Aktualizacja: Październik 2026 · ranking według naszego wskaźnika popularności (liczba wyszukiwań, wizyt i zamówień dla każdego dzieła) · 201 dzieł Émile Bernard w naszym katalogu
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Najsłynniejszym dziełem Émile Bernard jest Iron Bridges at Asnières (1887). Znajdziesz je w MoMA - Museum of Modern Art w Nowy Jork. Kolejne na liście są Portrait of Marie Lemasson (1892) oraz Self-Portrait 1918 (1919). W naszym katalogu znajduje się 201 dzieł autorstwa Émile Bernard; niniejszy przewodnik wyróżnia 100 najsłynniejszych z nich, podając rok powstania, muzeum oraz historię każdego z nich.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
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Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Van Gogh Museum
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Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
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Woman Walking on the Banks of the Aven1890 · Museum of Fine Arts
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Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
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Cztery tematy najczęściej pojawiające się w tych dziełach, z których każdy wraz z jego najbardziej znanym przykładem.
8 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Émile Bernard | Obrazy z tej listy |
|---|---|---|---|
 Van Gogh Museum |
Amsterdam | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza Museum |
Madryt | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz-Museum |
Kolonia | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Wybierz dekadę, aby zobaczyć jej najważniejsze dzieło.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Na szczycie listy znajduje się Iron Bridges at Asnières (1887), MoMA - Museum of Modern Art, Nowy Jork. Tuż za nim: Portrait of Marie Lemasson (1892) i Self-Portrait 1918 (1919).
19 lat. Émile Bernard urodził się w 1868, a Iron Bridges at Asnières pochodzi z 1887.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple i The Harvest at Saint-Briac. Rok powstania oraz muzeum, w którym znajdują się poszczególne dzieła, znajdziesz w powyższej liście.
W naszym katalogu znajduje się 201 dzieł artysty Émile Bernard, datowanych od 1885 do 1940.
Większość z nich znajdziesz w Van Gogh Museum (Amsterdam), Musée de Pont-Aven (Hastenparck) i Thyssen-Bornemisza Museum (Madryt). Powyższa lista muzeów zawiera pełne zestawienie.
W 1880s, bardziej niż w jakimkolwiek innym czasie: 29 z 100 dzieł na tej stronie pochodzi właśnie z tego okresu, w tym Iron Bridges at Asnières.
Najwcześniejsze dzieło pochodzi z Funeral palls 1 (1885), a najnowsze z Breton Women (1940).
Women (12), People (6) i Woman (4) z 100 dzieł na tej stronie.
Oil On Canvas, użyte w 8 z 100 dzieł na tej stronie.
Post-impressionist synthetism, co widać na dziełach prezentowanych na tej stronie.
Na tej stronie możesz zobaczyć 10 dzieł znajdujących się w Van Gogh Museum, Amsterdam, w tym Self-Portrait 1918, Woman Sitting in a Field: Brittany i Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941).
Tak. Każdy obraz na tej stronie jest dostępny jako ręcznie malowana reprodukcja olejowa lub wydruk, w rozmiarze dopasowanym do Twoich potrzeb. Aby złożyć zamówienie, wystarczy przejść na stronę wybranego obrazu.
