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Spring sunshine

Imię i nazwisko Klasa Data

Lloyd Rees, Spring sunshine (1938), Galeria Sztuki Nowego Południowej Walii. Odtworzono w celach informacyjnych; wszelkie prawa zastrzeżone przez właściciela praw. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Lloyd Rees artsdot.com/pl/artists/lloyd-frederic-rees/
Daty życia artysty
1895 – 1988
Technika malarska
1938
Miejsce wystawy
Galeria Sztuki Nowego Południowej Walii artsdot.com/pl/museums/galeria-sztuki-nowego-poludniowej-walii-sydney_pl/

W kontekście

Spring sunshine — Lloyd Rees

Kiedy powstało to dzieło?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 93 w chwili śmierci.

Namalowane, gdy artysta miał 43 lat. Artysta dożył 93 lat. 1 z 8 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.

Shaded: lata życia Lloyd Rees (1895–1988) ▲ to dzieło, 1938 każdy datowany obraz, dekada po dekadzie

Pierwsze prace: do 1938 Główne lata aktywności zawodowej: 1938–1947 Późne dzieła: od 1947

Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: artsdot.com/pl/art/similar/lloyd-frederic-rees-spring-sunshine-wd-aa-orlsidlt-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    White #e7e7e7

    Paleta w katalogu

    • #E7E7E7
    • #222222
    • #B7B7B7
    • #4C4C4C

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Paleta kolorów
    Neutrals Dominująca gama kolorystyczna obrazu.
    Nazwa koloru głównego
    White
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Statement W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Unified Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Brilliant Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Artysta i muzeum

    Artysta

    Lloyd Rees

    Urodzony w Brisbane, Australia

    Lloyd Frederic Rees: A Life in Landscape

    Lloyd Frederic Rees (1895-1988) was a celebrated Australian landscape painter whose work beautifully captured the essence of the Australian environment and explored the harmonious relationship between humanity and nature. His career spanned much of the 20th century, marked by consistent artistic exploration and significant recognition within the Australian art world.

    Early Life and Education

    Born on March 17, 1895, in Brisbane, Queensland, Rees was one of eight children born to Owen Rees and Angèle Burguez. His early life provided a foundation for his later artistic pursuits. He received formal art training at Brisbane’s Central Technical College, beginning his career as a commercial artist in 1917.

    Artistic Development & Influences

    Rees's artistic journey began with sketches and paintings focused on the built environment within the landscape. While specific early influences are not extensively documented, his work demonstrates an affinity for capturing light and atmosphere – qualities often associated with Impressionism. He was part of the Northwood Group from the 1940s to the 1960s, a collective that favored neo-impressionist styles and sinuous linework in their landscape depictions.

    Key Themes & Style

    Rees’s oeuvre is characterized by several recurring themes:

    Harmony between Man and Nature: A central concern throughout his career.

    The Effects of Light: He masterfully depicted the changing qualities of light on the Australian landscape.

    Spiritual Connection to the Land: Particularly prominent in his later works, exploring a deeper relationship with the environment.

    His style evolved over time, but consistently emphasized observation and a sensitive rendering of form and color. His later paintings often exhibit an abstraction of form, focusing on the source and effects of light.

    Major Achievements & Recognition

    Rees achieved significant acclaim throughout his career:

    Wynne Prize: Won twice (1950 and 1982) for outstanding landscape paintings.

    Commonwealth Jubilee Art Prize: Awarded in 1957.

    Order of Australia: Received in 1985, recognizing his contribution to Australian art.

    His painting, The Road to Berry, is a notable work held in the collection of the Art Gallery of New South Wales.

    Notable Works

    Beyond “The Road to Berry”, Rees produced a substantial body of work including numerous sketches and paintings depicting various Australian landscapes. His works are also held in the collections of the Art Gallery of Western Australia and the National Gallery of Australia.

    Personal Life

    Rees experienced personal loss with the passing of his first wife, Dulcie Metcalf, shortly after childbirth in 1927. He later married Ursula McGeogh in 1931. A brief engagement to sculptor Daphne Mayo ended in 1925.

    Historical Significance & Legacy

    Lloyd Frederic Rees remains a significant figure in Australian art history. His dedication to landscape painting, his sensitive portrayal of light and atmosphere, and his exploration of the spiritual connection between humanity and nature have left a lasting legacy. He helped shape the development of Australian landscape painting and continues to inspire artists today.

    He continued to paint until his death on December 2, 1988, at the age of 93, leaving behind a rich artistic heritage that celebrates the beauty and spirit of Australia.

    Muzeum

    Galeria Sztuki Nowego Południowej Walii

    Prezentowane w Sydney, Australia

    A Window into Colonial Australia: The Art of New South Wales

    Nestled within the vibrant heart of Sydney, the Art Gallery of New South Wales is more than just a collection of paintings and sculptures; it’s a profound journey through centuries of cultural exchange. Founded on the ancestral lands of the Gadigal people – a recognition that remains deeply woven into the gallery's very ethos – this institution invites visitors to contemplate not only the beauty within its walls but also the complex, often challenging narrative of Australia’s formation. From the meticulous detail of early engravings depicting the arrival of Governor Arthur Phillip to the bold expressions of contemporary street art, the Gallery offers a remarkably diverse collection reflecting the varied experiences that shaped colonial art and continue to resonate today.

    The gallery's origins trace back to 1872 with the establishment of the New South Wales Academy of Art. Initially focused on organizing annual exhibitions, it quickly evolved into a vital platform for emerging artists. The building itself – originally constructed as the Royal North Shore Hospital in 1856 – is an integral part of the gallery’s story. Designed by John Habens, its imposing Victorian façade speaks to a time when hospitals were symbols of civic pride and progress. The repurposing into an art gallery in 1973 was a deliberate act of preservation, honoring the building's historical fabric while providing a fitting space for artistic expression. The careful restoration has maintained the original grandeur, layering architectural history with the dynamic energy of contemporary exhibitions. Notice the soaring arches, the intricate stonework – each element whispers tales of generations past.

