Papel

Guia de Obras de Estudantes

Untitled (Back)

Nome Turma Data

Antoni Tàpies, Untitled (Back), UPF Art Track. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Antoni Tàpies artsdot.com/pt/artists/antoni-tapies/
Datas do artista
1923 – 2012
Dimensões originais
5 x 64 cm
Movimento
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Realizado em
UPF Art Track artsdot.com/pt/museums/upf-art-track-barcelona/

No contexto

Untitled (Back) — Antoni Tàpies

Dimensões

As dimensões originais são 5 × 64 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Sombreado: a trajetória de Antoni Tàpies (1923–2012)

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Brown #b20f21

    Paleta catalogada

    • #B20F21
    • #EDEADE
    • #C75457
    • #DAA9A1
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Antoni Tàpies

    Nascido em Barcelona, Spain

    Early Life and Influences

    Born: Barcelona, Spain (1923)

    Died: 2012

    Son of a lawyer and Catalan nationalist, Josep Tàpies i Mestre.

    Grew up in an environment exposed to Catalan public life and republicanism.

    First introduced to contemporary art through the magazine d’ací i d’allà at age 17.

    Suffered a near-fatal heart attack at 17 due to tuberculosis, spending two years convalescing in the mountains where he pursued his interest in art.

    Studied law for three years before dedicating himself solely to painting from 1943 onwards.

    Early influences included Paul Klee and Joan Miró.

    Artistic Development and "Pintura Matèrica"

    Co-founded the avant-garde movement Dau al Set in 1948, connected to Surrealism and Dadaism.

    Developed a distinctive style known as pintura matèrica (matter painting).

    Experimented with non-traditional materials like clay, marble dust, waste paper, string, rags, and burned canvas.

    Incorporated philosophical ideas, particularly from Sartre and Eastern thought.

    Became a prominent figure in Spanish Informalism, alongside artists like Enrique Tàbara, Antonio Saura, and Manolo Millares.

    His work is associated with both Tachisme and Abstract Expressionism.

    Major Themes and Techniques

    Catalan Identity: Often incorporated symbols of Catalan identity in his works, particularly during periods of political oppression under Franco.

    Matter as a Medium: Explored the transformative qualities of matter, using it to evoke solidity, mass, and a sense of history.

    Textural Exploration: Created rich textures through layering materials and experimenting with unconventional techniques.

    Symbolism: Employed symbolic imagery, often drawing from Eastern philosophy and personal experiences.

    Later Works: Incorporated objects into his paintings and explored themes of man-nature identity and the denial of dualism.

    Recognition and Legacy

    Gained international recognition by the late 1950s, with exhibitions in major museums worldwide.

    Received the Praemium Imperiale in 1986.

    Established the Fundació Antoni Tàpies in Barcelona to promote contemporary art.

    Represented Spain at the Venice Biennale in 1993, winning the Golden Lion.

    His work has had a significant influence on painting, sculpture, etching, and lithography.

    Considered one of Spain's most renowned artists of the second half of the 20th century.

    Historical Significance

    A key figure in the development of Art Informel, contributing significantly to abstract art movements after World War II.

    Pioneered the use of non-traditional materials and techniques in painting, influencing subsequent generations of artists.

    His exploration of Catalan identity provided a powerful artistic expression during times of political repression.

    His work continues to be exhibited and studied worldwide, solidifying his place as an important figure in modern art history.

    Museu

    UPF Art Track

    Em exibição em Barcelona, Spain

    A University’s Embrace of Art: Discovering UPF Art Track

    Nestled within the vibrant heart of Barcelona, at the prestigious Universitat Pompeu Fabra (UPF), lies a truly singular institution – UPF Art Track. More than simply a museum, it's an embodiment of the belief that artistic expression is inextricably linked to intellectual exploration and societal progress. Inaugurated in 2016 as part of the university’s 25th-anniversary celebrations, this remarkable space isn’t confined by traditional museum walls; instead, it thrives within a carefully curated selection of historic buildings, transforming them into dynamic hubs where art, architecture, and academia converge. The very essence of UPF Art Track is rooted in a profound desire to share the university's artistic heritage with the wider community, fostering a deeper appreciation for contemporary art and its transformative power.

    The journey begins within the Dipòsit de les Aigües, a former water reservoir ingeniously reimagined as an exhibition space. This architectural marvel, conceived with the visionary input of Antoni Gaudí, immediately captivates visitors. The building’s hypostyle hall – a breathtaking forest of 100 soaring pillars supporting a labyrinthine network of arches – creates an atmosphere that is both profoundly historical and strikingly modern. It's a space designed to evoke contemplation, mirroring the complex interplay between past and present that defines UPF Art Track’s core mission. Adjacent to this architectural masterpiece resides Espai Tàpies, dedicated entirely to the profound work of Antoni Tàpies, one of Catalonia’s most celebrated artists. Here, visitors encounter his textured symbolism – paintings that seem to pulse with layered meaning and a deep connection to Catalan identity.

