Przewodnik po pracach studentów
Prawa autorskie To dzieło znajduje się w domenie publicznej. Kerr Eby zmarł/a w 1946; autorskie prawa majątkowe wygasają 70 lat po śmierci artysty, zatem wygasły w 2016.
W kontekście
A Summer Day — Kerr Eby
Oryginalne wymiary to 14 × 24 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.
Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 57 w chwili śmierci.
Namalowane, gdy artysta miał 51 lat. Artysta dożył 57 lat. 101 z 116 datowanych dzieł tego artysty w naszym katalogu powstało wcześniej.
Shaded: lata życia Kerr Eby (1889–1946) ▲ to dzieło, 1940 każdy datowany obraz, dekada po dekadzie
Pierwsze prace: do 1922 Główne lata aktywności zawodowej: 1922–1932 Późne dzieła: od 1932
Te trzy sekcje dzielą datowane w tym katalogu dzieła na pierwszy kwartał, środkową połowę oraz ostatni kwartał. Nie stanowią one pełnego dorobku artysty: rzadsze okresy mogą wynikać z luk w dokumentacji, a nie z mniejszej aktywności twórczej. Lata zbieżne z życiem artysty
Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.
Więcej dzieł o podobnym charakterze: artsdot.com/pl/art/similar/kerr-eby-a-summer-day-AQTFVF-en/
Wyodrębniona z analizy obrazu
Kolor główny
Rosy Brown #b9a78b
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Razem dzieła te stanowią 44,0% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 117 dzieł tego artysty, z których 65 zostało obejrzanych co najmniej raz. Ten obraz nie został jeszcze obejrzany w tym okresie — zamyka on listę bez przypisanego miejsca w rankingu. To samo, miesiąc po miesiącu
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O tym dziele sztuki
A Summer Day — Kerr Eby
Kerr Eby was a Canadian illustrator and artist, best known for his works depicting soldiers in combat during World War I and II. One of his notable pieces is A Summer Day, a black and white artwork created in 1940. This painting is part of the collection at the Smithsonian American Art Museum in the United States.
The painting features a man sitting under a tree next to a body of water, with two birds in the scene. A boat is visible in the middle of the image, adding to the serene atmosphere of the piece. The overall mood of A Summer Day is one of peace and tranquility, a stark contrast to the war-themed works that Kerr Eby was known for.
Kerr Eby was born in Tokyo, Japan in 1889 to Canadian Methodist missionary parents. He received formal art training at Pratt Institute and the Art Students League of New York. During World War I, Eby served in an ambulance crew and later as a camoufleur, creating many memorable images of soldiers in combat.
Some of Kerr Eby's other notable works include Clam Digger's Return, Evening, and Driftway, Evening. These pieces showcase his skill in capturing the human experience during times of war and peace. You can find more information about these paintings on AllPaintingsStore.com and learn about the artist's life and work on Wikipedia.
Medium: Paper
Size: 14 x 24 cm
Date: 1940
Museum: Smithsonian American Art Museum
AllPaintingsStore.com offers handmade oil painting reproductions of Kerr Eby's works, including A Summer Day. These reproductions are created by skilled artists and are available for purchase on the website.
For art enthusiasts and collectors, A Summer Day is a must-see piece that showcases Kerr Eby's skill in capturing the human experience during times of peace.
Artysta i muzeum
Born in the bustling metropolis of Tokyo in 1889, Kerr Eby’s artistic journey began far from the familiar landscapes of his Canadian heritage. His parents, devout Methodist missionaries, instilled within him a deep appreciation for observation and a keen eye for detail – qualities that would prove instrumental in shaping his distinctive style. Early life in Canada provided a grounding in traditional art training, but it was his relocation to New York City in 1907 that truly ignited his artistic ambitions. He enrolled at Pratt Institute and later honed his skills at the prestigious Art Students League, immersing himself in the vibrant artistic community of the city.
Eby’s formative years were marked by a fascination with printmaking, an art form he mastered through apprenticeships and hands-on experience. He secured a position at the American Lithographic Company, gaining invaluable insight into the technical intricacies of etching and lithography – skills that would later become central to his artistic practice. Crucially, he benefited from the influence of his uncle, Frederick Keppel Sr., a prominent art dealer who championed the recognition of prints as a legitimate form of fine art within America. This support, combined with his own dedication, allowed Eby to develop a remarkable technical proficiency and a unique visual language.
World War I marked a pivotal moment in Kerr Eby’s career, transforming him from a promising artist into a chronicler of war. Enlisting in the U.S. Army in 1917, he initially served as an ambulance driver and later as a camoufleur – a vital role that demanded both artistic skill and an intimate understanding of military strategy. It was during this period that Eby began to document the realities of combat through sketches and drawings, capturing not just the grand sweep of battles but also the quiet moments of human experience amidst the chaos. Unlike many official war artists who focused on heroic depictions, Eby sought to portray the war with unflinching honesty, revealing both its brutality and its profound impact on the lives of ordinary soldiers.
His early sketches, initially intended for personal records, were eventually compiled into a powerful collection titled War, published in 1936. This book, a testament to Eby’s artistic vision and his commitment to bearing witness, became an immediate sensation, capturing the attention of critics and collectors alike. It established him as one of the foremost illustrators of the war, alongside figures like Harvey Dunn, and cemented his reputation for portraying the horrors and humanity of conflict with remarkable sensitivity.
Following the First World War, Eby experienced a period of reflection and artistic evolution. While he continued to occasionally revisit themes related to war, he increasingly turned his attention to landscapes and equestrian portraits – subjects that offered a respite from the grim realities of combat. His landscape paintings, characterized by their luminous quality and evocative atmosphere, drew inspiration from the Luminist movement, emphasizing light, color, and the beauty of nature. Simultaneously, he returned to his earlier passion for portraiture, producing stunning depictions of horses and riders – works that showcased his exceptional technical skill and his ability to capture the essence of his subjects.
This shift in focus did not diminish Eby’s artistic integrity; rather, it allowed him to explore new avenues of expression while retaining the core values that had defined his work throughout his career. His equestrian portraits, for example, often carried a subtle undercurrent of melancholy, reflecting his experiences during the war and his deep understanding of human suffering.
Kerr Eby’s life was tragically cut short in 1946, succumbing to complications from a tropical disease contracted while documenting the fighting in Bougainville. Despite his untimely death, his artistic legacy endures as a powerful testament to the role of art in bearing witness to historical events. His illustrations from World War I and II remain invaluable documents, offering a rare glimpse into the experiences of soldiers on the front lines. His work is held in numerous museums across America, including the Smithsonian American Art Museum, a testament to its enduring artistic merit and historical significance.
Eby’s ability to capture both the physical realities of war and the emotional toll it exacted on individuals has cemented his place as one of the most important illustrators of the 20th century. His art serves not only as a record of history but also as a poignant reminder of the human cost of conflict – a message that remains profoundly relevant today.
artsdot.com/pl/art/download/kerr-eby-a-summer-day-AQTFVF-en/
Przyjrzyj się uważnie
A Summer Day — Kerr Eby
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„A Summer Day” jest dostępny jako szlachetna odbitka na płótnie bawełnianym lub archiwalnym papierze o strukturze płótna. Zamówienia można składać na stronie Wydruk artystyczny premium, wybierając dowolny rozmiar.
„A Summer Day” jest dostępny jako wysokiej rozdzielczości cyfrowe zdjęcie do pobrania; można go nabyć bezpośrednio na stronie Cyfrowy obraz.
Gdy w 1940 roku powstało dzieło „A Summer Day”, Kerr Eby – urodzony/a w 1889 – miał/a 51 lat.