Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 2 dzieł Samuel Spode w naszym katalogu
W skrócie
Najsłynniejszym dziełem Samuel Spode jest A Dark Bay Racehorse held by a Trainer in a Landscape (1833). Można je znaleźć w Florence Court. W naszym katalogu znajduje się 2 dzieł autorstwa Samuel Spode; niniejszy przewodnik wyróżnia 2 najsłynniejszych z nich, podając rok powstania, muzeum oraz historię każdego z nich.
Muzeum, w którym znajduje się najwięcej obrazów prezentowanych na tej stronie.
| Muzea | Miasto | Dzieła artysty Samuel Spode | Obrazy z tej listy |
|---|---|---|---|
 Florence Court |
1 | A Dark Bay Racehorse held by a Trainer in a Landscape |
Dzieła artysty Samuel Spode z tego okresu pochodzą z 1833. Oto one, uszeregowane według popularności.
Wybierz rok, aby zobaczyć jego dzieła.
Na szczycie listy znajduje się A Dark Bay Racehorse held by a Trainer in a Landscape (1833).
35 lat. Samuel Spode urodził się w 1798, a A Dark Bay Racehorse held by a Trainer in a Landscape pochodzi z 1833.
W naszym katalogu znajduje się 2 dzieł artysty Samuel Spode.
Większość z nich znajdziesz w Florence Court. Powyższa lista muzeów zawiera pełne zestawienie.
Tak. Każdy obraz na tej stronie jest dostępny jako ręcznie malowana reprodukcja olejowa lub wydruk, w rozmiarze dopasowanym do Twoich potrzeb. Aby złożyć zamówienie, wystarczy przejść na stronę wybranego obrazu.
Samuel Spode was a British painter who specialized in equestrian sporting scenes, with a particular focus on the portraiture of military and sporting horses. His work often captured the essence of horse racing and fox hunting, frequently featuring prominent animals such as Birdcatcher, Caractacus, and Voltager. He also portrayed significant historical horses, including the Duke of Wellington's war horse, Copenhagen, and the charger Ronald, which was ridden by Lord Cardigan during the Charge of the Light Brigade.
Spode's career was marked by significant movement; he emigrated to Van Diemen's Land with his wife, Mary Crewe, and his brother Josiah, before returning to England in 1826. During his time in England, he stayed at Heron Cottage in the Staffordshire Potteries. His artistic output included works for various patrons, such as the Earl of Lonsdale and John Dawson Duckett, and some of his paintings were reproduced in The Sporting Magazine.
In the 1830s, Spode traveled frequently to Ireland to seek commissions, and he also spent time working as a horse trainer at the Curragh Racecourse. His dedication to his passion for animal painting meant that he worked solely on commissions, and as a result, he never exhibited at well-known exhibitions. Around 1845, he painted several works with Stonehenge in the background, suggesting a period of residence near Amesbury.
Spode's life was characterized by several marriages; he was widowed three times before eventually marrying a girl named Delia in Dublin. He died in Dublin, leaving behind a legacy defined by the many famous horses he depicted throughout his career.
