Papel

Guia de Obras de Estudantes

Evil

Nome Turma Data

Dorothy Dehner, Evil (1948). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Dorothy Dehner artsdot.com/pt/artists/dorothy-dehner/
Datas do artista
1901 – 1994
Pintura
1948
Dimensões originais
41 x 32 cm

No contexto

Evil — Dorothy Dehner

Dimensões

As dimensões originais são 41 × 32 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 93 ao falecer.

Pintado quando o artista tinha 47. O artista viveu até aos 93. 1 das 11 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Dorothy Dehner (1901–1994) ▲ esta obra, 1948 cada pintura datada, década por década

Primeiras obras: até 1948 Principais anos de atividade: 1948–1965 Obras tardias: a partir de 1965

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/dorothy-dehner-evil-AQTH2N-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Driftwood #a6916b

    Paleta catalogada

    • #A6916B
    • #F9F8F6
    • #403E37
    • #C3BBB0

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Driftwood
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Dorothy Dehner nos últimos doze meses — 2 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 66,7%
    2. 2 Estados Unidos da América 33,3%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 4 obras mais visualizadas de Dorothy Dehner

    1. 1 River Landscape 1, 1958 50,0%
    2. 2 Untitled, 1991 25,0%
    3. 3 Heads 3, 1970 25,0%
    4. — Evil, 1948 esta pintura 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 11 obras deste artista, das quais 3 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada nesse período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Evil — Dorothy Dehner

    The painting "Evil" by Dorothy Dehner is a thought-provoking artwork that has sparked intense debate and curiosity among art enthusiasts. Created in 1948, this gouache painting measures 41 x 32 cm and is currently housed at the Smithsonian American Art Museum in the United States.

    Understanding the Artist's Vision

    Dorothy Dehner was an American artist known for her unique style, which blended elements of abstraction and surrealism. Her paintings often featured bold colors and distorted forms, inviting viewers to interpret their meanings. In "Evil", Dehner employs a vibrant color palette and abstract shapes to convey a sense of tension and unease. Key Elements of the Painting The painting features two main figures standing on a mountain, with their arms raised in a gesture that could be interpreted as either celebratory or ominous. The presence of a spider in the bottom left corner adds an air of mystery and foreboding to the scene. The use of gouache as a medium gives the painting a sense of texture and depth, drawing the viewer's eye into the intricate details of the composition.

    Interpreting the Meaning of "Evil"

    The title "Evil" suggests that the painting is meant to evoke a sense of malevolence or darkness. However, Dehner's intention may have been more nuanced, inviting viewers to consider the complexities of human nature and the blurred lines between good and evil. As with many abstract artworks, the meaning of "Evil" is open to interpretation, leaving viewers to ponder its significance and symbolism.

    View more artworks by Dorothy Dehner on AllPaintingsStore.com

    Learn about the Smithsonian American Art Museum and its collection on Wikipedia

    The painting "Evil" by Dorothy Dehner is a fascinating example of mid-20th-century American art, offering a glimpse into the artist's unique vision and creative process. As a handmade oil painting reproduction, it can be appreciated in a new light, allowing viewers to experience the intricate details and textures of the original artwork.

    Artista e museu

    Artista

    Dorothy Dehner

    Dorothy Dehner: Sculpting the Echoes of Experience

    Dorothy Dehner (1901-1994) wasn’t a name that frequently echoed through the halls of 20th-century art history until relatively recently. Yet, beneath the surface of her prolific career—spanning sculpture, drawing, and printmaking—lies an artist deeply attuned to the complexities of human emotion and the enduring power of memory. Born in Cleveland, Ohio, into a family profoundly shaped by loss and resilience, Dehner’s life became a crucible for her artistic vision, forging a unique style that blended Surrealist intuition with Constructivist rigor and a profound connection to the natural world. Her work isn't easily categorized; it resists simple labels, instead offering a deeply personal dialogue between abstraction, symbolism, and the lived experience of a woman navigating both personal tragedy and the evolving landscape of modern art.

