coastline of Northumberland, the

    South Shields Museum and Art Gallery

    serves as a profound temporal bridge, connecting the disciplined grandeur of the Roman Empire with the evocative, salt-sprayed landscapes of the Victorian era. To step through its doors is to enter a space where history is not merely displayed but felt, as the museum breathes life into the remnants of the

    Arbeia Roman Fort

    . Here, the tangible artifacts of a frontier civilization—reminders of an age when Hadrian’s Wall stood as the edge of the known world—intertwine with the maritime soul of South Tyneside. For the art lover and the historian alike, the museum offers a rare intimacy, presenting a narrative that is both deeply local and universally resonant through its themes of resilience, trade, and imperial ambition.

    The collection’s true heartbeat lies in its exquisite mastery of light and atmosphere, particularly through the works of

    Charles Napier Hemy

    . His paintings are more than mere depictions of Tynemont lifeboats or the churning North Sea; they are emotional studies of the relationship between man and the elements. With a technique that captures the fleeting translucency of coastal mist and the dramatic weight of crashing waves, Hemy’s canvases possess a magnetic quality that continues to captivate collectors and interior designers seeking pieces with profound depth and movement. This maritime legacy is further enriched by the museum's celebration of local identity, where the rugged beauty of the Northumberland shores is rendered with a reverence that transforms landscape into legend.

    A Tapestry of Local Identity and Creative Spirit

    Beyond the sea-swept vistas, the gallery offers a poignant glimpse into the creative spirit of

    Catherine Cookson

    . While globally renowned for her literary prowess, the museum unveils her softer, more observational side through her sketches and paintings. These works provide an essential window into the Victorian cultural landscape, revealing a keen eye for human emotion and the subtle textures of daily life. This duality—the epic scale of Roman history meeting the delicate, personal observations of Cookson—creates a unique curatorial tension that makes South Shields a destination of singular importance.

    The museum stands as an indispensable pilgrimage for those who appreciate the intersection of heritage and aesthetic excellence, offering a curated experience where the industrial transformation of the Tyne and Wear region is honored through fine art. Visitors may find themselves immersed in a collection that spans:

    Roman Antiquities:

    Artifacts from the Arbeia Roman Fort that whisper of a time when Persian, Iberian, and Gallic influences met on the British frontier.

    Maritime Masterpieces:

    Atmospheric oil paintings that capture the raw power of the North Sea and the bravery of coastal life.

    Victorian Portraiture and Sketches:

    Detailed works, such as Robinson Elliott’s portrait of Thomas Salmon, which document the prominent figures of South Shields' history.

    Local Landscapes:

    Artworks that transform the rugged Northumberland coastline into enduring legends.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Self Portrait

    artsdot.com/pt/art/download/duncan-fraser-mclea-self-portrait-AQU9T6-en/

    Como citar esta obra

    MLA
    Mclea, Duncan Fraser. Self Portrait. 1890, South Shields Museum And Art Gallery. https://artsdot.com/pt/art/duncan-fraser-mclea-self-portrait-AQU9T6-en/
    APA
    Mclea, Duncan Fraser (1890). Self Portrait [Painting]. South Shields Museum And Art Gallery. https://artsdot.com/pt/art/duncan-fraser-mclea-self-portrait-AQU9T6-en/
    Chicago
    Duncan Fraser Mclea. Self Portrait. 1890. South Shields Museum And Art Gallery. https://artsdot.com/pt/art/duncan-fraser-mclea-self-portrait-AQU9T6-en/
    Harvard
    Mclea, Duncan Fraser (1890) Self Portrait. South Shields Museum And Art Gallery. Available at: https://artsdot.com/pt/art/duncan-fraser-mclea-self-portrait-AQU9T6-en/

    Observe de perto

    Self Portrait — Duncan Fraser Mclea

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Robert Watson (1815–1885) (1891), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Duncan Fraser Mclea tinha cerca de 49 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Posso usar realidade aumentada para ver "Self Portrait", de Duncan Fraser Mclea no meu ambiente?

    Visualize "Self Portrait", de Duncan Fraser Mclea na sua própria parede através da página de Prévia em RA da obra, utilizando realidade aumentada em um dispositivo compatível.

    Qual cor mais se destaca em "Self Portrait"?

    A cor dominante de "Self Portrait", de Duncan Fraser Mclea é Rosy Brown (#b69178).

    Como posso obter uma versão digital de "Self Portrait", de Duncan Fraser Mclea?

    "Self Portrait" está disponível como download de imagem digital em alta resolução, podendo ser adquirido diretamente em sua página de Imagem Digital de Alta Resolução.