Portret Mary Beale

Przewodnik po 65 najsłynniejszych obrazach, których autorem jest Mary Beale

Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 65 dzieł Mary Beale w naszym katalogu

W skrócie

Najsłynniejszym dziełem Mary Beale jest King Charles II (1675). Znajdziesz je w National Portrait Gallery w Londyn. Kolejne na liście są Bartholomew Beale (1663) oraz Portrait of a lady (1680). W naszym katalogu znajduje się 65 dzieł autorstwa Mary Beale; niniejszy przewodnik wyróżnia 65 najsłynniejszych z nich, podając rok powstania, muzeum oraz historię każdego z nich.

1633 – 1699, Barrow Baroque Najwięcej dzieł: National Portrait Gallery

10 najważniejszych obrazów artysty Mary Beale, które warto znać

1
King Charles II (1675) autorstwa Mary Beale

King Charles II

1675 · Oil On Canvas · National Portrait Gallery, Londyn

The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

2
Bartholomew Beale (1663) autorstwa Mary Beale

Bartholomew Beale

1663 · Oil On Paper · Yale Center for British Art, New Haven

A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

4
Viscountess Frances Hatton (1664) autorstwa Mary Beale

Viscountess Frances Hatton

1664 · Oil On Canvas · Smithsonian American Art Museum, Waszyngton

In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

Od 11 do 65: więcej obrazów autorstwa Mary Beale

11Jan Baptist Van Helmont (not Robert Hooke) (1674) autorstwa Mary BealeJan Baptist Van Helmont (not Robert Hooke)1674 12Lady Sadleir (1687) autorstwa Mary BealeLady Sadleir1687 · Sutton House 13Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719) (1687) autorstwa Mary BealeSir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)1687 · Sutton House 14Lady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck) (1685) autorstwa Mary BealeLady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck)1685 · Petworth House 15An Unknown Man (1676) autorstwa Mary BealeAn Unknown Man1676 · Dunster Castle 16Possibly Mary Morice, Lady Carew  (d. 1698) (1687) autorstwa Mary BealePossibly Mary Morice, Lady Carew (d. 1698)1687 · Antony House 17Rachel Carew, Mrs Ambrose Manaton (1669–1705) (1684) autorstwa Mary BealeRachel Carew, Mrs Ambrose Manaton (1669–1705)1684 · Antony House 18Portrait of a Young Girl (1681) autorstwa Mary BealePortrait of a Young Girl1681 19Charles Beale the Younger (1680) autorstwa Mary BealeCharles Beale the Younger1680 20Self-Portrait (1675) autorstwa Mary BealeSelf-Portrait1675 21Portrait of Nell Gwyl (1697) autorstwa Mary BealePortrait of Nell Gwyl1697 22The Reverend William Cremer (1663/4-1736) (1692) autorstwa Mary BealeThe Reverend William Cremer (1663/4-1736)1692 · Felbrigg Hall 23Untitled 2 autorstwa Mary BealeUntitled 2 24Portrait of a Physician autorstwa Mary BealePortrait of a PhysicianGaleria Dulwich 25Portrait of a Mathematician autorstwa Mary BealePortrait of a Mathematician 26Mary Wither of Andwell (1670) autorstwa Mary BealeMary Wither of Andwell1670 · Art Gallery of South Australia 27Anna Maria, Countess of Shrewsbury (1642–1702) (1659) autorstwa Mary BealeAnna Maria, Countess of Shrewsbury (1642–1702)1659 28Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) (1687) autorstwa Mary BealeMaster Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House 29Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) (1687) autorstwa Mary BealeMaster Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House 30An Unknown Gentleman (believed to be a Member of the Williams Family) autorstwa Mary BealeAn Unknown Gentleman (believed to be a Member of the Williams Family)Penmaenmawr Museum 31An Unknown Lady (believed to be a Member of the Williams Family) autorstwa Mary BealeAn Unknown Lady (believed to be a Member of the Williams Family)Penmaenmawr Museum 32Lady Leake (1657-1709) autorstwa Mary BealeLady Leake (1657-1709)National Maritime Museum 33Unknown woman autorstwa Mary BealeUnknown womanNationalmuseum 34Sir Nicholas Stuart, Bart autorstwa Mary BealeSir Nicholas Stuart, BartAuckland Art Gallery Toi o Tāmaki 35Aphra Behn, (Engraving) autorstwa Mary BealeAphra Behn, (Engraving) 36Head of a man autorstwa Mary BealeHead of a man 37Portrait of a Lady as St Agnes autorstwa Mary BealePortrait of a Lady as St Agnes 38Half-length seated figure of a leather worker autorstwa Mary BealeHalf-length seated figure of a leather worker 39Charles II (1630–1685) autorstwa Mary BealeCharles II (1630–1685) 40Figure studies autorstwa Mary BealeFigure studies 41John Wilkins autorstwa Mary BealeJohn Wilkins 42Portrait of a Baby autorstwa Mary BealePortrait of a Baby 43Edward Stillingfleet autorstwa Mary BealeEdward Stillingfleet 44Aphra Behn autorstwa Mary BealeAphra Behn 45Portrait of a Youth autorstwa Mary BealePortrait of a YouthGaleria Dulwich 46Thomas Sydenham autorstwa Mary BealeThomas SydenhamNational Portrait Gallery 47Charles Beale the Elder autorstwa Mary BealeCharles Beale the ElderNational Portrait Gallery 48Mary Beale autorstwa Mary BealeMary BealeNational Portrait Gallery 49portrait of the King's mistress, the actress Moll Davis autorstwa Mary Bealeportrait of the King's mistress, the actress Moll Davis 50Portrait of a young girl autorstwa Mary BealePortrait of a young girl 51John Lake autorstwa Mary BealeJohn Lake 52Unknown man autorstwa Mary BealeUnknown manNational Portrait Gallery 53Mary Beale with her family autorstwa Mary BealeMary Beale with her family 54George Savile, 1st Marquess of Halifax autorstwa Mary BealeGeorge Savile, 1st Marquess of HalifaxNational Portrait Gallery 55Portrait of a young boy autorstwa Mary BealePortrait of a young boy 56self portrait autorstwa Mary Bealeself portrait 57Francis Turner autorstwa Mary BealeFrancis Turner 58William Pierrepont autorstwa Mary BealeWilliam Pierrepont 59Portrait of an unknown young boy autorstwa Mary BealePortrait of an unknown young boy 60Portrait of a Young Child autorstwa Mary BealePortrait of a Young Child 61Portrait of Zachary Cradock autorstwa Mary BealePortrait of Zachary Cradock 62Portrait of a Gentleman autorstwa Mary BealePortrait of a Gentleman 63Portrait of Charles Beale in a Black Hat autorstwa Mary BealePortrait of Charles Beale in a Black Hat 64Sir Thomas Isham, 3rd Baronet autorstwa Mary BealeSir Thomas Isham, 3rd Baronet 65Portrait of Sir Thomas Isham autorstwa Mary BealePortrait of Sir Thomas Isham

