Retrato de Vittore Crivelli

Conheça as 21 pinturas mais famosas de Vittore Crivelli

Atualizado em Outubro 2026 · classificado pela nossa pontuação de popularidade (pesquisas, visitas e pedidos de cada obra) · 21 obras de Vittore Crivelli em nosso catálogo

Em resumo

Se você conhece uma pintura de Vittore Crivelli, provavelmente é Saint Jerome (panel from an altarpiece) (1481), que está exposta no Victoria and Albert Museum, em Londres. Madonna and Child with Two Angels (1481) e Madonna and Child Enthroned with Two Angels and a Donor (1481) completam as três obras que as pessoas reconhecem de imediato. Nosso catálogo possui 21 obras de Vittore Crivelli. Abaixo estão as 21 mais conhecidas, cada uma com seu ano, onde encontrá-la e o que a torna especial.

1440 – 1501, Venice Renaissance Mais obras: Musée du Petit Palais

Comece aqui: as 10 principais pinturas de Vittore Crivelli

1
Saint Jerome (panel from an altarpiece) (1481) de Vittore Crivelli

Saint Jerome (panel from an altarpiece)

1481 · Oil On Panel · Victoria and Albert Museum, Londres

This painting, created in 1481, depicts Saint Jerome as the central figure. He is portrayed with a long beard that extends down to his waist and is dressed in a red hat and robe. The saint is captured in a moment of study, holding an open book in front of him as he appears to be reading.

Hand-painted oil reproduction from $175 25 × 40 cm Same size as the original $214 38 × 61 cm Order at original size →
Torne-a sua Conheça agora
2
Madonna and Child with Two Angels (1481) de Vittore Crivelli

Madonna and Child with Two Angels

1481 · Tempera On Panel · Metropolitan Museum of Art, Nova York

The air within the frame feels heavy with a quiet, sacred stillness. A Madonna sits in a shallow, intimate space, her presence commanding the viewer through a meticulous attention to detail that borders on the hyper-realistic. She holds the Christ child, whose soft skin glows against the heavy, ornate brocade of her cloak. Flanking them, two angels lean in, their faces caught in a moment of eternal adoration. The scene…

Hand-painted oil reproduction from $225 27 × 37 cm Same size as the original $263 41 × 56 cm Order at original size →
Torne-a sua Conheça agora
3
Madonna and Child Enthroned with Two Angels and a Donor (1481) de Vittore Crivelli

Madonna and Child Enthroned with Two Angels and a Donor

1481 · Tempera On Panel · Metropolitan Museum of Art, Nova York

The scene unfolds with a profound sense of stillness, as if the air itself has thickened with the presence of the sacred. At the center of this celestial arrangement, the Madonna sits upon an elevated throne, her figure commanding the space with a quiet, monumental grace. She holds the Christ Child, whose small form is cradled against her, creating a focal point of soft curves amidst a world of sharp,…

Hand-painted oil reproduction from $275 22 × 46 cm Same size as the original $485 62 × 132 cm Order at original size →
Torne-a sua Conheça agora
4
Madonna and Child with a clove. (1450) de Vittore Crivelli

Madonna and Child with a clove.

1450 · Tempera On Panel · Castelo Real de Wawel, Cracóvia

This work, titled Madonna and Child with a clove., was painted by Vittore Crivelli. It represents a quiet moment of devotion, capturing the Virgin Mary and the Christ Child in a composition that reflects the artist's specific approach to religious portraiture. The piece is dated about 1450, a period when the artist was establishing his presence within the Venetian tradition.

Hand-painted oil reproduction from $200 26 × 38 cm Same size as the original $222 35 × 49 cm Order at original size →
Peça uma pintura feita à mão Leia sua história
5
Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi (1481) de Vittore Crivelli

Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi

1481 · Tempera On Panel · Philadelphia Museum of Art, Filadélfia

This polyptych, dated 1481, presents a formal arrangement of religious figures within a carved, gilded wooden frame. At the center, the Virgin Mary sits upon a throne, holding the Christ Child. She is flanked by vertical panels that house four distinct saints: Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi. Small angels occupy the space at the feet of the central figures. The composition follows a strict,…

Hand-painted oil reproduction from $375 43 × 23 cm
Peça uma pintura feita à mão Leia sua história
6
St. Louis of Toulouse (1497) de Vittore Crivelli

St. Louis of Toulouse

1497 · Tempera On Panel · Vanderbilt Museum of Art, Nashville

The figure of St. Louis of Toulouse emerges from the shadows of history in this 1497 portrait by Vittore Crivelli. He appears before us not as a distant memory, but as a living presence, draped in the heavy, ceremonial weight of ecclesiastical vestments. The saintly figure holds his symbols of office with a quiet, steady grace that commands the viewer's immediate attention. Every fold of his liturgical attire speaks to…

Hand-painted oil reproduction from $275 18 × 54 cm Same size as the original $389 41 × 117 cm Order at original size →
Encomende esta obra Saiba mais sobre esta obra
7
St. Bonaventure, pendant to St. Louis (1490) de Vittore Crivelli

