Papel

Guia de Obras de Estudantes

Iraq, 29th August 2013

Nome Turma Data

Celia Hempton, Iraq, 29th August 2013, The Moving Museum. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Celia Hempton artsdot.com/pt/artists/celia-hempton/
Datas do artista
1981 – ?
Dimensões originais
30 x 25 cm
Realizado em
The Moving Museum artsdot.com/pt/museums/the-moving-museum-london/

No contexto

Iraq, 29th August 2013 — Celia Hempton

Dimensões

As dimensões originais são 30 × 25 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1980

Sombreado: a trajetória de Celia Hempton (1981–?)

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #a6a698

    Paleta catalogada

    • #A6A698
    • #CCD1D0
    • #8D3126
    • #534B43
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Iraq, 29th August 2013 — Celia Hempton

    Part of the installation

    Artista e museu

    Artista

    Celia Hempton

    Nascido em Stroud, United Kingdom

    Early Life & Education

    Celia Hempton (born Stroud, England) emerged as a distinctive voice in contemporary British art, driven by an unwavering fascination with confronting discomfort and challenging conventional artistic perspectives. Her formative years were marked by a grounding in traditional fine arts training at Glasgow School of Art from 2000 to 2003, where she honed her skills alongside fellow musician Lucy Rose in the band I Love Lucy—a collaboration that instilled within her an appreciation for sonic exploration and performance art. This early experience would prove influential in shaping her artistic trajectory. Seeking further refinement, Hempton pursued a Master of Arts degree in Painting at the Royal College of Art between 2005 and 2007, immersing herself in rigorous studio practice and establishing connections with fellow artists who shared similar ambitions.

    The ‘Chat Random’ Series & Digital Exploration

    Hempton's breakthrough came with her groundbreaking series 'Chat Random,' initiated in 2014 and continuing to this day. This project represents a radical departure from established artistic conventions, utilizing the website Chatrandom.com as its primary source material—specifically, images of male genitalia captured through spontaneous online encounters. Rather than simply documenting these visuals, Hempton undertakes a meticulous process of cyclical observation: she scrolls through live feeds on her laptop, capturing fleeting glimpses of individuals encountered online, and subsequently translates these digital impressions into paintings. The resulting artworks are characterized by vibrant artificial colors—a deliberate stylistic choice intended to heighten emotional impact and disrupt viewers’ expectations. This series is considered a significant contribution to the discussion surrounding gendered gaze and artistic representation, positioning Hempton as a woman actively engaging with taboo subjects within the context of contemporary digital culture.

    Technique & Artistic Philosophy

    Hempton's artistic approach prioritizes confronting uncomfortable feelings—a core element driving her creative process. She employs a distinctive technique rooted in layering and blending oil paints, creating textured surfaces that convey both physicality and psychological depth. Her canvases are imbued with an expressive quality reminiscent of Impressionism, albeit filtered through the lens of digital mediation. The artist’s deliberate use of color—often bold and jarring—serves as a conduit for conveying emotion and disrupting established visual hierarchies. Hempton sees herself as responding to the legacy of history painting, acknowledging its conventions while simultaneously subverting them through her exploration of new mediums and perspectives.

    Collaborations & Exhibitions

    Beyond her solo paintings, Celia Hempton has engaged in collaborative projects that further enrich her artistic output. Notably, she partnered with her brother Sam Hempton on a sound piece in 2014—a testament to the importance of interdisciplinary dialogue within contemporary art practice. Her exhibitions span across Europe, Asia and North America, showcasing her work in prestigious venues such as Lisson Gallery, Abu Dhabi Art, and Whitechapel Gallery. Selected group shows include British Art Show 9 and The Living End: Painting and Other Technologies, cementing her reputation as a compelling artist pushing boundaries within the art world.

