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Grey Day

Nome Turma Data

Adolf Dehn, Grey Day (1963). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Adolf Dehn artsdot.com/pt/artists/adolf-dehn/
Datas do artista
1895 – 1968
Pintura
1963
Dimensões originais
39 x 59 cm
Movimento
Regionalism American painters turning away from Europe to paint their own small towns and farmland.

No contexto

Grey Day — Adolf Dehn

Dimensões

As dimensões originais são 39 × 59 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960

Sombreado: a trajetória de Adolf Dehn (1895–1968) ▲ esta obra, 1963

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: artsdot.com/pt/art/similar/adolf-dehn-grey-day-AQRRFF-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #bfa488

    Paleta catalogada

    • #BFA488
    • #E7D4BB
    • #9A775B
    • #6F4C37
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Grey Day — Adolf Dehn

    The Smithsonian American Art Museum is home to a stunning collection of artworks, including the captivating piece Grey Day by Adolf Dehn. Created in 1963, this color lithograph on paper measures 15 3/8 x 23 1/4 in. and is a testament to Dehn's exceptional skill as an artist.

    The Artist's Background

    Adolf Dehn was an American artist known for his work in lithography, illustration, drawing, watercolors, and casein painting. Born on November 22, 1895, in Waterville, Minnesota, Dehn began creating artwork at the age of six and went on to produce nearly 650 images throughout his career. He was a two-time recipient of the Guggenheim Fellowship and was known for his technical skills and high-spirited depictions of human foibles.

    The Painting

    Grey Day is a beautiful example of Dehn's work, showcasing his ability to capture the essence of everyday life. The piece features a cityscape with snow on the ground, trees that have lost their leaves, and people scattered throughout the scene. Two dogs are also present in the painting, adding a touch of warmth and humanity to the otherwise cold and snowy landscape.

    Medium: Color lithograph on paper

    Size: 15 3/8 x 23 1/4 in.

    Location: Smithsonian American Art Museum

    AllPaintingsStore.com offers a wide range of handmade oil painting reproductions, including works by Adolf Dehn and other renowned artists. For more information on Grey Day and other artworks, visit /art/list/?Filter=AQRRFF-Adolf-Dehn-Grey-Day.

    To learn more about Adolf Dehn and his work, check out his biography on Wikipedia.

    Artista e museu

    Artista

    Adolf Dehn

    Nascido em Waterville, United States of America

    Early Life and Education

    Born: November 22, 1895, in Waterville, Minnesota

    Parents: Arthur Clark Dehn (father) and Emilie Haas Dehn (mother), both socialists.

    Early artistic talent evident from the age of six.

    Graduated as valedictorian from Waterville High School in 1914.

    Attended the Minneapolis School of Art (later Minneapolis College of Art and Design) from 1914 to 1917. Studied under Robert Kohler.

    Formed a close friendship with Wanda Gág, also an artist.

    Received a scholarship to the Art Students League of New York in 1917.

    World War I and Early Career

    Drafted into World War I in 1918 but declared himself a conscientious objector.

    Imprisoned for four months in Spartanburg, South Carolina, due to his objection.

    Later worked as a painting teacher at an army rehabilitation hospital in Asheville, North Carolina.

    Returned to the Art Students League for further study.

    Created his first lithograph, The Harvest, around 1920.

    Exhibited his lithographs at the Weyhe Gallery in New York City in 1921.

    European Period and Development as an Artist

    Traveled to Europe in 1921, residing primarily in Paris and Vienna.

    Associated with a group of intellectuals and artists including Andrée Ruellan, Gertrude Stein, and E.E. Cummings.

    Supported himself through illustration work for magazines like Vanity Fair.

    Developed his distinctive style characterized by unusual tonal and textural effects in printmaking.

    His work began to reflect the social scene of Europe, particularly Vienna and Berlin.

    Return to America and Mature Artistic Style

    Returned to New York City in 1929.

    Artwork featured in magazines such as The New Yorker and Vogue.

    Began focusing on watercolor painting in the mid-1930s, achieving significant recognition.

    Received a Guggenheim Fellowship in 1939, enabling travel to the Western United States and Mexico.

    His watercolors depicted scenes of farms and farmlands in rural America, inspired by trips back to Minnesota.

    Became known for his vibrant landscapes and depictions of everyday life.

    Second Guggenheim Fellowship awarded in 1951.

    Legacy and Historical Significance

    Elected as a full academician to the National Academy of Design and a member of the National Institute of Arts and Letters.

    His works are held in over 100 museums worldwide, including the Smithsonian American Art Museum, Metropolitan Museum of Art, and Museum of Modern Art.

    Recognized for his contributions to lithography, watercolor painting, and caricature.

    Influenced other artists, notably Jackson Pollock, with his innovative techniques.

    Died on May 19, 1968, leaving behind a prolific body of work that reflects his diverse experiences and artistic evolution.

    His art is considered representative of Regionalism, Social Realism, and caricature movements in American art.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Grey Day

    artsdot.com/pt/art/download/adolf-dehn-grey-day-AQRRFF-en/

    Como citar esta obra

    MLA
    Dehn, Adolf. Grey Day. 1963, https://artsdot.com/pt/art/adolf-dehn-grey-day-AQRRFF-en/
    APA
    Dehn, Adolf (1963). Grey Day [Painting]. https://artsdot.com/pt/art/adolf-dehn-grey-day-AQRRFF-en/
    Chicago
    Adolf Dehn. Grey Day. 1963. https://artsdot.com/pt/art/adolf-dehn-grey-day-AQRRFF-en/
    Harvard
    Dehn, Adolf (1963) Grey Day. Available at: https://artsdot.com/pt/art/adolf-dehn-grey-day-AQRRFF-en/

    Observe de perto

    Grey Day — Adolf Dehn

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 2 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: winter scene, cityscape, snowfall. Concorda? O que acrescentaria ou removeria?
    5. Relembre Minnesota Shower (1946), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.