St. Bonaventure, pendant to St. Louis

1490 · Tempera On Panel · Rijksmuseum, Amsterdã

Vittore Crivelli presents a vertical, full-length portrait of St. Bonaventure, a figure of profound religious authority. The saint is positioned centrally, occupying the majority of the panel's height. He holds a crozier and an open book, symbols of his wisdom and ecclesiastical rank. The composition is characterized by a sharp, precise line that defines the heavy folds of his vestments and the delicate features of his face. Soft, diffused light…

Hand-painted oil reproduction from $175 18 × 56 cm Same size as the original $294 40 × 126 cm Order at original size →
Torne-a sua Conheça agora
8
St. Francis (1490) de Vittore Crivelli

St. Francis

1490 · Tempera On Panel · El Paso Museum of Art, El Paso

In this portrait of St. Francis by Vittore Crivelli, the subject is presented within a vertical, single-figure composition. He is framed by an arched architectural structure that creates a sense of shallow, intimate space. The saint is dressed in a heavy, tan or light brown Franciscan habit, which is secured at the waist by a knotted cord. In his right hand, he holds a thin wooden crucifix, while his left…

Hand-painted oil reproduction from $175 22 × 46 cm
Encomende esta obra Saiba mais sobre esta obra
10
Saint Jerome de Vittore Crivelli

Saint Jerome

Tempera On Panel · Harvard Art Museums, Cambridge

A solemn, bust-length figure dominates this vertical panel, rendered with the meticulous precision characteristic of the Venetian school. The saint is depicted in a moment of quiet melancholy, his gaze cast downward in contemplation. He wears the deep red mantle and hat of a cardinal, a stark contrast to the luminous, white strands of his flowing beard. His hands hold the tools of his vocation: an open book and a…

Hand-painted oil reproduction from $175 24 × 42 cm Same size as the original $232 38 × 76 cm Order at original size →
Peça uma pintura feita à mão Leia sua história

Mais favoritos de Vittore Crivelli, de 11 a 21

O que Vittore Crivelli mais pintou

Os quatro temas que surgem com mais frequência nestas obras, cada um com o seu exemplo mais conhecido.

Onde você pode ver as pinturas de Vittore Crivelli

Os 8 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Vittore Crivelli Pinturas desta lista
Musée du Petit Palais, AvignonMusée du Petit Palais Avignon 5 SAINT PIERRE, SAINT JULIEN, Saint Michel
Victoria and Albert Museum, LondresVictoria and Albert Museum Londres 2 Saint Jerome (panel from an altarpiece), Saint Catherine (panel from an altarpiece)
Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 2 Madonna and Child with Two Angels, Madonna and Child Enthroned with Two Angels and a Donor
Rijksmuseum, AmsterdãRijksmuseum Amsterdã 2 St. Bonaventure, pendant to St. Louis, St Louis of France, Vittore Crivelli, 1481 - 1502
Castelo Real de Wawel, CracóviaCastelo Real de Wawel Cracóvia 1 Madonna and Child with a clove.
Philadelphia Museum of Art, FiladélfiaPhiladelphia Museum of Art Filadélfia 1 Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi
Vanderbilt Museum of Art Nashville 1 St. Louis of Toulouse
El Paso Museum of Art, El PasoEl Paso Museum of Art El Paso 1 St. Francis

Vittore Crivelli década a década: uma obra de destaque para cada uma

Obras por década

Escolha uma década para ver a sua obra de destaque.

Suas perguntas sobre as pinturas de Vittore Crivelli

Qual pintura de Vittore Crivelli é a mais famosa?Ver a resposta

No topo da lista está Saint Jerome (panel from an altarpiece) (1481), Victoria and Albert Museum, Londres. Logo atrás: Madonna and Child with Two Angels (1481) e Madonna and Child Enthroned with Two Angels and a Donor (1481).

Qual era a idade de Vittore Crivelli quando Saint Jerome (panel from an altarpiece) foi feita?Ver a resposta

41 anos. Vittore Crivelli nasceu em 1440, e Saint Jerome (panel from an altarpiece) é de 1481.

Quais são as 10 pinturas mais conhecidas de Vittore Crivelli?Ver a resposta

Saint Jerome (panel from an altarpiece), Madonna and Child with Two Angels, Madonna and Child Enthroned with Two Angels and a Donor, Madonna and Child with a clove., Enthroned Virgin and Child, with Angels and Saints Bonaventure, John the Baptist, Louis of Toulouse, and Francis of Assisi, St. Louis of Toulouse, St. Bonaventure, pendant to St. Louis, St. Francis, Saint Catherine (panel from an altarpiece) e Saint Jerome. Encontrará o ano e o museu de cada uma na lista acima.

Quantas pinturas Vittore Crivelli criou?Ver a resposta

Temos 21 obras de Vittore Crivelli em nosso catálogo, datadas de 1450 a 1497.

Onde pode ver as pinturas famosas de Vittore Crivelli?Ver a resposta

Encontrará a maioria deles em Musée du Petit Palais (Avignon), Victoria and Albert Museum (Londres) e Metropolitan Museum of Art (Nova York). A lista de museus acima apresenta o detalhamento completo.