    A Legacy of Patronage and Artistic Voice

    The Gallery’s collection is particularly enriched by the influence of Charles Jones, a prominent patron and collector who championed the talents of Sydney artists during the 19th century. Jones recognized the potential within the colony's burgeoning artistic community and actively fostered its growth. His dedication resulted in a significant collection that showcases the evolution of artistic styles and techniques – from the formal elegance of early portraiture to the emerging Romanticism capturing the rugged beauty of the Australian landscape. Keep an eye out for works by Francis Wheatley, whose meticulous engravings immortalized figures like Arthur Phillip Esq., offering a poignant glimpse into the initial stages of settlement and British authority. The gallery also houses a remarkable collection of Charles Jones’s acquisitions, representing his discerning taste and commitment to supporting local talent.

    Notable Exhibitions & Artistic Voices

    The Art Gallery of New South Wales consistently hosts a dynamic program of exhibitions that illuminate diverse themes and artistic movements. Recent highlights have included compelling retrospectives dedicated to pioneering Australian artists like Charles Condor, whose dramatic seascapes capture the raw power of the Pacific Ocean, and explorations of contemporary street art – a vibrant reflection of urban culture and social commentary. The Archibald Prize, Australia’s most prestigious portraiture award, is regularly featured at the gallery, offering a captivating insight into the nation's artistic talent and its evolving perspectives on identity and representation. Don’t miss opportunities to explore thematic exhibitions focusing on Indigenous Australian art, showcasing traditional storytelling techniques and cultural symbolism – an essential component of understanding Australia’s rich artistic heritage. The Gallery also frequently hosts touring exhibitions from international institutions, broadening the scope of its collection and offering fresh perspectives.

    The Lewers Bequest: A Pivotal Collection

    Perhaps the Gallery's most distinctive feature is the Lewers Bequest – a remarkable collection of 19th-century Australian paintings amassed by Sir John Edward Lewers, a prominent businessman and art collector. This bequest represents a pivotal moment in the development of Australian art history, providing an unparalleled opportunity to study the evolution of artistic styles and techniques within the colony. The collection includes works by artists such as Frederick McCubbin, Tom Roberts, and Russell Drysdale, offering a comprehensive overview of the period’s artistic landscape. The Lewers Bequest is housed in a dedicated wing of the gallery, allowing visitors to immerse themselves fully in this extraordinary assemblage and appreciate its significance within the broader context of Australian art history.

    A Living Collection: Research & Community Engagement

    The Art Gallery of New South Wales is more than just a display space; it’s a vibrant hub for research and community engagement. Its curatorial team actively investigates the provenance and significance of its artworks, contributing to a deeper understanding of Australian art history. The gallery also offers a range of educational programs, workshops, and tours designed to engage visitors of all ages and backgrounds – from school groups to seasoned art enthusiasts. Furthermore, the Gallery’s commitment extends beyond its physical walls through collaborations with local schools, universities, and cultural organizations, promoting artistic literacy and supporting emerging talent. The gallery's website provides extensive resources for researchers, students, and art lovers alike, solidifying its role as a vital center for Australian art scholarship.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Spring sunshine

    artsdot.com/pl/art/download/lloyd-frederic-rees-spring-sunshine-wd-aa-orlsidlt-en/

    Jak cytować to dzieło

    MLA
    Rees, Lloyd. Spring sunshine. 1938, Galeria Sztuki Nowego Południowej Walii. https://artsdot.com/pl/art/lloyd-frederic-rees-spring-sunshine-wd-aa-orlsidlt-en/
    APA
    Rees, Lloyd (1938). Spring sunshine [Painting]. Galeria Sztuki Nowego Południowej Walii. https://artsdot.com/pl/art/lloyd-frederic-rees-spring-sunshine-wd-aa-orlsidlt-en/
    Chicago
    Lloyd Rees. Spring sunshine. 1938. Galeria Sztuki Nowego Południowej Walii. https://artsdot.com/pl/art/lloyd-frederic-rees-spring-sunshine-wd-aa-orlsidlt-en/
    Harvard
    Rees, Lloyd (1938) Spring sunshine. Galeria Sztuki Nowego Południowej Walii. Available at: https://artsdot.com/pl/art/lloyd-frederic-rees-spring-sunshine-wd-aa-orlsidlt-en/

    Przyjrzyj się uważnie

    Spring sunshine — Lloyd Rees

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła The road to Berry (1947), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    4. Lloyd Rees miał około 43 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?
    5. Co artysta mógł chcieć, abyś poczuł?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Jaki jest format dzieła "Spring sunshine"?

    „Spring sunshine” – Lloyd Rees to kompozycja w formacie Panoramic. Warto sprawdzić proporcje przed wyborem rozmiaru wydruku.

    Czy dzieło „Spring sunshine” – Lloyd Rees znajduje się w kraju pochodzenia artysty?

    Tak – dzieło znajduje się w kraju pochodzenia artysty. Dzieło "Spring sunshine" znajduje się w zbiorach Australia, podczas gdy Lloyd Rees urodził(a) się w Australia.

    Czy Spring sunshine jest w ogólnym ujęciu jasny?

    Ogólnie rzecz biorąc, poziom jasności dzieła „Spring sunshine” określany jest jako brilliant. Postrzegana jasność opisuje, jak jasne lub ciemne wydaje się dane dzieło.