Portret Michael Dailey

Przewodnik po 1 najsłynniejszych obrazach, których autorem jest Michael Dailey

Aktualizacja: Listopad 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 1 dzieł Michael Dailey w naszym katalogu

W skrócie

Najsłynniejszym dziełem Michael Dailey jest Scapa Evening (1973). Znajdziesz je w Smithsonian American Art Museum w Waszyngton. W naszym katalogu znajduje się 1 dzieł autorstwa Michael Dailey; niniejszy przewodnik wyróżnia 1 najsłynniejszych z nich, podając rok powstania, muzeum oraz historię każdego z nich.

1938 – 2009 Najwięcej dzieł: Smithsonian American Art Museum

10 najważniejszych obrazów artysty Michael Dailey, które warto znać

Gdzie możesz zobaczyć obrazy artysty Michael Dailey

Muzeum, w którym znajduje się najwięcej obrazów prezentowanych na tej stronie.

Muzea Miasto Dzieła artysty Michael Dailey Obrazy z tej listy
Smithsonian American Art Museum, WaszyngtonSmithsonian American Art Museum Waszyngton 1 Scapa Evening

Rok po roku: najsłynniejsze dzieła Michael Dailey

Dzieła artysty Michael Dailey z tego okresu pochodzą z 1973. Oto one, uszeregowane według popularności.

Dzieła według lat

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Michael Dailey: szybkie odpowiedzi na pytania o obrazy

Jakie jest najsłynniejsze dzieło Michael Dailey?Zobacz odpowiedź

Na szczycie listy znajduje się Scapa Evening (1973).

W jakim wieku Michael Dailey stworzył/a Scapa Evening?Zobacz odpowiedź

35 lat. Michael Dailey urodził się w 1938, a Scapa Evening pochodzi z 1973.

Ile dzieł Michael Dailey znajduje się w Twoim katalogu?Zobacz odpowiedź

W naszym katalogu znajduje się 1 dzieł artysty Michael Dailey.

W których muzeach można zobaczyć słynne dzieła Michael Dailey?Zobacz odpowiedź

Większość z nich znajdziesz w Smithsonian American Art Museum (Waszyngton). Powyższa lista muzeów zawiera pełne zestawienie.

Historia Michael Dailey

The Luminous Layers of Michael Dailey

Born in Des Moines, Iowa, Michael Dailey spent his life chasing the subtle shifts of light and atmosphere. He moved to Seattle in 1963, a transition that would define much of his professional existence. It was there that he began a long tenure as a professor of painting and drawing at the University of Washington, a position he held for over thirty years. His presence in the Pacific Northwest was not merely as an educator but as a quiet observer of the world's shifting hues. He sought to capture the very essence of light, often looking toward the misty landscapes of the region to inform his vision.

His technique was one of patience and repetition. He did not simply apply paint; he built it. By layering translucent colors, he created images that seemed to glow from within, as if the light were trapped beneath the surface of the canvas. This method allowed him to achieve a softness that felt both physical and ethereal. He would rework a single veil of color over and over again, seeking a specific, precise hue that could truly represent the moment he intended to freeze in time.

A Legacy of Light and Form

The reach of his work extended far beyond the classrooms of the University of Washington. His canvases found their way into significant collections and galleries, reflecting a deep engagement with the visual language of abstraction. His ability to translate the atmosphere of a place into a purely sensory experience led to his inclusion in several prestigious institutions:

One of his notable works, Scapa Evening, created in 1973, serves as a clear example of his dedication to color. Though an abstract work, it was inspired by the landscape of Scapa in Alberta, Canada. In this piece, he utilized shades of green, turquoise, and gray to mimic the fading light of dusk. The painting reveals the history of its own creation, as the underlying layers remain visible beneath the final surface, offering a glimpse into the labor required to reach his desired effect.

The Final Retrospective

In the later years of his life, the depth of his contribution to the art community was recognized through significant honors. A major retrospective at the Hallie Ford Museum of Art in 2008 provided an opportunity to view the breadth of his career. He passed away in Seattle, Washington, leaving behind a body of work that remains held in numerous public and corporate collections. His paintings continue to exist as studies in light, captured through the careful, repetitive application of oil on canvas.