Quando é que Vittore Crivelli pintou as suas obras mais conhecidas?Ver a resposta

Em 1480s, mais do que em qualquer outro momento: 8 das 21 obras nesta página datam dessa época, sendo Saint Jerome (panel from an altarpiece) delas.

Quais pinturas famosas de Vittore Crivelli foram as primeiras e as últimas?Ver a resposta

A obra mais antiga aqui é Madonna and Child with a clove. (1450); a mais recente é St. Louis of Toulouse (1497).

Quais temas aparecem com mais frequência nas pinturas de Vittore Crivelli?Ver a resposta

Man (6), Book (5) e Saint (4), de um total de 21 obras nesta página.

Com quais materiais Vittore Crivelli mais pintou?Ver a resposta

Tempera On Panel, utilizado em 8 das 21 obras nesta página.

A que movimento artístico Vittore Crivelli pertencia?Ver a resposta

Renaissance, como pode ver nas obras desta página.

Quais obras de Vittore Crivelli você pode ver no Musée du Petit Palais?Ver a resposta

Pode ver 5 das obras nesta página no Musée du Petit Palais, Avignon, incluindo SAINT PIERRE, SAINT JULIEN e Saint Michel.

Posso obter uma reprodução de uma pintura de Vittore Crivelli?Ver a resposta

Sim. Todas as pinturas nesta página estão disponíveis como uma reprodução a óleo pintada à mão ou uma impressão, no tamanho que melhor lhe convier. Basta abrir a página da pintura para fazer o seu pedido.

Conhecendo Vittore Crivelli

Vittore Crivelli: A Venetian Echo of Gothic Mysticism

Vittore Crivelli (b. ca. 1440, Venezia, d. 1501/2, Venezia) stands as a fascinating figure within the Venetian Renaissance—a painter who simultaneously embraced the grandeur of his era and retained traces of the expressive fervor characteristic of Gothic art. Born in Venice around 1440, he emerged from a family steeped in artistic tradition, notably linked to Carlo Crivelli, his brother, whose distinctive style profoundly shaped Vittorio’s oeuvre. While Carlo's work leaned towards dramatic narratives infused with symbolic depth—often depicting saints and biblical figures bathed in ethereal light—Vittore pursued a more restrained aesthetic, prioritizing meticulous detail and psychological realism. This duality reflects the broader artistic currents of Venice during the fifteenth century, where Gothic influences persisted alongside burgeoning humanist ideals.
  • Early Life & Training: Little is known about Vittorio’s formative years beyond his birthplace and familial connections. He likely received training within the Crivelli workshop, absorbing Carlo's stylistic sensibilities while developing his own artistic voice. This apprenticeship undoubtedly instilled a deep appreciation for expressive color palettes and compositional complexity—elements that would become hallmarks of his later paintings.
  • Notable Works: Vittorio’s artistic output is relatively modest compared to contemporaries like Titian or Tintoretto, yet several pieces demonstrate remarkable skill and sensitivity. Among his most celebrated works are “St Louis of France,” a monumental altarpiece commissioned for Saint Louis Cathedral in Bordeaux (1481-1502), showcasing Crivelli’s mastery of perspective and drapery—a technique heavily indebted to Flemish painting. Similarly, "Saint Michel," housed at the Musée du Petit Palais in Avignon, exemplifies his meticulous attention to detail and psychological portrayal of religious figures.
  • Style & Technique: Vittorio's style distinguishes itself through a careful balance between Gothic and Renaissance conventions. He employed luminous glazing techniques—inherited from Flemish masters—to achieve atmospheric depth and imbue his canvases with an otherworldly glow. However, unlike Carlo Crivelli’s theatrical compositions, Vittorio favored more contemplative scenes, focusing on conveying inner emotion rather than grand spectacle. His meticulous rendering of textures—particularly drapery folds—reveals a dedication to realism that anticipates the stylistic developments of Mannerism.
  • Influence & Legacy: Vittorio Crivelli's artistic legacy resides primarily in his contribution to Venetian painting’s evolving aesthetic landscape. He served as an important conduit between Gothic and Renaissance traditions, demonstrating how artists could synthesize disparate influences into a cohesive visual language. Although overshadowed by more flamboyant figures of his time, Vittorio’s paintings continue to captivate viewers with their serene beauty and profound psychological insight—testaments to the enduring power of Venetian art history.
  • Later Years & Death: Information regarding Vittorio Crivelli's later life is scarce. He died in Venice around 1501 or 1502, leaving behind a modest but significant body of work that reflects his artistic vision and secures his place as a noteworthy artist of the Venetian Renaissance.

Museum Collections Featuring Vittorio Crivelli’s Artworks

Vittore Crivelli's paintings grace several prominent museums across Italy and internationally, offering invaluable insights into Venetian art during the fifteenth century. Notable holdings include: These institutions safeguard masterpieces that exemplify Crivelli’s distinctive style and contribute to a broader understanding of Venetian artistic innovation.