Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 2 dzieł Timothy Collopy w naszym katalogu
W skrócie
Najbardziej znanym obrazem, który stworzył Timothy Collopy, jest Danaë (1772) – można go zobaczyć w Saltram House w Plymouth. Z 2 dzieł Timothy Collopy w naszym katalogu, tych 2 jest najbardziej znanych. Każde z nich zawiera rok powstania, informację o muzeum oraz krótką notkę o tym, co czyni je wyjątkowymi.
2 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Timothy Collopy | Obrazy z tej listy |
|---|---|---|---|
 Saltram House |
Plymouth | 1 | Danaë |
 Scottish National Portrait Gallery |
Edynburg | 1 | Wellbore Ellis, 1st Baron Mendip, 1713 - 1802. Statesman |
1772 to rok, w którym powstało każde datowane dzieło Timothy Collopy znajdujące się na tej stronie. Oto one, zaczynając od najsłynniejszych.
Wybierz rok, aby zobaczyć jego dzieła.
Na szczycie listy znajduje się Danaë (1772).
W naszym katalogu znajduje się 2 dzieł artysty Timothy Collopy.
Większość z nich znajdziesz w Saltram House (Plymouth) i Scottish National Portrait Gallery (Edynburg). Powyższa lista muzeów zawiera pełne zestawienie.
Tak. Każdy obraz na tej stronie jest dostępny jako ręcznie malowana reprodukcja olejowa lub wydruk, w rozmiarze dopasowanym do Twoich potrzeb. Aby złożyć zamówienie, wystarczy przejść na stronę wybranego obrazu.
In the quiet streets of Limerick, a young man once labored through the heavy, repetitive tasks of a baker's apprentice. This was the humble beginning of Timothy Collopy, a life that seemed destined for the oven's heat rather than the artist's studio. Yet, a keen eye for sketching caught the attention of Father Walsh, an Augustinian friar who saw a spark of something different in the young man's hands. Through the generosity of a fund raised by the merchants of Limerick, the apprentice was released from his manual toil and sent across the sea to study the masters in Rome and Naples.
This continental education transformed his approach to the canvas. During his years in Italy, he learned the secrets of precise facial modeling and the subtle use of shading to define the human form. He returned to Ireland not as a laborer, but as a painter capable of capturing the dignity of his countrymen. He established himself in Dublin, working from Grafton Street and sending his portraits to the exhibitions of the Society of Artists, where his refined compositions began to find an audience among the Irish elite.
Collopy's career was defined by the faces of those who held influence in Irish and British society. He moved between the religious fervor of the church and the formal requirements of the nobility, proving himself a versatile hand. His work often sought to bridge the gap between classical training and the specific character of his subjects, using understated backgrounds to keep the focus on the individual's status and spirit.
His professional life was marked by several notable engagements and subjects:
Seeking a broader stage for his talents, Collopy eventually moved to London. While he did not achieve the immense fame some might have expected, he remained a steady presence in the city's artistic circles until his death. He was a man who understood the practicalities of his craft; his own will even contained specific instructions on how to clean his paintings, suggesting a deep, technical respect for the medium he had spent his life mastering. He died in London, leaving behind a legacy of portraits that documented the faces of an era, from the clergy to the aristocracy.