    Recognition & Legacy

    In 2016, Celia Hempton was recognized as one of ‘tomorrow’s artists’ by Vitamin P3—a prestigious accolade acknowledging her artistic promise and establishing her place amongst emerging talents. Her work continues to provoke discussion about gender roles, visual representation, and the influence of digital media on artistic expression. Celia Hempton's unwavering commitment to confronting discomfort and challenging artistic norms ensures that her contribution to contemporary art will endure as a powerful statement regarding vulnerability and artistic innovation.

    Museu

    The Moving Museum

    Em exibição em London, United Kingdom

    A Revolution in Motion: The Spirit of The Moving Museum

    In the heart of London’s ever-shifting cultural landscape, a new kind of institution is redefining what it means to encounter art. The Moving Museum does not exist within the static confines of stone and mortar; instead, it lives as a nomadic entity, a breathing organism that transforms urban spaces into vibrant arenas of dialogue. It rejects the traditional museum paradigm—the idea of a silent, untouchable repository—and embraces a philosophy where art evolves alongside its audience. This is an institution built on movement, bringing cutting-edge contemporary works directly to the streets and communities of London, ensuring that the pulse of creativity is felt far beyond the gilded gates of conventional galleries. To follow The Moving Museum is to participate in a journey of discovery that refuses to be anchored to a single coordinate.

    The Intersection of Digital Innovation and Human Narrative

    To step into a Moving Museum exhibition is to enter a space where technology and humanity converge in a seamless dance. The collection is a curated exploration of the present moment, focusing on emerging voices who utilize every medium available to tackle the pressing social issues of our era. The museum’s programming is profoundly interdisciplinary, drawing inspiration from sociology, anthropology, and performance art to create a holistic experience where art serves as a lens through which we examine our collective existence. From immersive digital installations that probe the complexities of identity to experimental film pieces that challenge our very perception of narrative, each work invites deep contemplation. Recent triumphs such as “Pixelated Portraits” have masterfully explored the blurred lines between traditional portraiture and digital manipulation, while the “Ephemeral Landscapes” project brought site-specific installations to life by responding directly to the textures of London’s rugged urban environment.

    A Sustainable Sanctuary for Discovery

    When The Moving Museum finds its temporary home, its architectural presence is as intentional and evocative as its curation. Eschewing the heavy, imposing structures of the past, the museum utilizes fluid, adaptable spaces often constructed from reclaimed timber and bathed in the soft glow of natural light. This commitment to sustainability mirrors the museum’s broader ethos of renewal and respect for the environment. The interior, with its textured surfaces and vibrant, shifting colors, creates an atmosphere of constant discovery, inviting visitors to wander and interact rather than merely observe. Through deep-rooted community partnerships with local schools and artist collectives, the museum ensures that its mission is not just to display art, but to foster a lasting artistic literacy. It stands as a beacon for collectors, designers, and enthusiasts alike—a testament to the belief that true creativity thrives in environments where curiosity is allowed to roam free.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Iraq, 29th August 2013

    artsdot.com/pt/art/download/celia-hempton-iraq-29th-august-2013-D7C2HM-en/

    Como citar esta obra

    MLA
    Hempton, Celia. Iraq, 29th August 2013. n.d., The Moving Museum. https://artsdot.com/pt/art/celia-hempton-iraq-29th-august-2013-D7C2HM-en/
    APA
    Hempton, Celia (n.d.). Iraq, 29th August 2013 [Painting]. The Moving Museum. https://artsdot.com/pt/art/celia-hempton-iraq-29th-august-2013-D7C2HM-en/
    Chicago
    Celia Hempton. Iraq, 29th August 2013. n.d. The Moving Museum. https://artsdot.com/pt/art/celia-hempton-iraq-29th-august-2013-D7C2HM-en/
    Harvard
    Hempton, Celia (n.d.) Iraq, 29th August 2013. The Moving Museum. Available at: https://artsdot.com/pt/art/celia-hempton-iraq-29th-august-2013-D7C2HM-en/

    Observe de perto

    Iraq, 29th August 2013 — Celia Hempton

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Surrey, United Kingdom, 20th September 2013, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

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