Co najczęściej malował Mary Beale

Cztery tematy najczęściej pojawiające się w tych dziełach, z których każdy wraz z jego najbardziej znanym przykładem.

Gdzie możesz zobaczyć obrazy artysty Mary Beale

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzeum Miasto Dzieła artysty Mary Beale Obrazy z tej listy
National Portrait Gallery, LondynNational Portrait Gallery Londyn 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
Galeria Dulwich, LondynGaleria Dulwich Londyn 2 Portrait of a Physician, Portrait of a Youth
Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

Dekada po dekadzie: najsłynniejsze dzieło Mary Beale z każdego okresu

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Mary Beale: szybkie odpowiedzi na pytania o obrazy

Jakie jest najsłynniejsze dzieło Mary Beale?Zobacz odpowiedź

Na szczycie listy znajduje się King Charles II (1675), National Portrait Gallery, Londyn. Tuż za nim: Bartholomew Beale (1663) i Portrait of a lady (1680).

W jakim wieku Mary Beale stworzył/a King Charles II?Zobacz odpowiedź

42 lat. Mary Beale urodził się w 1633, a King Charles II pochodzi z 1675.

Jakie są 10 najlepszych obrazów artysty Mary Beale?Zobacz odpowiedź

King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) i Self-Portrait Holding a Palette. Rok powstania oraz muzeum, w którym znajdują się poszczególne dzieła, znajdziesz w powyższej liście.

Ile dzieł Mary Beale znajduje się w Twoim katalogu?Zobacz odpowiedź

W naszym katalogu znajduje się 65 dzieł artysty Mary Beale, datowanych od 1659 do 1697.

W których muzeach można zobaczyć słynne dzieła Mary Beale?Zobacz odpowiedź

Większość z nich znajdziesz w National Portrait Gallery (Londyn), Antony House i Sutton House. Powyższa lista muzeów zawiera pełne zestawienie.

Kiedy Mary Beale stworzył swoje najsłynniejsze dzieła?Zobacz odpowiedź

W 1680s, bardziej niż w jakimkolwiek innym czasie: 10 z 65 dzieł na tej stronie pochodzi właśnie z tego okresu, w tym Portrait of a lady.

Jakie są pierwsze i ostatnie słynne dzieła Mary Beale?Zobacz odpowiedź

Najwcześniejsze dzieło pochodzi z Anna Maria, Countess of Shrewsbury (1642–1702) (1659), a najnowsze z Portrait of Nell Gwyl (1697).

Jakie tematy Mary Beale malował najczęściej?Zobacz odpowiedź

Portraits (14), Royalty (12) i Portrait (6) z 65 dzieł na tej stronie.

Która technika dominuje w obrazach Mary Beale?Zobacz odpowiedź

Oil On Canvas, użyte w 4 z 65 dzieł na tej stronie.

Z jakiego stylu lub nurtu znany jest Mary Beale?Zobacz odpowiedź

Baroque, co widać na dziełach prezentowanych na tej stronie.

Które słynne obrazy Mary Beale znajdują się w National Portrait Gallery?Zobacz odpowiedź

Na tej stronie możesz zobaczyć 6 dzieł znajdujących się w National Portrait Gallery, Londyn, w tym King Charles II, Thomas Sydenham i Charles Beale the Elder.

Gdzie mogę zamówić reprodukcję Mary Beale?Zobacz odpowiedź

Tak. Każdy obraz na tej stronie jest dostępny jako ręcznie malowana reprodukcja olejowa lub wydruk, w rozmiarze dopasowanym do Twoich potrzeb. Aby złożyć zamówienie, wystarczy przejść na stronę wybranego obrazu.

Historia Mary Beale

A Life Illuminated: The World of Mary Beale

Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

Navigating Convention: Portraiture and Family Life

In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

A Baroque Sensibility: Style and Technique

Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

Breaking Barriers: Legacy and Historical Significance

Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like ArtsDot, ArtsDot, and others, guaranteeing her enduring presence in the cultural landscape.

Useful Information

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