    A Tapestry of Contemporary Voices

    The collection itself is a testament to generosity and vision, boasting an impressive array of works by internationally acclaimed figures alongside emerging talents. You’ll be immediately drawn to the monumental sculptures of Jaume Plensa, whose pieces seem to breathe with life, inviting intimate contemplation. The canvases of Miquel Barceló explode with vibrant energy, while Eduardo Chillida's abstract forms challenge perception and invite deeper understanding. Beyond these cornerstones, a diverse selection of artists – Susana Solano, Roy Lichtenstein, Frederic Amat, Josep Guinovart, Albert Ràfols-Casamada, and Antonio Saura – contribute to the museum’s rich tapestry of contemporary artistic thought, each piece adding a unique thread to the narrative.

    The selection isn't merely about showcasing individual masterpieces; it’s about creating a dialogue between artists and eras. The juxtaposition of Tàpies’ layered symbolism with Lichtenstein’s pop art references, for example, sparks intriguing conversations about artistic influence and cultural context. Furthermore, the inclusion of Catalan artists like Josep Guinovart and Albert Ràfols-Casamada ensures that the museum reflects the region's rich artistic tradition while simultaneously embracing a global perspective.

    Architecture as Art: A Symbiotic Relationship

    What truly distinguishes UPF Art Track is its seamless integration with university life. It’s not an isolated addition; it’s a vital component, fostering dialogue between students, faculty, and the broader community. The museum serves as a catalyst for interdisciplinary exploration, inspiring new perspectives and encouraging critical thinking. The very architecture of the campus – buildings like the Roger de Llúria building, once military barracks, now housing not only art but also spaces dedicated to democratic memory and intellectual exchange – reinforces this symbiotic relationship.

    This blending of history, art, and academia creates an atmosphere that is both intellectually stimulating and emotionally resonant. The museum’s presence on campus encourages a constant interaction between artistic creation and scholarly inquiry, enriching the educational experience for all who engage with it. The commitment to accessibility extends beyond physical access; UPF Art Track has embraced digital platforms, forging a partnership with Google Arts & Culture that allows art enthusiasts worldwide to explore its collections through virtual tours and online exhibitions.

    A Legacy of Openness and Innovation

    The story of UPF Art Track is one born from a desire to share and celebrate. The initiative arose from a vision to open the university’s artistic heritage to the public, transforming spaces previously reserved for academic pursuits into accessible cultural hubs. This spirit of openness extends beyond physical access; the museum has embraced digital platforms, forging a partnership with Google Arts & Culture that allows art enthusiasts worldwide to explore its collections through virtual tours and online exhibitions. The very inauguration on International Museum Day speaks volumes about the institution's ethos – a belief that art is not confined to hallowed halls but should be an integral part of everyday life, enriching both individual experience and collective consciousness.

    UPF Art Track stands as a powerful testament to the transformative potential of art within an academic setting. It’s a place where history, creativity, and intellectual inquiry converge, offering visitors a truly unique and inspiring experience. A visit here is not merely a viewing of artworks; it's an immersion in a vibrant ecosystem of ideas, fostering a deeper appreciation for the power of artistic expression to shape our understanding of the world.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Untitled (Back)

    artsdot.com/pt/art/download/antoni-tapies-untitled-back-D66RZ6-en/

    Como citar esta obra

    MLA
    Tàpies, Antoni. Untitled (Back). n.d., UPF Art Track. https://artsdot.com/pt/art/antoni-tapies-untitled-back-D66RZ6-en/
    APA
    Tàpies, Antoni (n.d.). Untitled (Back) [Painting]. UPF Art Track. https://artsdot.com/pt/art/antoni-tapies-untitled-back-D66RZ6-en/
    Chicago
    Antoni Tàpies. Untitled (Back). n.d. UPF Art Track. https://artsdot.com/pt/art/antoni-tapies-untitled-back-D66RZ6-en/
    Harvard
    Tàpies, Antoni (n.d.) Untitled (Back). UPF Art Track. Available at: https://artsdot.com/pt/art/antoni-tapies-untitled-back-D66RZ6-en/

    Observe de perto

    Untitled (Back) — Antoni Tàpies

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: abstract, red color, gesture. Concorda? O que acrescentaria ou removeria?
    4. Relembre Gothic Box (1989), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Onde você pode observar isso nesta obra?

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