    Early Life and Influences: A Foundation Forged in Loss

    Dehner’s childhood was marked by significant upheaval. The untimely deaths of her father and mother within a few years of each other, coupled with the subsequent care provided by her aunts, instilled in her a sensitivity to loss and a quiet determination to find meaning amidst hardship. This early experience profoundly shaped her artistic approach – a willingness to confront difficult emotions through abstract forms and symbolic imagery. She initially pursued an acting career, finding herself drawn to the theatrical world before realizing that her true calling lay in visual art. A brief sojourn in California exposed her to burgeoning modernism, including exposure to European avant-garde movements like Cubism and Surrealism. Crucially, her travels through Europe in 1925 proved transformative, igniting a passion for the work of artists like Jan Matulka, whose emphasis on emotional expression resonated deeply with Dehner’s own artistic sensibilities. The influence of Russian Constructivism, particularly its focus on geometric abstraction and the exploration of social themes, also became a significant touchstone in her development.

    The Bolton Landing Years: Totems of Memory

    Following her marriage to sculptor David Smith in 1927, Dehner and Smith established a farm at Bolton Landing in upstate New York, a location that would become central to her artistic output for nearly two decades. This period witnessed the evolution of her most recognizable work – the “totem” sculptures. These monumental, often vertical structures, constructed from wax, bronze, wood, and steel, are not simply decorative objects; they’re complex visual narratives rooted in memory, personal experience, and a deep engagement with the natural world. The early totem sculptures, created during her marriage to Smith, frequently depicted fragmented figures—a poignant reflection of their troubled relationship. The use of layered wax slabs, often incorporating small metal pieces or pebbles, created tactile surfaces that invited close examination, inviting viewers to decipher the symbolic language embedded within each form. During this time, Dehner’s work began to incorporate elements of mythology and classical iconography, reflecting a desire to connect with universal themes of human experience.

    Post-Smith: A Return to Introspection and Line

    The separation from David Smith in 1950 marked a significant turning point in Dehner’s artistic trajectory. Following this personal upheaval, she returned to New York City, where she continued to explore her artistic interests through drawing and printmaking. Her later work during the 1970s and 80s saw a shift towards smaller, more intimate pieces—often characterized by delicate lines and subtle color palettes. These drawings, frequently inspired by the landscape surrounding Bolton Landing, offered a quieter, more introspective reflection on themes of memory, loss, and the passage of time. The “Folk Song” series, for example, captures the essence of her surroundings with an understated elegance, utilizing ink and watercolor to evoke the textures and rhythms of nature.

    Legacy and Significance: A Quiet Voice in Modern Art

    Dorothy Dehner’s artistic legacy has been steadily gaining recognition in recent decades. While she remained largely outside the mainstream art world during her lifetime, her work is now celebrated for its emotional depth, innovative use of materials, and profound engagement with themes of memory, loss, and the human condition. Her “totem” sculptures stand as powerful testaments to her ability to translate complex personal experiences into universal symbols. Dehner’s influence extends beyond her own creations; she fostered a supportive environment for emerging artists, including David Smith, and contributed significantly to the development of American abstract sculpture in the mid-20th century. Her work continues to resonate with viewers today, offering a quiet but compelling invitation to contemplate the echoes of experience that shape our lives.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Evil

    artsdot.com/pt/art/download/dorothy-dehner-evil-AQTH2N-en/

    Como citar esta obra

    MLA
    Dehner, Dorothy. Evil. 1948, https://artsdot.com/pt/art/dorothy-dehner-evil-AQTH2N-en/
    APA
    Dehner, Dorothy (1948). Evil [Painting]. https://artsdot.com/pt/art/dorothy-dehner-evil-AQTH2N-en/
    Chicago
    Dorothy Dehner. Evil. 1948. https://artsdot.com/pt/art/dorothy-dehner-evil-AQTH2N-en/
    Harvard
    Dehner, Dorothy (1948) Evil. Available at: https://artsdot.com/pt/art/dorothy-dehner-evil-AQTH2N-en/

    Observe de perto

    Evil — Dorothy Dehner

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Charade (1952), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Dorothy Dehner tinha cerca de 47 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é a tonalidade predominante de "Evil" de Dorothy Dehner?

    Um tom Ochre to Sepia percorre "Evil" de Dorothy Dehner.

    "Evil" apresenta contrastes fortes entre luz e sombra?

    O nível de contraste de "Evil" de Dorothy Dehner é Bold.

    Qual é a orientação de "Evil" de Dorothy Dehner?

    "Evil" de Dorothy Dehner possui um formato Portrait. O formato descreve as proporções da composição.