Papel

Guia de Obras de Estudantes

Day's End

Nome Turma Data

Carlos Anderson, Day's End (1939). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Carlos Anderson artsdot.com/pt/artists/carlos-anderson_pt/
Pintura
1939
Dimensões originais
92 x 66 cm

No contexto

Day's End — Carlos Anderson

Qual é o tamanho?

As dimensões originais são 92 × 66 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1930

▲ esta obra, 1939

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/carlos-anderson-day-s-end-AS7SXZ-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Bronze #de9619

    Paleta catalogada

    • #DE9619
    • #342316
    • #9D6113
    • #643C17
    Paleta
    Dark A família de cores predominante na imagem.
    Nome da cor principal
    Bronze
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Clear Color Presence Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Carlos Anderson

    Nascido em Estados Unidos

    Carlos Anderson: A Pioneer of Regionalist Painting

    Carlos J. Anderson (May 1, 1904 — July 11, 1978) was an American painter, illustrator and graphic designer who achieved prominence as a leading figure in the Regionalism movement during the mid-20th century. Born in Midvale, Utah, he cultivated a distinctive artistic vision rooted in observation of the landscapes and traditions of his native state—a perspective that would profoundly shape his oeuvre and solidify his place within American art history.

    Anderson’s formative years were marked by exposure to both rural Utah and formal education at the University of Utah and Los Angeles Art Institute. These experiences instilled a meticulous attention to detail and an appreciation for capturing authentic representations of everyday life, qualities that would become hallmarks of his artistic style. His studies at the École des Beaux-Arts in Paris further broadened his artistic horizons, introducing him to European avant-garde influences while simultaneously reinforcing his commitment to realism.

    ## Early Life & Artistic Training

    Anderson’s upbringing in Sandy, Utah, provided a rich tapestry of cultural heritage and instilled within him a deep connection to the American West—a connection that would find its expression in countless canvases depicting Utah pioneer buildings and scenery. He graduated from Jordan High School before embarking on his artistic journey at the University of Utah, where he honed his technical skills and developed an understanding of broader artistic trends. Subsequent studies at Los Angeles Art Institute, The Art Students League of New York and École des Beaux-Arts solidified his grounding in classical techniques while simultaneously exposing him to innovative ideas circulating throughout Europe.

    ## Career Highlights & Artistic Style

    Anderson’s professional career unfolded during the ascendancy of Regionalism—a movement championed by artists like Thomas Hart Benton who sought to depict American life with uncompromising honesty and stylistic rigor. Embracing Benton's approach, Anderson meticulously rendered scenes of Utah pioneer buildings and scenery for the U.S. government and Utah State Historical Society, securing commissions that showcased his ability to convey both visual accuracy and emotional resonance. His work gained recognition through exhibitions at the Utah Museum of Fine Arts and was reproduced in publications such as the Utah Symphony program and the Junior League calendar—a testament to his enduring appeal and artistic impact. He joined the San Francisco Civic Center Museum in 1948, continuing to refine his craft and contribute to the vibrant artistic landscape of California.

    Anderson’s distinctive style characterized by detailed observation and a commitment to capturing the essence of American landscapes—particularly those inhabited by pioneers—earned him acclaim from prominent institutions like The Metropolitan Museum of Art and The Smithsonian American Art Museum. His lithographs, imbued with Benton's Regionalist aesthetic, stand as enduring symbols of a pivotal moment in American art history.

    ## Notable Works & Legacy

    Among Anderson’s most celebrated paintings are “Washington Square Evening” and “Rehearsal,” both masterful depictions of urban life rendered with remarkable precision and evocative atmosphere. "Washington Square Evening," created in 1935-43, captures the bustling energy of New York City's Washington Square Park—a scene illuminated by the soft glow of twilight and populated by figures engaged in everyday activities. The lithograph’s composition reflects Benton’s stylistic influence, prioritizing clarity of form and tonal gradation to convey a sense of immediacy and authenticity. “Rehearsal,” completed around 1935-43, portrays musicians preparing for a performance—a scene rendered with meticulous detail and imbued with an understated dynamism that captures the spirit of artistic endeavor.

    Anderson’s legacy extends beyond his individual artworks; he served as an influential teacher and mentor who nurtured the talents of aspiring artists and championed the principles of Regionalism—a movement that continues to inspire contemporary painters today. His unwavering dedication to realism, combined with a profound appreciation for the beauty of the American West, cemented his place as one of the most significant figures in 20th-century American art.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Day's End

    artsdot.com/pt/art/download/carlos-anderson-day-s-end-AS7SXZ-en/

    Como citar esta obra

    MLA
    Anderson, Carlos. Day's End. 1939, https://artsdot.com/pt/art/carlos-anderson-day-s-end-AS7SXZ-en/
    APA
    Anderson, Carlos (1939). Day's End [Painting]. https://artsdot.com/pt/art/carlos-anderson-day-s-end-AS7SXZ-en/
    Chicago
    Carlos Anderson. Day's End. 1939. https://artsdot.com/pt/art/carlos-anderson-day-s-end-AS7SXZ-en/
    Harvard
    Anderson, Carlos (1939) Day's End. Available at: https://artsdot.com/pt/art/carlos-anderson-day-s-end-AS7SXZ-en/

    Observe de perto

    Day's End — Carlos Anderson

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Washington Square Evening, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.