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rai san’yō, Letter (1820). Dzieło w domenie publicznej.

Informacje podstawowe

Artysta: rai san’yō artsdot.com/pl/artists/rai-sanyo/
Daty życia artysty: 1780 – 1832
Obraz olejny: 1820
Wymiary oryginału: 16 x 31 cm

Letter — rai san’yō

Wymiary

Oryginalne wymiary to 16 × 31 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Data powstania

1780
1790
1800
1810
1820
1830

Shaded: lata życia rai san’yō (1780–1832) ▲ to dzieło, 1820

Dzieła podobne

Peonies/Seven-Character Quatrain, 1830 artsdot.com/pl/art/rai-sanyo-peonies-seven-character-quatrain-D32JD2-en/
Unexpected Meeting on the Yodo River, 1823 artsdot.com/pl/art/rai-sanyo-unexpected-meeting-on-the-yodo-river-D2ZVKK-en/
Poem Accompanying an Over Robe (Uchikake) with Bamboo by Gion Nankai (1677–1751), 1824 artsdot.com/pl/art/rai-sanyo-poem-accompanying-an-over-robe-uchikake-with-bam-D32BE7-en/

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnej tematyce: artsdot.com/pl/art/similar/rai-sanyo-letter-D32EKF-en/

Kolory

Na podstawie analizy obrazu

Kolor dominujący

Rosy Brown #a4a999

Paleta w katalogu

#A4A999
#CFB384
#616056
#86897B

Paleta kolorów: Neutrals Dominująca gama kolorystyczna obrazu.
Kolor główny: Rosy Brown
Intensywność: Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
Kontrast: Serene W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
Harmonia: Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
Jasność: Brilliant Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
Nasycenie: Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

Letter — rai san’yō

This letter was brushed by the celebrated Confucian scholar Rai San’yō, who also established a reputation as a poet of Chinese verse, calligrapher par excellence, and Nanga painter. In 1811 he left the Hiroshima Domain, where his father had a prominent post, to become an itinerant scholar, and eventually settled in Kyoto, where he established an academy devoted to the study of Chinese classics. He also devoted himself to composing Chinese poetry and to writing the manuscript of Unofficial History of Japan (Nihon gaishi 日本外史), a revisionist history of Japan that reasserted the importance of the prerogatives or the imperial family. Throughout his career, San’yō built an extensive network of noted intellectuals, poets and painters of the day, and many collaborative inscribed paintings survive. His calligraphies, including letters such as this one, have always been cherished by collectors and widely published.This letter, addressed to San’yō’s son, Rai Itsuan 頼聿庵 (1801–1856), requests funds to cover the cost of carving woodblocks needed to publish a book of the collected writings of San’yō’s father, Rai Shunsui 頼春水 (1746–1816). Shunsui served as a Confucian scholar-official in the Hiroshima domain until his death in 1816. After Shunsui’s death, San’yō immersed himself in collating and editing his father’s poems and essays. He sought to publish them so they might be preserved for posterity. Because San’yō had left the domain, his son Itsuan succeeded to Shunsui’s position as a Confucian scholar-official in Hiroshima. The letter mentions “the cost of carving woodblocks.” Although San’yo does not specify what book he wanted to publish, the timing suggests that it was for his father’s collected writings, which were published in 1828 under the title Shunsui’s Posthumous Writings (Shunsui ikō 春水遺稿).

Artysta

rai san’yō

Miejsce urodzenia Aki Prefecture, Japan

early life and education

rai san’yō, a prominent japanese artist, was born on january 21, 1780, in aki province. he hailed from a samurai family of the hiroshima domain. rai san’yō's early education involved studying humanities with his uncles, who were notable neo-confucian scholars. later, he attended the shōheikō, a prestigious training school for government bureaucrats in edo.

artistic career and contributions

rai san’yō is celebrated for his multifaceted artistic talents, which include:

rai san’yō's work as a painter is characterized by its association with the nanga school, known for its emphasis on individual expression and personal interpretation.

he was an accomplished calligrapher, as evident in his numerous works featuring intricate, cursive script.

as a poet, rai san’yō penned chinese verses that showcased his mastery of language and form.

notable works:

unexpected meeting on the yodo river (1823) - a collaborative piece with tanomura chikuden, showcasing their artistic and literary bond. (view on AllPaintingsStore)

letter (ca. 1820–28) - a hanging scroll featuring rai san’yō's calligraphic prowess. (view on AllPaintingsStore)

museums and collections

rai san’yō's works are featured in several prominent museums, including:

the metropolitan museum of art - housing a collection of his calligraphic pieces, such as "a chinese verse on 'compiling history'" (view on the met's website).

the moa museum of art (japan) - although not specifically mentioned, the museum's focus on japanese and asian art makes it a relevant institution for studying rai san’yō's work. (learn more about the moa museum on AllPaintingsStore).

legacy and later life

rai san’yō passed away on october 16, 1832, in kyoto. his legacy as a scholar, poet, and artist continues to inspire art enthusiasts and scholars alike. for more information on rai san’yō's life and works, visit AllPaintingsStore, which features an extensive collection of his paintings and calligraphic pieces. important dates: january 21, 1780: born in aki province october 16, 1832: passed away in kyoto

Dowiedz się więcej

Artysta rai san’yō artsdot.com/pl/artists/rai-sanyo/
Podobne dzieła Więcej dzieł do porównania artsdot.com/pl/art/similar/rai-sanyo-letter-D32EKF-en/

Odkryj w sieci

Kod QR prowadzący do strony pobierania Letter

artsdot.com/pl/art/download/rai-sanyo-letter-D32EKF-en/

Cytowanie dzieła

MLA: san’yō, rai. Letter. 1820, https://artsdot.com/pl/art/rai-sanyo-letter-D32EKF-en/
APA: san’yō, rai (1820). Letter [Painting]. https://artsdot.com/pl/art/rai-sanyo-letter-D32EKF-en/
Chicago: rai san’yō. Letter. 1820. https://artsdot.com/pl/art/rai-sanyo-letter-D32EKF-en/
Harvard: san’yō, rai (1820) Letter. Available at: https://artsdot.com/pl/art/rai-sanyo-letter-D32EKF-en/

Letter — rai san’yō

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Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
Które kolory lub kształty budują nastrój — i jaki to nastrój?
Wróć do dzieła Peonies/Seven-Character Quatrain (1830), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
rai san’yō miał około 40 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?
Co artysta mógł chcieć, abyś poczuł?

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