Papel

Guia de Obras de Estudantes

Stood Up

Nome Turma Data

douglas w. gorsline, Stood Up (1939). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
douglas w. gorsline artsdot.com/pt/artists/douglas-w-gorsline/
Datas do artista
1913 – 1985
Pintura
1939
Dimensões originais
23 x 20 cm
Movimento
Contemporary Realism Living artists painting the real world with traditional skill, often from photographs as well as from life.

No contexto

Stood Up — douglas w. gorsline

Dimensões

As dimensões originais são 23 × 20 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980

Sombreado: a trajetória de douglas w. gorsline (1913–1985) ▲ esta obra, 1939

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/douglas-w-gorsline-stood-up-AQRFCX-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #ab9f8f

    Paleta catalogada

    • #AB9F8F
    • #6F645B
    • #E9E1D5
    • #3D3531
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    douglas w. gorsline

    Nascido em Rochester, United States of America

    Douglas W. Gorsline: A Weaver of Movement and the Human Psyche

    Born in Rochester, New York, in 1913, Douglas W. Gorsline was more than simply a painter; he was an explorer of perception, a translator of movement, and a keen observer of the human condition. His artistic journey, spanning nearly seven decades, reveals a fascinating evolution from early social realism to a strikingly unique style deeply influenced by Cubism, Surrealism, and the groundbreaking work of photographers documenting motion. Gorsline’s legacy lies not just in his individual artworks but also in his innovative approach to depicting reality – capturing fleeting moments, internal states, and the dynamism inherent within both the external world and the human psyche.

    Gorsline's early artistic training laid a foundation for his later explorations. He began with a focus on social realism, a movement dedicated to portraying everyday life with honesty and accuracy. This initial grounding provided him with technical skills and an understanding of depicting people within their environments. However, it was during the 1930s that Gorsline’s artistic vision truly began to shift. Exposure to European avant-garde movements – particularly Cubism and Surrealism – proved transformative. He sought ways to represent not just what he saw, but also how things felt—the energy of a crowd, the disorientation of a city street, the hidden depths of the human mind.

    The Influence of Photography and Modernism

    A pivotal influence on Gorsline’s work was the pioneering photography of Étienne-Jules Marey and Edweard Muybridge. These photographers meticulously documented movement through sequential images, revealing the underlying mechanics of action. Gorsline recognized in their techniques a way to capture not just a static image but also the process of change—the very essence of dynamism. He adopted this approach, incorporating fragmented forms and multiple perspectives reminiscent of Cubism, while simultaneously striving to convey the sensation of movement within his paintings.

    The impact of Cubism is readily apparent in Gorsline’s compositions. He frequently employed geometric shapes and fractured planes, challenging traditional notions of perspective and spatial representation. However, unlike some Cubist painters who focused solely on deconstructing form, Gorsline used this technique to create a sense of layered reality—as if the viewer were simultaneously experiencing multiple viewpoints at once. This approach was further enhanced by his exploration of Surrealism, which allowed him to delve into the realm of dreams and subconscious imagery. His paintings often feature distorted figures, unexpected juxtapositions, and symbolic elements that invite interpretation and introspection.

    A Unique Artistic Style: Combining Realism with Movement

    Gorsline’s artistic style is remarkably distinctive—a synthesis of realism, Cubist fragmentation, and Surrealist symbolism. He wasn't interested in simply replicating reality; he sought to interpret it, conveying not just what was visible but also the underlying emotions and experiences associated with a particular scene or subject. His use of color was bold and expressive, often employing vibrant hues to heighten the sense of dynamism and create visual impact.

    Consider his etching “Daily” (1942), a powerful depiction of New York City subway life. The work is characterized by sharp lines, fragmented forms, and a palpable sense of movement—a testament to Gorsline’s fascination with capturing the energy of urban spaces. Similarly, his paintings frequently feature figures caught in moments of transition or contemplation, their faces reflecting a range of emotions. He masterfully blended these elements to create works that are both visually arresting and psychologically resonant.

    Legacy and Recognition

    Douglas W. Gorsline’s contributions to American art are significant, though he often worked outside the mainstream artistic circles. His innovative approach to depicting movement and his exploration of the human psyche set him apart from many of his contemporaries. Beyond painting, Gorsline was a prolific illustrator and writer, producing several children's books, including an edition of Thomas Wolfe’s Look Homeward, Angel, and his own novel, Farm Boy. These works demonstrate his versatility as an artist and his ability to engage with diverse audiences.

    His work has been exhibited in galleries across the United States and Europe, and his paintings are held in numerous public collections. The Gorsline Museum, established in France after his death, serves as a testament to his enduring legacy—a space dedicated to preserving and celebrating his unique artistic vision. Douglas W. Gorsline’s art continues to resonate with viewers today, offering a compelling glimpse into the complexities of modern life and the depths of the human experience.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Stood Up

    artsdot.com/pt/art/download/douglas-w-gorsline-stood-up-AQRFCX-en/

    Como citar esta obra

    MLA
    gorsline, douglas w.. Stood Up. 1939, https://artsdot.com/pt/art/douglas-w-gorsline-stood-up-AQRFCX-en/
    APA
    gorsline, douglas w. (1939). Stood Up [Painting]. https://artsdot.com/pt/art/douglas-w-gorsline-stood-up-AQRFCX-en/
    Chicago
    douglas w. gorsline. Stood Up. 1939. https://artsdot.com/pt/art/douglas-w-gorsline-stood-up-AQRFCX-en/
    Harvard
    gorsline, douglas w. (1939) Stood Up. Available at: https://artsdot.com/pt/art/douglas-w-gorsline-stood-up-AQRFCX-en/

    Observe de perto

    Stood Up — douglas w. gorsline

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 2 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: urban solitude, street scene, black and white. Concorda? O que acrescentaria ou removeria?
    5. Relembre Express Stop (1948), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.